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Dispatch from a Cold Country (Felony & Mayhem Mysteries) (Colin Burke)
 
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Dispatch from a Cold Country (Felony & Mayhem Mysteries) (Colin Burke) [Paperback]

Robert Cullen (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

Colin Burke January 15, 2008
Recalled to Washington and riding an editor's desk, journalist Colin Burke itches to be back in Russia, chasing stories. A friend's murder is hardly the cause he would have wished for, so it's with a mix of guilt and eagerness that he picks up his reporter's notebook again, and heads for St. Petersburg. Poking around the seedy, familiar corridors of Russian politics and police bureaucracy, Burke is in his element, but as the threads of the murder seem increasingly to lead to the Hermitage -- one of the world s great museums -- he may be out of his depth. Incredibly, someone seems to have been planning to steal some of the museum s priceless paintings, but Burke knows nothing about art. Fumbling his way into instant expertise, he could have the story that will cap his career. But there's a good chance that he'll get capped instead.

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Dispatch from a Cold Country (Felony & Mayhem Mysteries) (Colin Burke) + Soviet Sources (Colin Burke) + The Suspect (Karl Alberg Mysteries, No. 1)
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Editorial Reviews

From Library Journal

Where can the Hermitage find much-needed dollars? Sell a masterpiece for millions and then cover the illegal sale with an "authentic" forgery. Jennifer Morelli, a new American correspondent, discovers the plot but is murdered before she can submit the scoop to Colin Burke, a former Moscow-based journalist (and star of the author's Cover Story, LJ 5/1/94) who is now deputy foreign editor for the Washington Tribune. Feeling responsible, Burke takes a leave from his new job and travels to St. Petersburg to investigate. This dangerous crusade brings him into the path of numerous people with other agendas, including a well-armed Colombian art buyer, various Russian factions, and an attractive undercover C.I.A. agent. The multiple perspectives defuse suspense and keep the witty, likable Burke off-stage more than some readers may like. Yet series hallmarks such as a strong sense of place and fast pacing make this a priority purchase for fiction collections.
V. Louise Saylor, Eastern Washington Univ. Lib., Cheney
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

The third Colin Burke international thriller (Soviet Sources, 1990; Cover Story, 1994) has our intrepid reporter taking one of those dangerous Hitchcock travelogues, in this case to the troubled St. Petersburg of the new Russia. The MacGuffin is a Leonardo painting called Madonna Litta, presently owned by the great Hermitage art museum but about to be sold secretly, with many payoffs, to a Colombian drug lord for $400 million. If the nefarious deed were made public, it could rock the government. Jennifer Morelli, Burke's young freelance prot‚g‚, who has film and facts on the potential scandal, calls him from Frankfurt, planning to meet him at the Washington Tribune. But Jennifer's been followed from Russia by the Hermitage's creepy Ivan Bykov, who likes to combine pleasure (sexual sadism) with business (he kills her). Burke discovers her mutilated body, feels personally responsible, takes time off from the Tribune, and flies to St. Petersburg to find out who killed Jennifer and why. (Her murder would seem to be connected to the recent death of the Hermitage's director.) Along the way, the satisfyingly complex storylines include (1) our not-so-innocent Burke abroad; (2) Desdemona McCoy, young, attractive, black, feisty, and a field operator for the agency in Langley, who returns to St. Petersburg to monitor that sale; (3) Andrusha Karpov, in Italy to find Florentine ocher for Nadyezhda Petrovna, who's painted a brilliant copy of the Madonna Litta; (4) art broker Charles Hamilton Merrill, who's arranging for drug lord Rafael Santera Calderon to buy the Leonardo; and (5) Russian mafia boss Slema Chavchavadze. Before the end, things heat up between Desdemona and Burke as they and their trio of allies try to survive a lot of cruel, greedy, mean men. Cullen's latest is good enough--aside from the occasional clich‚ and the seemingly obligatory genre romance--that one wishes to call it a fine novel instead of an effective page-turner. (Author tour) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 201 pages
  • Publisher: Felony & Mayhem (January 15, 2008)
  • Language: English
  • ISBN-10: 1933397896
  • ISBN-13: 978-1933397894
  • Product Dimensions: 7.1 x 5.8 x 1.1 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,299,892 in Books (See Top 100 in Books)

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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Lots of Color, April 11, 2002
By 
This is another exciting book from Mr. Cullen. He really has a distinctive way a describing the dark beauty of Russia and getting into the heads the Russian every man. The story has a great story line and he peppers the book with interesting sub plots that keep you interested. With that said I did think the love story sub plot could have been left out. I am convinced that long ago some book publishing executive wrote a set of rules which dictated that all action thrillers need some kind of sub plot love story. Then one just seemed to me to be thrown in by the author to placate someone other then the author thinking it was an intricate part of the story. Overall a good book, if you have liked his other work then you will enjoy this one.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Fabulous read and great local color of St. Petersburg, July 4, 1999
By A Customer
Cullen writes an engrossing thriller that does full justice to the beauty and color of St. Petersburg, and he knows the Hermitage well. I was a Fulbright professor in St. Petersburg in 1998 (back again in summer 1999) and I was in and out of the offices and galleries he mentions, and so have a special appreciation for how well he captured the look, feel, and temperament of that great museum.

There is, however, a stark error in the Kirkus plot summary of this book: The subject painting in the novel is NOT the Madonna Litta at all, but instead is a (fictional) painting by Leonardo da Vinci of Leda.

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5.0 out of 5 stars Still going strong, September 16, 2010
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This review is from: Dispatch from a Cold Country (Felony & Mayhem Mysteries) (Colin Burke) (Paperback)
This is the third in the Colin Burke Trilogy (see my first two reviews) about an American, Russian-speaking journalist in Russia. Author Cullen draws upon his actual experience as an American journalist in Russia, and paints a vivid picture (pardon the pun) of life in Russia, the society and the still-extant police repression in the still-paranoid Russian Governmental bureaucrats, who feel that total control over everyone in the society is mandatory. The story descriptions are an educational lesson about post communism Russia, the people and the overpowering bureaucracy. Cullen seems to say that nothing much has changed, only the names have changed to protect the guilty and perhaps, delude the West into believing that Russia is now a free democracy. Knowing Russia, would the nomenklatura willingly give up their power? Hardly.
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