A Discovery of Witches: A Novel (All Souls Trilogy) [Hardcover]

Deborah E. Harkness (Author)

Book Description

Release date: February 8, 2011 | Series: All Souls Trilogy (Book 1)

A richly inventive novel about a centuries-old vampire, a spellbound witch, and the mysterious manuscript that draws them together.

Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell.

Debut novelist Deborah Harkness has crafted a mesmerizing and addictive read, equal parts history and magic, romance and suspense. Diana is a bold heroine who meets her equal in vampire geneticist Matthew Clairmont, and gradually warms up to him as their alliance deepens into an intimacy that violates age-old taboos. This smart, sophisticated story harks back to the novels of Anne Rice, but it is as contemporary and sensual as the Twilight series-with an extra serving of historical realism.

Editorial Reviews

Amazon.com Review

Amazon Best of the Month, February 2011: It all begins with a lost manuscript, a reluctant witch, and 1,500-year-old vampire. Dr. Diana Bishop has a really good reason for refusing to do magic: she is a direct descendant of the first woman executed in the Salem Witch Trials, and her parents cautioned her be discreet about her talents before they were murdered, presumably for having "too much power." So it is purely by accident that Diana unlocks an enchanted long-lost manuscript (a book that all manner of supernatural creatures believe to hold the story of all origins and the secret of immortality) at the Bodleian Library at Oxford, and finds herself in a race to prevent an interspecies war. A sparkling debut written by a historian and self-proclaimed oenophile, A Discovery of Witches is heady mix of history and magic, mythology and love (cue the aforementioned vampire!), making for a luxurious, intoxicating, one-sitting read. --Daphne Durham

Ten More Books for Readers of A Discovery of Witches

Interested in learning more about magic and science?

I may have written a novel, but I’m still a history professor! Here are some reading suggestions for those of you whose curiosity has been stirred up by the story of Diana Bishop, Matthew Clairmont, and the hunt for the missing alchemical manuscript Ashmole 782. All of the titles here are non-fiction, and inspired some aspect of A Discovery of Witches.

Elias Ashmole, Theatrum Chemicum Brittanicum: Don’t be put off by the Latin title. This is a collection of English alchemical texts that were gathered by Elias Ashmole. The missing alchemical manuscript that Diana finds in the Bodleian library is not among them, alas, but if you are interested in the subject this is a fascinating glimpse into the mysterious texts that she studies as a historian.

Janet Browne, Darwin’s Origin of Species: Books That Changed the World: Browne is not only a great scholar, but a superb writer. A highly-regarded biographer of Darwin, here she turns her talents to writing a “biography” of his most famous book—and one of Matthew Clairmont’s favorites, as well.

Owen Davies, Grimoires: A History of Magic Books. If you are interested in the history of magic and witchcraft, Davies’ description of the development of magical spellbooks will provide insights into how ideas about magic, science, and nature developed over the centuries.

Carol Karlsen, The Devil in the Shape of a Woman: Witchcraft in Colonial New England. Diana Bishop is descended from a long line of witches. You will find out more about some of those witches—the Bishops and the Proctors—while reading this classic interpretation of what happened in Salem in 1692.

Robert Kehew, Ezra Pound, and W. D. Snodgrass, Lark in the Morning: The Verses of the Troubadours. Matthew is a very old vampire, who has slightly old-fashioned views on love and romance. You might be surprised at the love poetry of his early life, and come away with a whole new appreciation for “old-fashioned.”

Bruce Moran’s Distilling Knowledge: Alchemy, Chemistry, and the Scientific Revolution. This marvelous book is not only deeply learned but extremely readable. Touched with Moran’s sense of humor and his compassion for his subject’s tireless efforts to understand the natural world, you will come away from this book with a new appreciation for the alchemists.

Alexander Roob, Alchemy and Mysticism. Diana Bishop is an expert on the enigmatic imagery that is used in alchemical texts. Many are included in Roob’s book, along with other illustrations from mystical and magical traditions.

Lyndal Roper, Witch Craze: Terror and Fantasy in Baroque Germany. This scholarly book was important to me as I wrote A Discovery of Witches because it helped me understand how the belief in witches influenced the imagination. Many of the notions we have about witchcraft today have their roots in these terrifying fantasies.

James Sharpe, Instruments of Darkness: Witchcraft in Early Modern England. Sharpe’s book is an ideal starting point if you are interested in the history of witchcraft beyond Salem or Germany. One of his most controversial arguments focuses on the role that women played as accusers—not just as victims—in the witchcraft trials.

Bryan Sykes, The Seven Daughters of Eve: The Science That Reveals Our Genetic Ancestry. I was fascinated by the combination of history, genealogy, and science in Sykes’s work. The book provides an introduction to the study of genetics, and to the legacies that are carried from generation to generation among the population.

--Deborah Harkness

(Photo of Deborah Harkness © Marion Ettlinger)

From Publishers Weekly

In Harkness's lively debut, witches, vampires, and demons outnumber humans at Oxford's Bodleian Library, where witch and Yale historian Diana Bishop discovers an enchanted manuscript, attracting the attention of 1,500-year-old vampire Matthew Clairmont. The orphaned daughter of two powerful witches, Bishop prefers intellect, but relies on magic when her discovery of a palimpsest documenting the origin of supernatural species releases an assortment of undead who threaten, stalk, and harass her. Against all occult social propriety, Bishop turns for protection to tall, dark, bloodsucking man-about-town Clairmont. Their research raises questions of evolution and extinction among the living dead, and their romance awakens centuries-old enmities. Harkness imagines a crowded universe where normal and paranormal creatures observe a tenuous peace. "Magic is desire made real," Bishop says after both her desire and magical prowess exceed her expectations. Harkness brings this world to vibrant life and makes the most of the growing popularity of gothic adventure with an ending that keeps the Old Lodge door wide open. (Feb.)
(c) Copyright PWxyz, LLC. All rights reserved.

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Product Details

• Hardcover: 592 pages
• Publisher: Viking Adult; First Edition edition (February 8, 2011)
• Language: English
• ISBN-10: 0670022411
• ISBN-13: 978-0670022410
• Product Dimensions: 9 x 6.3 x 1.9 inches
• Shipping Weight: 1.8 pounds (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (2,386 customer reviews)
• Amazon Best Sellers Rank: #14,194 in Books (See Top 100 in Books)

More About the Author

Deborah Harkness is a professor of history at the University of Southern California. She has received Fullbright, Guggenheim, and National Humanities Center fellowships, and her most recent scholarly work is The Jewel House: Elizabethan London and the Scientific Revolution. She also writes an award-winning wine blog.

Amazon Author Rankbeta 

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#13 in Kindle eBooks > Literature & Fiction > Horror

#35 in Books > Science Fiction & Fantasy > Fantasy

#40 in Kindle eBooks > Literature & Fiction > Fantasy

#58 in Books > Romance > Fantasy & Futuristic

#59 in Books > Science Fiction & Fantasy

#13 in Kindle eBooks > Literature & Fiction > Horror

#35 in Books > Science Fiction & Fantasy > Fantasy

#40 in Kindle eBooks > Literature & Fiction > Fantasy

#58 in Books > Romance > Fantasy & Futuristic

#59 in Books > Science Fiction & Fantasy

Most Helpful Customer Reviews

771 of 881 people found the following review helpful

5.0 out of 5 stars A Monumental Collision of Magic, History and Science February 8, 2011

By Viviane Crystal TOP 1000 REVIEWERVINE™ VOICE

Format:Hardcover

This is not your ordinary story about witches, vampires and daemons!

Diana Bishop's famous ancestor was executed for being a witch. As a heart-rending consequence of Diana's parents' mysterious deaths, Diana has vowed she will live totally as a human, denying her identity as a witch with both usual and unusual powers. Dedicating her life to logic and ordinary living, she is now a history scholar doing research on alchemy texts in the Bodleian library at Oxford. Upon receiving a requested text called Ashmole 782, she realizes either the book is spellbound or there is something about this book that connects with her hidden witch powers. Add to that the reactions of suddenly appearing witches, vampires, and daemons whose animosity and threatening looks and words make Diana's wish for normalcy an illusion she can no longer ignore.

Into the midst of this reality arrives a handsome, extremely intelligent and old vampire, Matthew Clairmont, who is supposedly pursuing his own research as a geneticist. Initially disliking and avoiding his presence, Diana finally begins to realize he is protecting her from direct attack by the hordes of persons appearing daily in the library who are insisting she recall the text they are desperate to obtain. Then he begins to appear during her running and rowing exercises which seem to be the only way she can stop her natural abilities from emerging with perilous effects on herself as well as others.

Why is Matthew so attracted to Diana and what is behind the interest so many have in this mysterious text lost for centuries which has appeared and again disappeared after Diana's innocent unbinding of its pages?... Finally, when several close calls with death frighten Diana into realizing her lack of control, she accepts shelter first with Matthew's vampire family in France and then with her own witch family in America.

A Discovery of Witches is so much more than just a supernatural story! Yes there are adventurous thrills for those who love the proverbial accounts of such creatures. But here is an intelligent consideration of the essence of origins, differences, genetic mating and consequences, shared powers defying definition and classification, versions of history holding secret and amazing phenomena, relationships of enmity forced to unite under common needs - both good and evil, the quintessential realities behind the search for the Philosopher's stone or alchemy, and so much more.

Add to that a sweet, dangerous romance all the more real because of what seems to be its doomed end, and herein is the perfect combination, preciously difficult to adequately encompass in any brief review. This tale is a smart, tense, provocative, and enchanting read you will not want to end and will be relishing long after the last page is turned. This reviewer is so looking forward to the sequel to this amazing novel which will be a best seller!!! Absolutely delightful and impossible to put down! Read more ›

353 of 402 people found the following review helpful

3.0 out of 5 stars Mixed bag of contrived and clever February 25, 2011

By Vanessa

Format:Hardcover

In A DISCOVERY OF WITCHES Harknes takes all the urban fantasy romantic tropes and...uses them. Main PoV character Diana is smart, orphaned, stubborn, beautiful-though-she-doesn't-know-it, and a powerful witch. Her vampire love interest Matthew is almost perfectly thoughtful, impeccably dressed, brilliant, rich, and well connected. The antagonists resent their blossoming romance because vampires and witches 'just don't mix' (Really! It's never happened before!). There's the trendy locales (Oxford, France, upstate New York), the wine/books/artifacts only a centuries old vampire could have, the tension between the supernatural races. If you've read your share of urban fantasy, you've seen all this many times over.

The issue isn't that Harkness uses these tropes over again--they are tried and true for a reason--it's that it's her first novel and you can tell. Her foreshadowing lacks subtlety. Last-minute contrivances fix issues. Too much time is spent on the minutiae of eating/traveling/clothing. Expository conversations are used to forward the plot. And the plot itself is bogged down with irrelevant information. You know, the kinds of things any writer's workshop would explain are problems because they affect flow and readability.

But do these problems ruin the story?

For most urban fantasy readers, those are issues that won't impede their enjoyment of the love story. However, while I enjoyed Harkness' blending of ideas and the magic, even if they aren't exactly groundbreaking, the execution made it hard for me to enjoy it on a level that would make me give an unhesitating endorsement.

The story starts off with a problem: why does everyone want Ashmole 782? Diana is a Ph.D.... in history, an expert on alchemical texts, and during her research at Oxford she finds a text that has been missing for 150 years. She can tell it's special because it fires off all her witch's senses. But she's here as a scholar and not a witch, so sends it back, where it disappears again. Now every vampire, witch, and daemon in Oxford wants to know how she got it to appear and if she's going to do it again. Because its hidden text supposedly explains the origin of paranormal creatures--and perhaps even how to destroy them forever.

During Diana's research, Matthew Clairmont appears. He's mysterious and attractive, but he's a vampire. He's a scientist at heart, who wants to not only know the how but also the why. He claims to want to help Diana, and is interested in Ashmole 782, but his altruistic intention is suspect. Diana, against her better judgement, is drawn into Matthew's circle of protection. The other witches don't want anyone but another witch to ever obtain Ashmole 782, and see Diana's vampire-trusting behavior as a betrayal.

Then the dots start connecting: the death of her parents, the text, the motives of witches and vampires who are trying to keep Diana and Matthew apart. Harkness blends history, magic, science and alchemy into a story that sucks you in despite its awkward pace--because, really, you don't know where Harkness is heading with all this and you are compelled to know.

Harkness's prose is easy enough to read, and she handles the magic well, including the separation of the supernatural races, and even the 'science' of their behaviors. Even though some of it seems to be for convenience's sake (i.e., vampires awake and walking around during the day). My favorite part of the entire book is the sentient house where Diana's witch Aunt Sarah lives. It creates new rooms for guests, has temper tantrums, and hides/reveals things at the appropriate times.

The love story between the main characters is a strangely mixed bag of reality and contrivance. I wanted to want to see them together, and they seem to fit together as a couple personality-wise, but the execution made Matthew creepy and Diana wishy-washy. Matthew is an over-protective control freak and Diana is a 30-something Ph.D. who devolves into a lovestruck teen, which made me kind of embarrassed for my sex. It doesn't help, either, that it only takes them three weeks to decide this is True Love Forever.

While I was eventually able to enjoy the main characters, and even the plethora of secondary characters that are important in Diana and Matthew's lives, I couldn't get around the meandering storyline. Certainly there's forward movement as they fall in love, travel, and unravel the mysteries of Ashmole 782, but I look back and there's just so much fluff. I spent 500+ pages reading to remember all these details (historical, alchemical, etc), only to have them mean nothing to the story. If you asked me, I don't think I could pinpoint the exact climax of the novel (I think it was around the 2/3 mark, which is an awkward spot); then the last third of the novel devolves into a meandering buildup for an event that leads into what's obviously going to be a sequel. I guess we'll have to see if she improves with susequent novels.

**This review was posted on Elitist Book Reviews. For more reviews and interviews stop by our blog.** Read more ›

348 of 410 people found the following review helpful

5.0 out of 5 stars The Supernatural for Smarties February 8, 2011

By History Fan

Format:Hardcover

Have you ever really (you know what I mean by really, not a peck) been kissed or touched by a person just in out of the freezing cold? It's not very pleasant. I never understood the romantic attraction to frigid vampires until now. Harkness, with her own authorial magic, made me believe that if I were a hot-blooded witch, the coolness of the undead's touch would feel welcome. Here there is more than the standard vampire romance based on the primal attraction of predator/prey. Harkness's witch Diana is a worthy partner for powerful vampire Matthew Clairmont.

I just adored this novel. It has everything you want in a good read: terrific characters; a fast-moving plot filled with the world of academia, science, and the supernatural; and a singular world to explore. There are lots of details for the reader who wants even more, like hidden "Easter egg" references to other novels/characters; lots of descriptions of wine and tea and food that made me seriously hungry; and equally well-developed secondary characters.

The only trouble is, when you reach the end you will throw the book across the room and yell because the sequel is not already in your hot little hands. So then you'll be forced to read it again.

258 of 304 people found the following review helpful

1.0 out of 5 stars Yawwwwwwn! April 17, 2011

By J.J. Macken

Format:Hardcover

A Discover of Witches is freakin massive! It weighs in at around 250,000 words and nearly 6 hundred pages. That is an enormous amount of story to create.
I'm sorry but while Debora Harkness's debut fiction story starts off well and is quite beautifully written, the plot is very, very thin and quite boring. The love story plot thread is boring and stale. I seriously couldnt give a flying F about Matthew and Diana, I found their relationship frankly ridiculous.

Diana is in her mid thirties (THIRTIES!) and she behaves around Matthew just like a self involved TSTL teenager. Actually I got really strong Bella vibes with Diana. This woman starts out intelligent and strong, she is working in the Bodelein library in Oxford when she happens to call an ancient alchemical text that is thought by 'creatures' around the world to be extict. Diana hates magic, she thinks it resulted in the death of her parents and flat refuses to use it or acknowledge her witchy status. That is until Matthew comes on the scene and tells her to start learning how to use her seemingly boundless powers. I really don't buy that Diana has practically every witch power under the sun, she just doesnt know it. *Rolls eyes*

Matthew (a fifteen hundred year old vampire) falls instantly for Diana, even though inter-creature relations are forbidden, not really getting why that is, but it creates romantic tension so I roll with it. The thing is, Matthew treats Diana like an precious pet. AND SHE LETS HIM. By the end of the book he is telling her when to eat and sleep and go for a walk, just like some small child. He carries her everywhere (think Paris Hilton with her chihuahuas) and makes all her decisions for her. It is so annoying watching Diana become more and more pet-like. I mean grow a backbone already....

Matthew is your typical vampire hero, darkly handsome (unbelievably good looking) super insanely rich and the powerful head of a bunch of vamps. It is so boring hearing about Matthew's exploits in perfection. He is literally the most uninteresting hero I have ever read about. It's like Debora Harkness read twilight and a few other YA vampire books and wrote down essential criteria for a vampire hero and then just transplanted those qualities onto the page. He has no interesting personality quirks or original aspects. HE IS BORING, except when he is telling Diana when she is allowed to breathe and then he is kinda repulsive.

Many other reviewers have perfectly pointed out the boring repetitive nature of the plot in A Descovery of Witches and the deeply unsatisfying ending. Needless to say, this book is completely self-indulgent. A cut-throat editor was really called for, there are pages and pages and PAGES of Diana excercising or eating or drinking tea or thinking about stupid boring Matthew and man does it drag. There are brief action sequences but they are over before they even really begin and usually involve Diana descovering another unrealised power within herself.

This book is a romance, pure and simple, the fantasy plot takes a total backseat. I found the stuff around Elias Ashmole and the Alchemical manuscript really interesting but as soon as Matthew is on the scene it's barely mentioned. I desperately wanted Diana to find some strength of character but she just devolved before my eyes. The romance if very twilight-esqe but in no way measures up to that book. I have no idea why Harkness created a heroine in her mid-thirties because Diana behaves precisely like a teenager. Matthew, in typical twilight fashion, refuses to have sex with Diana, because he *cough* wants it to be special and hates rushing things. It rings totally false and makes me kind of embarrassed for Diana.

One last pet peeve, is that within a few weeks of Diana and Matthew meeting, they are married in the vampire fashion and Diana starts calling his vampire progeny (who are all hundreds of years older than her) her "son" and "daughter". It's freakin wierd.

A Discovery of Witches contains the bones of an interesting story but desperately needs a cut-throat editor to get rid of all the boring unnecesary padding and fluff. Also, Diana needs to find a personality and Matthew must jump of a cliff immediately. Read more ›