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38 of 38 people found the following review helpful:
5.0 out of 5 stars Astounding, May 7, 2001
This review is from: The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry (Paperback)
Ellenberger's "The Discovery of the Unconscious" was a textbook for a graduate course I took in the philosophy of psychoanalysis. I remember admiring it while I read through it at the time and then setting it aside until the moment came to work my way through it again. The time having come, I worked through this massive book again, and it has aged quite well.

Ellenberger surveys the entire history of the movement we know of as "dynamic psychiatry." The strength of the text, however, is Ellenberger's engaging and thoughtful portraits of the movement's key players: Janet, Freud, Adler, and Jung.

I find myself drawn repeatedly to the portrait of Mesmer and his life and times. Mesmer remains one of the most fascinating figures in history to me, half a wizard and half an entertainer. In reviewing his life, it is almost impossible to separate fact from fiction. I know of no author who treats Mesmer as well as Ellenberger.

Ellenberger's outstanding essay on Jung serves as a primary source for those interested in the interplay of Jung's personality and his ideas. Ellenberger reportedly had a close relationship with Jung and was able to have him personally review some of the material that served as early drafts of this chapter.

The best part of Ellenberger's treatment of Jung is his reminder that Jung was a practical person and that Jungian therapy is often focused exclusively on the practical aspects of the patient's life and circumstances. All too often, there is a view of Jung as a mystic, allied with attempts to place his work in some New Age container. This inappropriate approach is contradicted by Jung's writing, teaching, and practice. In fact, only for some patients, mostly those in the second half of life who faced questions of meaning, would Jung begin with his synthetic-hermeneutic method. For patients dealing with commonplace neurotic symptoms, Jung often used an approach that Ellenberger describes as Adlerian: find out what life task the patient is trying to avoid and remove the obstacle.

Ellenberger's reminder of Jung's essential groundedness is useful, as many of us either forget or ignore this aspect of Jung's theory and therapy. Another thread I found interesting is Ellenberger's treatment of the reasons that Jung rejected experimental psychology, in spite of having spent years working with the association test.

Ellenberger does an excellent job of exploring how the personalities and preferences of each psychologist affected his work and theories. In Ellenberger's treatment of Adler, I found myself fascinated by how much we do not know of his life and of how many holes remain to be filled in. Perhaps because of my own predilections, I did not find the discussions of Janet and Freud all that interesting.

This is a massive book. At first glance it seems intimidating. However, anyone with an interest in the exporers of the land known as the unconscious will find it an engaging read.

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31 of 31 people found the following review helpful:
5.0 out of 5 stars The best available historic overview of depth psychology, May 11, 2000
By 
dr. (Dr. Stephen Diamond, author of ANGER, MADNESS, AND THE DAIMONIC from Los Angeles, California) - See all my reviews
This review is from: The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry (Paperback)
Psychiatrist and historian Henri Ellenberger's monumental reconstruction of how depth psychology developed and flourished in our century is essential reading for psychotherapists and other psychoanalytically inclined readers. "Depth psychology" is that specialized branch of psychotherapy that concerns itself with the phenomenology of the "unconscious." Swiss psychiatrist Eugen Bleuler is, as Ellenberger explains, "commonly credited with having coined the [German term] Tiefenpsychologie (depth psychology)." The author points out, for instance, how the predominance during the nineteenth century of the organic or somatogenic model in psychopathology (which scientifically sought to replace medieval demonology with a more rational mythology) took a direct hit with the publication in 1895 of Studies on Hysteria by Freud and the Viennese physician Josef Breuer. Assimilating the findings of Franz Anton Mesmer, French physicians A.A. Liebault, Hippolyte Bernheim, Jean Charcot, and Pierre Janet--as well as psychological precursors like Kant, Nietzsche, Schopenhauer, C.G.Carus and Eduard von Hartmann--Freud and Breuer put forth a powerful argument for a psychogenic (or primarily psychological) model of mental illness, based on the hypothesized existence of the "unconscious." There are also substantial chapters covering the immense contributions of C.G. Jung and Alfred Adler among many others. In this day of "fast food" therapy, in which the unconscious is typically completely ignored, Ellenberger's classic study is a much-needed reminder of what the pioneering founders of psychotherapy discovered, and what we, their twenty-first- century offspring, cannot afford to forget.
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18 of 19 people found the following review helpful:
5.0 out of 5 stars Incredible Book, January 20, 2004
By A Customer
This review is from: The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry (Paperback)
I am a Jungian analyst in training in Zurich, Switzerland. I can't recommend this book highly enough. It is extraordinarily well-researched, organized and written. The book unfolds with a subtle drama as all the roots of contemporary psychotherapy are slowly revealed. Analysts are fond of the conceit, "Freud discovered this," or "Jung discovered that." This book beautifully discloses the truth that Freud and Jung actually "discovered" very little. Rather, they skillfully organized and packaged ideas about the unconscious that had been in the air for some time. This book takes nothing away from Freud and Jung's achievements; rather it puts them firmly within their historical context and shows the discovery of the unconscious as a gradual unfolding of awareness instead of a eureka discovery by a handful of men. Ellenberger deserves our great thanks for this lifetime, tour de force work of his.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Monumental history of psychoanalysis, February 10, 2001
By 
Bobby Newman (Long Beach, NY USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry (Paperback)
This book is the type of history that students rarely get to see. Textbooks tend to repeat the same old stories, many of which are only loosely based on the facts. This book goes into great depth, and even shows that many famous "cures" were nothing of the sort. This should be required reading for psychotherapists, and more importantly, for their clients.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars The Creative Illness, April 6, 2010
By 
This review is from: The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry (Paperback)
Steven B. Herrmann, PhD, MFT
Author of "Walt Whitman: Shamanism, Spiritual Democracy, and the World Soul"

This book is a masterpiece! When I first read it in 1998, I was so impressed with it I couldn't put it down. I have since used it in my teaching at the C. G. Jung Institute in San Francisco, in my clinical work and in my writing. In Ellenberger's view, Freud and Jung succeeded shamans in the discovery of the unconscious. (9). It was Ellenberger's "hypothesis that Freud's and Jung's systems originated mostly from their respective creative illness (of which their self-analysis was but one aspect)" (889). "Both of them," Ellenberger says, "underwent a creative illness in a spontaneous and original form, and both of them made it a model to be followed by their disciples under the name of training analysis" (890). Jungians, according to Ellenberger, were the first psychologists to consider the training analysis that Jung promoted and which Freudians accepted "as being a kind of initiatory malady comparable to that of the shaman" (890). Freud and Jung unleashed an explosion of psychic energy from the core of the shamanic archetype that would lead them through an "intense preoccupation with an idea" to "a permanent transformation" of their personalities and to "the conviction" that they "have discovered a great truth or a new spiritual world" (447, 448). Ellenberger tells us that throughout the period of creative illness, "the subject never looses the thread of his dominating preoccupation... he is almost entirely absorbed with himself. He suffers from feelings of utter isolation, even when he has a mentor who guides him through the ordeal (like the shaman apprentice with his master.)" (448). After he "emancipated himself from the influence" of Charcot, Ellenberger tells us that Freud began to identify "himself" primarily with the figure of "Goethe" (447). A remarkable transformation of consciousness took place in him that may have been attributable to the influence of the poet archetype. Freud was not only looking for a new system of psychological analysis, he was looking for a style of speech; a mythopoetic language through which the technique of psychoanalysis could be made available for all people. His vehicle for this was not to be found in identification with the founders of the first dynamic psychiatry alone, but in his identification with the poets who had preceded psychologists in the discovery of the unconscious. In order to write his great Traumdeutung in 1899, Freud was led to make an historic break with all of his early "masters" who were not also poets. As Freud pointed out, it was really "the great poets and writers who" had "preceded psychologists in the exploration of the human mind." Ellenberger says: "He [Freud] often quoted the Greek tragedians, Shakespeare, Goethe, Schiller, Heine, and many other writers. No doubt," Ellenberger continues, "Freud could have been one of the world's foremost writers, but instead of using his deep, intuitive knowledge of the human soul for the creation of literary works, he attempted to formulate it and systematize it." When the playwright Lenormand went to visit Freud at his office in Vienna, moreover, Freud is reported to have pointed to the works of Shakespeare and the Greek tragedians as his source, saying: "Here are my masters." "He maintained" Ellenberger concluded, "that the essential themes of his theories were based on the intuitions of the poets" (466, 467, 460). The "creative illness" culminates when a great artistic, religious, scientific, or philosophic truth is discovered and revealed for the benefit humanity (447).

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3 of 3 people found the following review helpful:
5.0 out of 5 stars A classic, March 24, 2005
This review is from: The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry (Paperback)
For anyone interested in psychology, psychiatry, and psychotherapy - a must read, although it is a huge book. It spurred the overdue re-examination of the history of psychoanalysis and the decline of the psychoanalytic mythology that Freud spoon-fed to his followers. It also assisted in the rediscovery of the forgotten achievements of 19th century psychotherapy - hypnosis (animal magnetism or mesmerism), dissociation and hysteria (post-traumatic stress and multiple personalities), and the associated thinkers: Breuer, the young Freud, Nietzsche, Myers, Janet, Braid, and so on. For readers today, it also is a powerful andidote to the widespread and facile crutches of drugs, cookbook diagnostic categories, and misplaced biological analogies.

Read it together with Adam Crabtree's From Mesmer to Freud.
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The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry
The Discovery Of The Unconscious: The History And Evolution Of Dynamic Psychiatry by Henri F. Ellenberger (Paperback - October 16, 1981)
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