Discovery [Enhanced]

Daft Punk | Format: Audio CD

Product Details

• Audio CD (March 13, 2001)
• Number of Discs: 1
• Format: Enhanced
• Label: Virgin Records Us
• ASIN: B000059MEK
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (341 customer reviews)
• Amazon Best Sellers Rank: #4,225 in Music (See Top 100 in Music)
  • #9 in Music > Dance & DJ > House
  • #54 in Music > Dance & DJ > Electronica

Editorial Reviews

Amazon.com's Best of 2001

The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats. So how have they managed to position themselves as electronic music's next great crossover artists? On Discovery, the follow-up to the 1998 worldwide smash Homework, the answer is obvious: they have no shame, and they know how to make us dance.

Starting off with the irresistibly hummable "One More Time," the record blows through a head-spinning array of styles and samples, creating a pop-culture stew of funky loops and dance-floor anthems. "Aerodynamic" eschews breakbeats for an Yngwie Malmsteen-ish guitar interlude that somehow ends up meshing in a crazy blend of stomping bass lines and hyped-up harmonics. "Digital Love" starts off silly and gets sillier, but the monosyllabic lyrics lull the senses just right, allowing the song's summery groove to grab hold with authority. "Harder, Better, Faster, Stronger" is a resounding standout amidst the retro/Vocoder deluge that transpired after Cher's Believe turned the kitchy disco device into a worldwide pop music trend, spinning a clever groove around an ever-escalating string of computerized seduction. Everywhere on the record, gigantic beats are dropped with pinpoint precision, giving songs a momentum that transforms repetitive melodies into sudden revelations. The record's only misstep, the aptly named "Short Circuit" utilizes a keyboard riff that is nails-on-a-chalkboard awful, but it can't keep this from being one of the best records of 2001. --Matthew Cooke

Product Description

The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats. So how have they managed to position themselves as electronic music's next great crossover artists? On Discovery, the follow-up to the 1998 worldwide smash Homework, the answer is obvious: they have no shame, and they know how to make us dance. Starting off with the irresistibly hummable "One More Time," the record blows through a head-spinning array of styles and samples, creating a pop-culture stew of funky loops and dance-floor anthems. "Aerodynamic" eschews breakbeats for an Yngwie Malmsteen-ish guitar interlude that somehow ends up meshing in a crazy blend of stomping bass lines and hyped-up harmonics. "Digital Love" starts off silly and gets sillier, but the monosyllabic lyrics lull the senses just right, allowing the song's summery groove to grab hold with authority. "Harder, Better, Faster, Stronger" is a resounding standout amidst the retro/Vocoder deluge that transpired after Cher's Believe turned the kitchy disco device into a worldwide pop music trend, spinning a clever groove around an ever-escalating string of computerized seduction. Everywhere on the record, gigantic beats are dropped with pinpoint precision, giving songs a momentum that transforms repetitive melodies into sudden revelations. --This text refers to the Vinyl edition.

Customer Reviews

Most Helpful Customer Reviews

45 of 48 people found the following review helpful:

5.0 out of 5 stars Perfect for the first time daft-er, May 3, 2001

By 

"dpfan2001" - See all my reviews

This review is from: Discovery (Audio CD)

Even if you bought this record just for it's liquefied metal cover, you would not be disappointed. This is truly a fantastic album in every sense of the word. And the techniques used in the creation were just fabulous. One of the things my friend said when he first heard me playing it was "the samples sound so CLEAN!" And they do. Every sample has been processed at incredibly high quality, there is no "Lo-Fi" on this record. The entire record is permeated with funky-style samples that you swear you know but just can't seem to place. Every song has some fantastic SOMETHING about it:

1.One More Time - the perfect party track! a thick thumping bassline and everybody-that's-not-a-raver's-view of the raver world lyrics -:)-, catches your attention immediately.

2.Aerodynamic - by far, the most significant bit on this track is the squealing pseudo-guitar solo. It may be simple, but it sounds REALLY COOL!

3.Digital Love - early 80's motivational tapes samples with cheesy vocoded lyrics = something still meaningful? To be honest, it's still fun to listen to, despite it's cheesiness.

4.Harder, Better Faster, Stronger - one of my favorite songs on the record. Easy to dance to, but it features one of the most incredible things I've ever heard. To understand you have to know what a vocoder is. A vocoder is a device that takes your voice, specifically the vibrations in your voice, and converts it to the tone of the instrument it is attached to, which is almost ALWAYS a keyboard for simplicity. What's really neat about Harder, Better, Faster, Stronger, is that at 2:25, the vocoder is switched over to an odd device that triggers it by a guitar. It's especially obvious at certain points, where the player is playing a really neat solo. Truly interesting to hear.

5. Crescendolls - A little odd at first, but it's got the throw-your-arms-in-the-air "HEY!" sample going on. A lot of fun, eh?

6. Nightvision - a slow, short instrumental track, but still extremely well put together. I wish it were longer with some vocals.

7. Superheroes - When I looked at the sample list for the record, and saw "Barry Manilow - Who's Been Sleeping In My Bed?" I wondered "what the heck?!" But when you hear the track, and the thumping bassline and beat and "love is in the air" echoing over and over it really makes sense and the song is a lot of fun.

8. Night Life - Brings back memories of disco! And that's always a good thing, right?

9. Something About Us - Listening to the beginning of the track I was expecting Barry White to start singing. A nice slow mellow groove.

10. Voyager - A little distortion on the bassline kept it interesting.

11. Verdis Quo - After you get by the somewhat slow intro, it starts getting kind of neat, and you want to keep listening. The layers get thicker each minute, and by the end it's a real sonic jubilee.

12. Short Circuit - I can't really say anything in favour of this song, neither could amazon.

13. Face To Face - This will HAVE to be the next one on the radio! I've already remixed this into an extended version and played it at some parties where we play a lot more old-school funk and stuff. The version on the record is about 3 and a half minutes, my version was nearly 9 minutes, and still when it ended people acted dissapointed because they were getting so into the groove. I love this song!

14. Too Long - when I first saw the length of the song, I thought the title was a joke! Ten minutes? An epic pop-techno song? But yes, it's an incredibly well done track, and as Romanthony says in the lyrics, it's really been "too long" since we've heard from the Daft Punk.

In all, this is truly a fantastic record with a lot of vision. A combination of funk, pop, disco, and techno, this isn't techno up front, and it doesn't claim to be. In fact, it doesn't CLAIM to be anything. Whatever it is, it's REALLY good at being it.

44 of 48 people found the following review helpful:

5.0 out of 5 stars Brilliant. Awesome. I'd like to play it "One More Time", November 10, 2004

By 

Strategos "The Guardian of Time" (In Space above Planet Earth) - See all my reviews
(VINE VOICE)   

Amazon Verified Purchase

This review is from: Discovery (Audio CD)

Now this is interesting. Apparently these guys have been famous for quite a while, yet somehow I'd never heard of them. All that was remedied recently though. When I heard that Leiji Matsumoto had created a full-length animated feature with stunning animation based on an ablum by Daft Punk, I just had to check it out. While my opinion of that excellent piece of animation is mixed (I just didn't dig the story or think most of it matched the songs all that well), it did something to me. It made me buy the album it was based on "Discovery". Wow.

In this case, it seemed more like the music video was just a distraction than an extension of the music. When I first started listening to the album I thought it was okay, but as I progressed through it, listening to the songs in order, and then repeating some just to hear them one more time, I got HOOKED.

It's hard to describe. I love electronic music and techno and all that sort of thing, but this is different. The voices and music are all really just toyed with by the musical artists in these songs. Everything is just a way to get you into a feeling, of a rhythm, or a beat. The more you hear the songs, they more they grow on you, the more you get into them, the more you like them, the more you listen to them.

Take that song "One more time". That song is downright addictive! The beat is so infectious that I found I absolutely had to move to the song while I was listening to it. Ditto for the next three tracks. "Aerodynamic" is amazing because it uses electric guitar like a piano player uses his keyboard, not just for show, but to extend and play with a melody, finally turning it into a music-box version of itself before transforming into my favorite song on the album "Digital Love". I love that song. It's just so incredibly upbeat, happy, and beautiful. I love that song. A lot of people really love the next one, "Harder, better, faster, stronger". I didn't care for it at first, but it grows on you, to the point where I love it too now. My other favorite tracks include "Nightvision", "Superheroes" (why do I actually think of comic book superheroes when I hear that song?), and "Voyager".

This may be an acquired taste, but it's definitely a taste I'm glad I acquired. If you dig electronic music in general you should check it out. Just keep an open mind. This more than just more of the same repetitive techno/electronica you've heard. This is beautiful, original, and unique music. Great stuff. Give it a try.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Superb!!, March 21, 2001

By 

Ian Creamer (Dublin,Ireland) - See all my reviews

This review is from: Discovery (Audio CD)

Since the release of the excellent single "One More Time",I've been anticipating the release of this c.d. eagerly.If I was to sum this c.d. up very briefly for Daft Punk fans-it's a lot more One More Time,then the previous c.d. Homework.In fact there is very,very little of the sound of Homework on this c.d.

Okay 14 tracks running close to one hour;8 of these are instrumental.The tracks with vocals are pretty much all done with vocoder and this is shared by Daft Punk themselves and two guest vocalists-who actually all sound pretty similar.The tracks are all way shorter then those on their last c.d. except for the closing track "Too Long".I'd heard all sorts of sneak previews that Daft Punk were going way different on this c.d.Some said pure 70's disco,others Euro-Disco and still others said it would be quite like their Gallic compatriots Air.I have to say that none of these predictions were wrong,yet none of them were accurate either.It's a mixture of those 3 influences that I mentioned above and throw in the odd trance track and a bit of Jean-Michel Jarre.I know it must be annoying to be comparing them to other French artists,but most people would have to admit they have a very distinctive sound.One thing this c.d. certainly is not,is hardcore Techno-it's a million miles from that in my opinion.In fact one could describe this c.d. as almost having a real lightweight sound.I've been listening to this for 2 weeks now and I can't make up my mind as to whether this c.d. is too 'cheesey' in an Eiffel 65,Euro-Disco style or if it's magnificent.I seem to be coming to the opinion that it's a really,really excellent c.d.I feel there is something here for every fan of dance music-except maybe hardcore industrial fans-to enjoy.This duo seem so accomplished at many styles of Dance/Disco and Instrumental music.

The music seems to have been influenced more by the music of the 70's and early 80's rather then the 90's.Apart from the obvious Chic influence there are influences from artist's like 10CC,Supertramp and there is even a sample from Barry Manilow.Many of the instrumental tracks sound very like Air-especially their Moon Safari c.d.All of the songs have immediate accessibility;like this is pretty commercial dance music and it doesn't take long to get into all the tracks.The production quality is just amazing-probably the best I've heard in a long time.So for those who like their music hit very crisp and clear and with no distortion at all then you'll like it.When they do add lyrics to the songs,they are extremely syrupy in the romance stakes,but then I don't think people were ever go to like or dislike this c.d. on the basis of lyrical content. So all in all I'm going to give this c.d. a 4/5/ rating.Yet I'm still not sure that I may look back in a years time and say this is too smooth and M.O.R.My one recommendation for people thinking of buying this c.d. would be to listen to as many tracks as possible to get a feel for the overall sound.I think you'll either love this or hate it-I just can't see a middle ground.Right now I love it!

P.S.-I love the "Daft Card"(like a credit card) given with the c.d.-a very nice touch!