From Publishers Weekly
In Bauman's overwrought debut, 1890s Bostonian Ada Pryce longs to escape the restrictions of a sexually frustrating, socially constricting marriage with tyrannical Edward, a gentleman hobbyist. Though he is an advocate of Karezza (spiritual purity through sexual deprivation), Edward can't suppress Ada's physical desire, first unleashed in a premarital affair with her college Shakespeare professor, nor can he rein in her intellectual tendencies, encouraged by friends but frowned upon by Ada's Boston society matron mother. When Edward brings home a trio of orchid hunters—William Parrish, Walter Kebble and Jao da Cunha—opportunity for an Amazonian adventure knocks at Ada's door. Bauman's spirited heroine, range of settings and intimate knowledge of turn-of-the-century society impress, but they get smothered in descriptions of sexual dissatisfaction and rhapsodies on the erotic beauty of exotic plants. The overripe language may be meant to dramatize Ada's unrequited passions, but the humidity makes for more squish than swoon.
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From Booklist
Like the orchids at the center of the plot, there is something both disturbing and seductive about this enjoyable yet flawed novel. In 1890s Boston, Ada Pryce is a would-be suffragist, hampered by her loyalty to her husband. When Ada learns that her husband may be involved in a murder plot, her already unconventional behavior becomes increasingly hard to control. This novel hits on all the tropes of women’s studies classes, including rest cures, connections between the plights of African Americans and women, and sexual double standards. Ada is an appealing and complicated character, but the roots of her unconventional views and behavior are never convincingly explained. Her husband’s descent from loving and respectful to murderous and evil is also never explained. As the novel progresses, the plotline becomes less plausible but remains interesting and compelling. A strong first novel that promises better things to come from the author. --Marta Segal Block
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