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Comment: Condition: Very good condition., Very good dust jacket, spine slightly sunned. Binding: Hardcover. / Publisher: Northeastern / Pub. Date: 1996-03-01 Attributes: Book, 184 pp / Illustrations: B&W Photographs Stock#: 2041952 (FBA) * * *This item qualifies for FREE SHIPPING and Amazon Prime programs! * * *
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A Disgraceful Affair: Simone de Beauvoir, Jean-Paul Sartre, and Bianca Lamblin Hardcover

ISBN-13: 978-1555532512 ISBN-10: 1555532519 Edition: First Edition

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Product Details

  • Hardcover: 224 pages
  • Publisher: Northeastern; First Edition edition (March 1, 1996)
  • Language: English
  • ISBN-10: 1555532519
  • ISBN-13: 978-1555532512
  • Product Dimensions: 8.8 x 5.8 x 0.8 inches
  • Shipping Weight: 15.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,224,249 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

In this tell-all memoir, Lamblin evens the score between herself and renowned French thinkers-and lovers-de Beauvoir and Sartre. Their menage a trois-begun in 1938 when Lamblin was a 17-year-old student of de Beauvoir (who was 29)-ended when Sartre dismissed her, at de Beauvoir's instigation, right after the outbreak of WW II. The two women maintained a 40-year friendship after the war, but later Lamblin became enraged at de Beauvoir's humiliating account of their threesome in Letters to Sartre, published posthumously, although Lamblin's real name was not used. She also declares the two failed to appreciate the danger to which she was exposed during the war because she was a Jew, and she takes issue with many of the details in Deirdre Bair's Simone de Beauvoir. Whatever one may conclude from the affair, this memoir is fueled by spite rather than insight. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.

From Library Journal

Arguably moving on the one hand and controversial on the other, this work involves two of the most prominent French thinkers of this century, Jean-Paul Sartre and Simone de Beauvoir. It is the story of Bianca Bienenfeld, a 17-year-old student who was seduced by her philosophy professor, de Beauvoir, and then passed on to de Beauvoir's partner/lover Sartre. The three lived in a menage 'a trois between 1939 and 1940, when the relationship ended and the teenager was abandoned. The shock of being let down wasn't easy for the Jewish youngster to bear, especially during those menacing and politically dangerous years. Following the war, Bianca Lamblin, now married, resumed a platonic friendship with de Beauvoir. The former teacher and student met every month for 40 years. After de Beauvoir's death, Bianca was in for yet another disappointment. In the posthumously published Letters to Sartre and War Journal, de Beauvoir contemptuously ridiculed Louise Vedrine, a pseudonym for Lamblin, who found her portrait by someone she thought a close friend vulgar, full of hypocrisy, and upsetting. Always candid, this exceptional account brings to light some intimate?and not too surprising?aspects of the life of Sartre and de Beauvoir. Recommended for large collections.?Ali Houissa, Cornell Univ., Ithaca, N.Y.
Copyright 1996 Reed Business Information, Inc.

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Most Helpful Customer Reviews

27 of 27 people found the following review helpful By Charles S. Houser VINE VOICE on June 4, 2000
Format: Hardcover Verified Purchase
On the surface, A Disgraceful Affair is Bianca Lamblin's account of her brief triangular relationship with Simone de Beauvoir and Jean-Paul Sartre and how that affair affected her life long after Sartre's, then Beauvoir's, romantic interest waned. Its carefully guarded sentences reveal a woman who has been deepley hurt by her mentors but who is being painstakingly careful in her effort to be fair as she sets the record straight. Readers looking for juicy tidbits will need to look elsewhere (Lamblin describes Sartre as a charming wooer but an unskilled lover, and does not waste ink elaborating).
If the reader takes the facts as the author presents them--and there is nothing implausible or erractic in what Lamblin relates--what unfolds is a brief, startlingly clear reflection on what it means to evolve one's own workable philosophy of life based on the cards one is dealt and the living examples one has to choose from. After her rejection by her existentalist mentors, Lamblin consciously chose a conventional, slightly leftist, life. Her mentors' narcissism seems to have turned her away from a life focused on pursuing celebrity and getting published (aside from a few academic philosophy articles, A Disgraceful Affair is Lamblin's only published work, one she didn't begin writing until she was in her seventies and all the key figures in the story had died). Unlike her mentors, she chose to marry and have children, decisions that disturbed and disgusted Beauvoir.
Those looking for portraits of Sartre and Beauvoir should know that Beauvoir (unfortunately called "the Beaver" throughout the book, a nickname that might have been better left untranslated) is the more fully realized.
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18 of 20 people found the following review helpful By "laclay" on September 24, 2000
Format: Hardcover
A tragically desperate attempt of Bianca Lamblin, the "contingent" by-product of the Simone de Beauvoir/Jean-Paul Sartre "essential" relationship, to retrospectively appropriate her life after Journal de guerre and Letters to Sartre revealed all the chilling detachment with which Simone de Beauvoir adroitly manipulated her as the unsuspecting victim of the "threesome." Despite her claim to have finally regained the status of a subject of her own story, Lamblin's final stance as a victim undermines her narrative. One almost wishes she would have stopped a couple of paragraphs short of the end. Her final decision to reject the experience as "having done her only wrong" leaves her with all the pain she tried to alleviate by writing.
She started the book with a purpose of making her life cohere in the face of betrayal. Her naive loyalty and guilelessness help her "cling instinctively to life," as she seems to find consolation in her simple moral choices and unselfish devotion. Despite her plain, predictable, unengaging style, I sympathized with Lamblin in her struggle to maintain a precarious balance between objectivity and self-vindication. She tries to distance herself from Simone de Beauvoir, stressing their differences and disengaging herself from her famous lover's philosophical influence by reclaiming her own war-time experience as a Jew and choosing to have a family and children. And yet she continues to be constantly tormented by her inferiority to the existential duo - her attacks on Sartre's "revolutionary" ideas, for instance, remain purely emotional.
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2 of 2 people found the following review helpful By Steven H. Propp TOP 100 REVIEWER on January 30, 2013
Format: Hardcover
Bianca Lamblin said in the Introduction to this 1993 book, "I have decided to recount what was a dramatic episode in my life... If my story is out of the ordinary, it is probably because two of the main characters are Simone de Beauvoir and Jean-Paul Sartre. Together we formed a threesome, or at least that is what I was led to believe... The way that Simone de Beauvoir and then Sartre treated me in 1940, the humiliation and suffering they caused me, were so severe that the simple truth I want to tell will, I hope, ring truer and clearer than the lies in Letters to Sartre... I am driven not by a need for revenge but by a simple desire to tell the truth." (Pg. 3-4)

She explains, "I must emphasize that it was not just a matter of distant events that had taken place in my youth; Simone de Beauvoir had remained my friend. Throughout her life, we continued to see each other on a regular basis. I trusted her completely. I thought she could understand everything, and I considered her innately honest. I thought her friendship was sincere, although it was entirely different from the emotional relationship we had had in my youth... Now that I have read 'Letters' and Wartime Diary (Beauvoir Series), I cannot fathom how I could have been so deeply deceived." (Pg. 5)

She adds, "I realize now that I was a victim of Sartre's womanizing and of the ambivalent and dubious way [de Beauvoir) defended his behavior.
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