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The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso) Paperback – May 27, 2003


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Product Details

  • Paperback: 928 pages
  • Publisher: NAL (May 27, 2003)
  • Language: English
  • ISBN-10: 0451208633
  • ISBN-13: 978-0451208637
  • Product Dimensions: 6 x 1.5 x 9 inches
  • Shipping Weight: 2.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (461 customer reviews)
  • Amazon Best Sellers Rank: #9,796 in Books (See Top 100 in Books)

Editorial Reviews

Review

“The English Dante of choice.” –Hugh Kenner

“Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths.” –Robert Fagles, Princeton University

“A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry.” –Henri Peyre, Yale University

Language Notes

Text: English (translation)
Original Language: Italian

Customer Reviews

Perhaps the hard copy is of poor quality, but if purchased for the Kindle, expect great things.
Nikki
If you haven't read any of these, you can still read this poem, you just won't get as much out of it, BUT you will get a lot out of it, Dante made sure of that.
Melinda
I strongly recommend John Ciardi's poetic translation of "The Divine Comedy," a lot is missed when reading only "The Inferno."
Terry Bohannon

Most Helpful Customer Reviews

209 of 216 people found the following review helpful By thistle on August 20, 2005
Format: Paperback Verified Purchase
I always felt it a crime that I made it through high school and college without reading this. I recently read The Dante Club which re-ignited my interest in finally reading The Divine Comedy. I looked at all the versions out there and decided on this one. I am so glad I did.

Intro:

There is an introduction on "How to read Dante" which was indispensible for my first time foray.

There is a note from the translator that explains how his translation might differ from others and why.

There is an introduction from a collegue of the translator that puts the Divine Comedy in a historical context.

Text:

So easy to read!

Each Canto begins with a synopsis. If all you wanted to know was the plot of the Divine Comedy you could just read all of these half page summaries (but you'd really miss out.)

Then the canto in beautiful verse.

Then copious notes that explain the minute details about whom you meet in the Canto and relevant events in history. The notes are as interesting as the Cantos themselves.

I am so glad I picked this copy up. I have now read and ENJOYED Dante's Divine Comedy. I highly recommend this as a starting point. It is extremely accessible.
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178 of 185 people found the following review helpful By Fredrik King on November 19, 1999
Format: Hardcover Verified Purchase
Those of us not fortunate enough to be able to read Italian and thus savor Dante's masterpiece in its original language have the next best thing--the comprehensively noted translation by another great poet, the late John Ciardi. This superb and handsome hardbound edition of Ciardi's translation of Dante's Divine Comedy is not simply the collected, earlier translations of The Inferno, The Purgatorio, and The Paradiso, which in past years appeared in separate paperback editions: This edition is the final Ciardi translation from earlier forms which were "a work in progress." In this magnificent final translation, the non-Italian-speaking reader can savor Dante's extrodinary fusion of morality with the metaphorical architecture of Hell, Purgatory, and Heaven, explored with pathos and sympathy for the human condition which, in the mind of Dante, constantly yearns for The All in All. A volume that should be required reading for anyone who aspires to understand man's place in the universe.
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222 of 243 people found the following review helpful By Terry Bohannon on August 25, 2003
Format: Paperback Verified Purchase
I was introduced to Ciardi's translation of "The Divine Comedy" in an anthology of continental literature I read in college. At that time, after experiencing fragments of Fagles' horrible "verse" translation of Homer's works, I had low expectations for the translations in that anthology.
However, the instant I started reading John Ciardi's verse translation of "The Inferno", my hardened heart once again began to beat with the vibrancy it had when I read poems of Wordsworth or Browning.
John Ciardi, with a poetic talent that seems to be unmatched -- except for what I?ve read of W.S. Merwin's "Paradiso XXXIII," -- creates a poetic flow that feels, tastes, and even smells Italian. A poetic flow that delightfully contrasts Fagles', whose poetic flow is limited by popular styles and even phrases of the 20th century.
Instead of trying to lift Dante to the 20th century, Ciardi gracefully carries us to the early 14th century.
Instead of assuming that Dante is arcane, old fashioned, and in need of John's own poetic help, he believes that the original Italian is fresh, exciting, and poetically graceful.
The translation of Dante would have been diluted if Ciardi were to try and bring the 14th century to us through the modernization of the language, symbolism, and even the geography of Dante's world. (Fagles even geographically modified his "Odyssey" at one point to rename a Greek river the Nile because readers may get 'confused'.)
I?m glad that Ciardi tries to bring us back in time when the universe was cosmically full of life, where even the stars were more than the mere byproducts of abstract forces, chance, that can only be systematically analyzed and dissected.
The medieval worldview is far richer than the purely logical and scientific mindset that?s now common.
Read more ›
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56 of 58 people found the following review helpful By Billyjack D'Urberville on October 12, 2005
Format: Paperback
Ciardi, a noted poet and educator in the post-World War II era --and an Italian American -- remains after many years the most accessible Dante translator to the modern American ear. Of the generation of great American writers who reshaped our language, he was a lively fully engaged fellow and not prisoner of any ivory tower, despite his peerless credentials. Line by line, stanza by stanza, it shows. The Comedy requires many talents and understanding life and people is not the least of them.

"Dante was a drummer," Ciardi aptly notes in his introduction, and Ciardi's meter and rhyme scheme give a good English facsimile of Dante's incessant, intoxicating drum beat -- his famous 11 beat terza rima. You simply cannot do it in English, where most words end in hard consonants, not open vowels as in Italian. Yeah some people have tried -- always a noble aim -- but unless you're Superman don't climb Everest without oxygen. Purism will never get most of us through a first reading of this poem or for that matter through a few readings after. Music is what you need and Ciardi expertly lays it down.

About the poem? I've read it 7 times through, in different translations (Ciardi thrice) over 40 years and am just getting started. I do Ciardi between the others because I love my good modern Yankee language, soon drown without it. Ciardi really understands it -- from the jive of the street punk to the most austere scholar or saint -- its all here -- Dante's whole world talking to you like everybody you ever met.
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More About the Author

Dante Alighieri was born in 1265 in Florence. His family, of minor nobility, was not wealthy nor especially distinguished; his mother died when he was a child, his father before 1283. At about the age of 20 he married Gemma Donati, by whom he had three children. Little is known of Dante's formal education-it is likely to have included study with the Dominicans, the Augustinians, and the Franciscans in Florence, and at the university in Bologna. In 1295 he entered Florentine politics and in the summer of 1300 he became one of the six governing Priors of Florence. In 1301, the political situation forced Dante and his party into exile. For the rest of his life he wandered through Italy, perhaps studied at Paris, while depending for refuge on the generosity of various nobles. He continued to write and at some point late in life he took asylum in Ravenna where he completed the Divine Commedia and died, much honoured, in 1321.

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The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso)
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