From Publishers Weekly
While Griffin's (The Other Shepards) cast here is as compelling as ever, her latest novel seems much like a series of character sketches. As the book opens, Ben, the 11-year-old narrator, addresses his absent 17-year-old stepbrother, Dustin. "You would have called her a fruitcake," Ben begins, referring to Mallory, the woman he is dialing on the phone. The chapters alternate between the present and flashbacks. It emerges that Mallory has been seeing Ben's stepfather, Lyle; Ben is calling to tell Mallory that Dustin is injured and in the hospital; Ben's mother, Gina, left Lyle a year and a half ago, but Ben chose to remain with him; Dustin, Lyle's own son, ran away to live with Gina, who called to inform Lyle of Dustin's accident. Whew! Ben's memories of Dustin lay the groundwork for his hypothesis that Dustin planned his accident; consequently the ending is unlikely to surprise readers. The flashbacks lead up to the climactic scene in which Ben faces Dustin in the hospital, but here the second-person narrative becomes problematic. For example, Dustin tells Ben that he thinks Mallory is a fruitcake, calling the opening line of the novel into question. Is Ben's address intended as a post-mortem? Poetic images infuse the novel, but ultimately the conflicts feel unresolved. Ages 10-14.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Grade 7-10-Narrated by 11-year-old Ben, this short, engaging novel quickly draws readers into the boy's fractured life, in particular his relationship with his troubled older stepbrother, Dustin, and the unraveling of his mother's marriage. Skillfully weaving past and present, he explains how Gina left Ben's father, taking the boy along, and settled in a new town, eventually marrying widower Lyle, whose teenage son is struggling with the untimely death of his mother. Dustin has great difficulty accepting Gina and Ben, but with the passage of time his hostility turns to a grudging and sometimes affectionate tolerance. Ben's stream-of-consciousness narration is insightful and ironic, but his maturity seems unusual for a child his age. He recognizes that Dustin is self-destructive and holds on to his grief, keeping everyone at a distance, especially his well-meaning but inflexible father. Readers will be drawn to his insights into the events unfolding around him, particularly his own awareness that the security he feels with his stepfather ultimately outweighs the connection he feels to his mother when he must choose to live with one or the other, and they will appreciate Ben's courage and irreverent humor. Unfortunately, teens may be put off by the large type, and assume the book is for younger readers. It definitely is not. This is an unusually moving and gracefully written novel that offers a memorable portrait of a blended family in crisis.
Douglas Wooley, Brooklyn Public Library, NY Copyright 1999 Reed Business Information, Inc.