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Disney, Pixar, and the Hidden Messages of Children's Films
 
 
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Disney, Pixar, and the Hidden Messages of Children's Films [Hardcover]

M. Keith Booker (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0313376727 978-0313376726 November 25, 2009

Disney, Pixar, and the Hidden Messages of Children's Films provides wide-ranging scrutiny of one of the most lucrative American entertainment genres. Beyond entertaining children—and parents—and ringing up merchandise sales, are these films attempting to shape the political views of young viewers? M. Keith Booker examines this question with a close reading of dozens of films from Disney, Pixar, Dreamworks, and other studios, debunking some out-there claims—The Ant Bully communist propaganda?—while seriously considering the political content of each film.

Disney, Pixar, and the Hidden Messages of Children's Films recaps the entire history of movies for young viewers—from Snow White and the Seven Dwarfs to this year's Up—then focuses on the extraordinary output of children's films in the last two decades. What Booker finds is that by and large, their lessons are decidedly, comfortably mainstream and any political subtext more often than not is inadvertent. Booker also offers some advice to parents for helping children read films in a more sophisticated way.


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Editorial Reviews

Review

"Booker (English, U. of Arkansas, Fayetteville) examines dozens of films from Disney, Pixar, DreamWorks, and other studios, from Snow White and the Seven Dwarfs (1937) to Up (2009), in an analysis of the underlying political and cultural messages of children's films. Contrary to claims that some children's films teach anti-American ideas, he finds that the vast majority tend to support mainstream American values, such as individualism, family, and capitalism. The text contains an alphabetical list of all films cited in the text, including the name of the film, the director, and year of release."

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Reference & Research Book News

Book Description

Does Disney's Aladdin promote prejudice against Arabs? Is The Lion King fascist? Is Wall-E's critique of consumer culture anticapitalist, and thus anti-American? We know the overt messages of most children's films: listen to your parents, be yourself, work together. But are there subtler political messages being transmitted—deliberately or inadvertently—to young viewers?


Product Details

  • Hardcover: 214 pages
  • Publisher: Praeger (November 25, 2009)
  • Language: English
  • ISBN-10: 0313376727
  • ISBN-13: 978-0313376726
  • Product Dimensions: 9.3 x 6.4 x 1 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #805,591 in Books (See Top 100 in Books)

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4 of 4 people found the following review helpful:
3.0 out of 5 stars Unmet Expectations, July 22, 2010
This review is from: Disney, Pixar, and the Hidden Messages of Children's Films (Hardcover)
I had enjoyed the author's treatments of science fiction television programs (Science Fiction Television, ISBN: 978-0275981648) and his later book about sci-fi films (Alternate Americas: Science Fiction Film and American Culture, ISBN: 978-0275983956) but I have to sadly say that I didn't enjoy this trip through kid-and-family-friendly animated feature films anywhere near as much.

I think a large part of my dissatisfaction is that I know many of these animated films intimately, through repeated watchings. I have very strong opinions on them myself, and I was hoping the book would go into detail about themes or idealogies which could be seen in these films. I wanted details of his interpretations and his reasoning based on history, culture, and the films themselves, so that I could (when I watch the films yet again) make my own judgements about his conclusions.

The format of the book places very little emphasis on deep meanings in any one film. Instead, it almost acts like a summary guidebook to all of the animated films from the major production houses in the past few decades.

While I applaud the author for wishing to be inclusive and all-encompassing, the title of the book (and additionally, his earlier work with the science fiction genre) led me to expect a book with more depth.

What I found instead was a book with wonderful breadth, and if you are a film or animation student looking for short sound-bite-quality impressions of every single animated film ever, this is the perfect book for you.

I, sadly, wanted something with a bit more meat on it's bones.
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