Customer Reviews

Disney That Never Was: The Stories and Art of Five Decades of Unproduced Animation

5 star:		(7)
4 star:		(1)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

This gloriously illustrated book is a must for anyone who loves animation, especially Disney animation. The wealth of projects that were never produced is almost as rich as those that were. I especially love the illustrations from the "Ride of the Valkyries" segment that was not included in "Fantasia," and the characters from an unproduced "Chanticleer." The text is also full of interesting information. Get it and enjoy.

Disney is often considered to be the premiere house for animation. Yet in the course of creation, there will always be ideas that were rejected, or didn't gel, or just fell apart. Luckily, Disney kept everything - good, bad or unused, and created a bounty for the animation historian. This book allows a peek behind the creative process. We are familiar with what made it to the screen, but Solomon shows us what didn't make it. A combination of a history of Disney successess and failures, and a portfolio of hidden artwork, this book is a trove of Disney information that is usually overlooked. It is interesting, following the release of Fantasia 2000, to look back at actual work prepared for Walt's original idea of re-releasing Fantasia annually with different pieces, creating more than just a film, but an experience. Economics and logistics kept this from happening, and only 60 years later did a new attempt at this vision appear. There is so much more that did not make it, beause of money, lack of story, politics or more, and most of the parts rightfully finally get their day in the sun (some of the work should stay buried, but that's few and far between). A fascinating look at "the rest of the story."

Over the years, Disney has given us 40 major animated features, but along the way, there are those that we never have seen. The art that always seems to instill ideas, the creations that are considered not creative enough, or those that were cut for various reasons. Here, Charles Solomon has pretty much ventured into the greatest journey of his life: The Disney Archives!!(Imy career in animation hoped to one day lead me to these hallowed halls). Here, he poured over hundreds or thousnads of drawings and much more, finding out everything from animated short ideas, to feature length movies. Solomon unearthed such concepts as "The Emperor's nightingale (showing wonderful pastel and watercolor prints), to shorts from Hans Christian Andersen (some art that was mentioned but not shown was the inspiration for the "Fantasia 2000" segment of "The Steadfast Tin Soldier"). There are even countless Mickey, Goofy and Donald shorts that were not made (such as one with Goofy called "How to Be a Cowboy"). In the realm of feature films, there are two incredible stories. The first centers around an idea Walt Disney had to join with another studio to make a telling of Hans Christien Andersen's life story, with interstitials from animation to live-action and back again. An unknown artist did FANTASTIC(it deserves caps) watercolor conceptuals, bu the project fell apart soon afterwards. The second story focuses ona joint venture between Walt and oil painter Salvador Dali. The numerous concepts were made and a short 8 second film reel was developed before it was shelved. There was even the story of the rooster "Chanticleer," which was probably in pre-production on and off since after World War II up til the time of "The Jungle Book." Tons and tons of artwork were made, but a story consensus could never be reached, and the project was never again to see the light of day. The greatest chapter to me is one that deals with the numerous planned segments that were to follow on the possible success of "Fantasia." However, "Fantasia" never came about (not until 60 years later), and over the years, countless ideas were tried, from baby ballets, to even bringing back the pegasus characters from the "Beethoven's Pastoral Symphony" segment. There's even soem information on the "Clair De Lune" segment that was cut before the final release (it was 100% completed too!). I would hope that Disney woudl rerelease this book. It has shown me a lot in what went in to many ideas for the animators, and it is also an infallable reference to me.

I was lucky enough to find a copy of this out-of-print book and I am really glad that I did. This book is packed with drawings created by Disney artists that were working on projects that were never put into production. Along with the drawings are the stories of the projects and in most cases, the reason why they were never completed.

I was especially interested in the material that was considered for the original Fantasia. I recently saw Fantasia 2000 and during this feature they talked about some ideas that were considered and discarded for Fantasia 2000. I found it particularly interesting to see that some material originally considered for Fantasia was actually used for Fantasia 2000 and other material considered for Fantasia was also considered for Fantasia 2000, but still not used.

I recommend this book to anyone (who is lucky enough to find a copy) who is interested in Disney animation and some of the material that might have come from the studio that never made the grade.

This is a great book about the Disney animations that were never produced. I like Charles Somon's writing, and have other Disney/animation titles by him. Hyperion usually does a good job and this book is no different. It's a hardback book with 214 pages, and is profusely illustrated with a wide variety of content and styles/medium. The paperstock is good and the printing is great. If you love all things Disney you'll want to pick up this up.

I was very interested in learning about the many ideas that floated around Disney for animated films that never made it to the screen. This book sounded exactly like what I was looking for. And it does contain that information. Unfortunately, the presentation of the information was not up to the task. I was expecting the book to have text describing each piece of animation pursued along with accompanying images to go along with the text. Instead what I got was text sometimes describing images on the same page and sometimes describing images that appeared many pages earlier or later and sometimes no accompanying images for the text. It felt just totally thrown together in a haphazard way.

I also did not like the many historical pieces of information especially about animation that did make it to the screen. There are plenty of books out there that give this information and I do not think it belonged in this book. It would not have been too bad if the writing was better. But I found it bland and boring.

Finally, 90% of the information is related to the 30s through 50s. What about Disney after that. One or two short chapters and that was it. And even then, not much information about the abandoned items.

Overall, save your money. This book just isn't worth it. 2 stars only because the drawings look good.

Charles Solomon is a well-known name in animation history and criticism circles. He has authored articles for Rolling Stone, Newsweek, the Los Angeles Times, National Public Radio, the New York Times and many other publications. He is also the author of two other well-known Disney and animation-related titles: Disney Lost and Found: Exploring the Hidden Artwork from Never-Produced Animation and Enchanted Drawings: The History of Animation.

The Disney That Never Was takes us into the Animation Archives to see and read about unproduced shorts and feature films. Solomon has collected sketches, storyboards, concept art and the stories behind the artwork. As stated in the title, we follow the history of unproduced films throughout the studio's long and storied past. Solomon divides the book by genre as opposed to strict chronological order. The groupings are logical when looking at the artwork: Mickey, Donald and Goofy; fairy tales; wartime films; Fantasia and its successors; and miscellaneous films.

I enjoyed this book and found it wistful and exciting. Solomon explains that the unproduced animation and artwork could have been shelved for any number of reasons: perhaps the story wasn't strong enough; there weren't enough artists to complete the pictures; the characters might not have had the appeal; or it never made it past an initial meeting. The Disney Studio has always well-documented their meetings and has preserved almost all stages of artwork from the animated films. In particular, the Disney artists have always found it inspirational--and helpful--to study the original animation from Snow White and other classic films. When you read this title, you can only imagine how different the animation landscape might look if some of these films had been produced. Some cases make you wonder why the animation was halted.

The Disney That Never Was is a reference tool that you will enjoy studying and reading for many years to come. Solomon is able to provide a fantastic look at how the animation process works and how the studio functioned during the animation heyday of the 1930's and 1940's. In some instances, ideas were shelved and used much later or were the inspiration for other projects. The sections on Chanticleer, Don Quixote and Hiawatha were eye opening about the process--animation-wise and politically--that the animation takes on its circuitous path to the big screen or as it is derailed.

Bottom Line: If you are a fan of Disney animation, then you need to own this book! Charles Solomon has raided the Animation Archives, interviewed animators and researched the stories to bring us some of the most exciting information about Disney animated films that were never produced. Although we only gain glimpses of some films--almost like a tease--there is not another resource that tells this many stories about the films we never saw or heard about until this book.

My step-mom is a Disney fanatic! She was impressed with the stories and quality of this book. I would recommend this book.

If you're like me, everytime you see the newest Disney picture, you can't help but wonder, "What are they working on now?" Well, this book might answer some of that longing (at least you'll know what they're -not- working on). Although it only spans the years when Walt himself was alive, we are shown enough of the Disney might-have-beens to fill our dreams for a while. To be honest, I didn't read most of the text (so many books; so little time), but that didn't keep me from thoroughly enjoying the book, since more than 2/3 is pictures anyway. The captions are well-written and informative--probably for people like me who don't read the text so that we can get the main points anyway. It's really fascinating to see how ideas are developed and why they get scrapped even though the artwork is so terrific. A chapter on wartime Disney was very entertaining--seeing what Disney did to balance the desire to make a political statement with their particular brand of family entertainment. I recommend this book to anyone interested in art styles and the development of animation or films of any kind.