Although he devotes hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: "Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other." His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.Twice married and twice divorced, his magnetic looks on the wane, David rather cruelly seduces one of his students, and his conduct unbecoming is soon uncovered. In his eighth novel, J.M. Coetzee might have been content to write a searching academic satire. But in Disgrace he is intent on much more, and his art is as uncompromising as his main character, though infinitely more complex. Refusing to play the public-repentance game, David gets himself fired--a final gesture of contempt. Now, he thinks, he will write something on Byron's last years. Not empty, unread criticism, "prose measured by the yard," but a libretto. To do so, he heads for the Eastern Cape and his daughter's farm. In her mid-20s, Lucy has turned her back on city sophistications: with five hectares, she makes her living by growing flowers and produce and boarding dogs. "Nothing," David thinks, "could be more simple." But nothing, in fact, is more complicated--or, in the new South Africa, more dangerous. Far from being the refuge he has sought, little is safe in Salem. Just as David has settled into his temporary role as farmworker and unenthusiastic animal-shelter volunteer, he and Lucy are attacked by three black men. Unable to protect his daughter, David's disgrace is complete. Hers, however, is far worse.
There is much more to be explored in Coetzee's painful novel, and few consolations. It would be easy to pick up on his title and view Disgrace as a complicated working-out of personal and political shame and responsibility. But the author is concerned with his country's history, brutalities, and betrayals. Coetzee is also intent on what measure of soul and rights we allow animals. After the attack, David takes his role at the shelter more seriously, at last achieving an unlikely home and some measure of love. In Coetzee's recent Princeton lectures, The Lives of Animals, an aging novelist tells her audience that the question that occupies all lab and zoo creatures is, "Where is home, and how do I get there?" David, though still all-powerful compared to those he helps dispose of, is equally trapped, equally lost.
Disgrace is almost willfully plain. Yet it possesses its own lean, heartbreaking lyricism, most of all in its descriptions of unwanted animals. At the start of the novel, David tells his student that poetry either speaks instantly to the reader--"a flash of revelation and a flash of response"--or not at all. Coetzee's book speaks differently, its layers and sadnesses endlessly unfolding. --Kerry Fried --This text refers to an out of print or unavailable edition of this title.
I recommend this (and his other books), especially to read in groups.
The author tries very hard to write a depressing book but I felt little for the characters to be disturbed or to be depressed by their misfortune.
Of course Coetzee won the Nobel Prize for literature and this particular book won the Booker PrIze, so it hardly needs my recommendation.
J. M. Coetzee’s novel Disgrace is surely meant to be read on two levels: the allegorical and the realistic. Read morePublished 8 hours ago by W. J. TAYLOR
A complex weaving of the lives and post aparathied environment in South Africa.Published 8 days ago by sandra spengler
Easily my favorite book in recent memory. Disgrace has such rich thematic and visual poetry woven throughout a story that is lean yet relatable, unexpected and rich with dramatic... Read morePublished 13 days ago by Matthew Wood
No big review here other than the book did the job the instructor had hoped. We used it in class and then I sold it promptly.Published 15 days ago by Dale R. Crowl Jr.
Excellent Novel in my opinion, you can tell the author is an English professor, the narrative is outstanding, unbelievable even, but, nevertheless seems completely authentic; makes... Read morePublished 1 month ago by Daphne K.
Coetzee hits his mark in this one. He sets out to make the reader uncomfortable about a relevant subject, and he does so unequivocally. Read morePublished 2 months ago by Sean, Pittsburgh