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Dispatches [Audiobook, Unabridged] [MP3 CD]

Michael Herr (Author), Ray Porter (Reader)
4.3 out of 5 stars  See all reviews (129 customer reviews)

Price: $29.95 & this item ships for FREE with Super Saver Shipping. Details
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Book Description

April 1, 2009
One of the greatest examples of war journalism ever written, Michael Herr s collection of dispatches from the front lines of the Vietnam War reveal with shattering impact how that war differed from any combat theatre fought before. Herr s clearheaded yet unsparing retellings of the day-to-day events in Vietnam take on the force of poetry, capturing the unique flavor of the time and place and finding clarity in one of the most incomprehensible events in our modern era. A National Book Critics Circle finalist and highly acclaimed upon its publication, this modern classic retains its powerful resonance as America finds itself in the midst of another military quagmire.


Editorial Reviews

Amazon.com Review

Michael Herr, who wrote about the Vietnam War for Esquire magazine, gathered his years of notes from his front-line reporting and turned them into what many people consider the best account of the war to date, when published in 1977. He captured the feel of the war and how it differed from any theater of combat ever fought, as well as the flavor of the time and the essence of the people who were there. Since Dispatches was published, other excellent books have appeared on the war--may we suggest The Things They Carried, The Sorrow of War, We Were Soldiers Once ... and Young--but Herr's book was the first to hit the target head-on and remains a classic. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

American correspondent Herr's documentary recalls the heavy combat he witnessed in Vietnam as well as the obscene speech, private fears and nightmares of the soldiers. "Herr captures the almost hallucinatory madness of the war," said PW. "This is a compelling, truth-telling book with a visceral impact, its images stuck in the mind like shards from a pineapple bomb."
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • MP3 CD: 1 pages
  • Publisher: Blackstone Audio, Inc.; Unabridged edition (April 1, 2009)
  • Language: English
  • ISBN-10: 1433268167
  • ISBN-13: 978-1433268168
  • Product Dimensions: 7.5 x 5.4 x 0.6 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (129 customer reviews)
  • Amazon Best Sellers Rank: #5,349,140 in Books (See Top 100 in Books)

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Customer Reviews

129 Reviews
5 star:
 (91)
4 star:
 (14)
3 star:
 (6)
2 star:
 (4)
1 star:
 (14)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (129 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

50 of 53 people found the following review helpful:
5.0 out of 5 stars The Vietnam War at ground zero., June 6, 2003
By 
James Ferguson (Vilnius, Lithuania) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Dispatches (Paperback)
Certainly one of the most visceral descriptions of the Vietnam War. Herr dispenses with politics to get to the heart of the matter - the soldiers in the field. He tells so many compelling stories of the front line experience, which served as fodder for both "Apocalypse Now" and "Full Metal Jacket," co-writing the movie scripts. What makes the book stand out is the empathy Herr had for the soldiers' experiences, subliminating himself in the course of the narratives.

Khe Sanh is indeed the centerpiece of the book. He describes the battle from ground level, drawing comparisons to the infamous Battle of Dien Bien Phu, which brought the French chapter of the Vietnam War to an end. Commanding officers bristled at the comparison, yet here were the Americans entrenched in a remote outpost, with the mysterious presence of the Viet Cong all around them. Herr gives you the perspective of a handful of soldiers he was in closest contact with, following up on their fates in later chapters.

Herr doesn't try to make sense of the war, simply presenting it as the maelstrom it was. Chaos reigned. All you could do was keep your head down. He ties you in to some of the other reporters covering the war, including the flambouyant Sean Flynn, who would ride into most any situation with the aplomb of his legendary father, Errol Flynn. It is such a fantastic range of dispatches giving the reader a real feel for what went on in Vietnam.

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30 of 30 people found the following review helpful:
5.0 out of 5 stars Still Worth A Read, July 21, 2002
By A Customer
This review is from: Dispatches (Paperback)
A classmate gave me this book in 1980, when I was a 13 year old girl with a voracious reading appetite. Strange as it may seem, girls do like war books and this one still stands out in my mind as one of the best written from a nitty-gritty, no-holds-barred point of view. Our history classes never quite made it to an in-depth look at Vietnam even though we were born of an era that witnessed Vets coming home, injured, despondent and forever changed. This book gave me my first understanding of what it was like to be a "grunt" in that war, which the antiseptic history books would never do. It also gave me respect for all who were stuck in that quagmire and how war could make anyone go quite loony. It's very compelling and hard to put down, even for a 13 year old.
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16 of 16 people found the following review helpful:
5.0 out of 5 stars Apocalypse Now, the book, May 30, 2003
This review is from: Dispatches (Paperback)
Maybe it's because Michael Herr wrote the narration for the film, but reading Dispatches, you can't help but feel that you're getting another peek into the thoughts of Martin Sheen's character Captain Willard, from Apocalypse Now. Willard if he was wimpier, actually; Herr makes no bones about the fact that he was scared out of his wits throughout most of his stay in Vietnam. One of the pieces in Dispatches, "Illumination Rounds," really slams this point home; Herr comes off like a paranoid wreck in it.

Beyond that, Herr's writing is almost poetic. His descriptions of the war and the men who fought in it are impressive, borderline masterly. In addition he throws off gems of impromptu character studies, almost throw-away sentences that describe the very core of the soldiers he met. One of my favorite lines that Herr wrote for Apocalypse Now is when Willard meets the PBR crew; he says they're "rock and rollers, with one foot in their graves." Dispatches is filled to the brim with such lines, and if you enjoyed Martin Sheen's voice-over in the Coppola film, you'll really enjoy this book.

I've read Dispatches a few times, and each time I've taken something new from it. The "Khe Sanh" section is obviously the centerpiece of the book; it dwarfs all of the other stories. Stuck in the bombed-out, besieged base, Herr effectively conveys the sense of doom and paranoia that gripped the Marines trapped inside. This section features one of the more memorable soldiers in the book, the black Marine Day Tripper, as well as a mysterious grenade launcher who provided the inspiration for the character Roach in Apocalypse Now. In fact, the "Khe Sanh" article, as it originally appeared in magazine form, was a prime source of inspiration for John Milius, when he was writing the Apocalypse Now script in 1969.

There are a host of intriguing characters in this book. My favorite is cast aside quickly, however: a drugged-out LURP who appears briefly in the opening chapter, "Breathing In." Herr apparently was too frightened of this guy to get closer to him, so all we get in Dispatches is an intriguing glimpse. We do get to see more of Herr's colleagues, though, such as Errol Flynn's son Sean, who treats the war like a day at the park, riding to and from battles on a motorcycle.

Readers looking for detailed combat description are out of luck. In fact, it appears that Herr didn't see much fighting at all. At least, if he did, he doesn't mention it. Instead, what you find in Dispatches are illuminating reports from the front lines, insightful character studies of the men who fought and died. You also get a heavy dose of the pop culture of the time: the spirit of Morrison and Hendrix and Zappa so permeate every page that you can almost hear their music blaring in the background.

So, just as Apocalypse Now rises above being just another "war" film by mostly not being about the war at all, Dispatches rises above your average combat journalism. Instead, it comes off as a moment in time, caught and contained forever in text. It is to be read first and foremost by those who wish to understand Vietnam, the mindset of the men who fought there. It's also just a plain engrossing read.

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