A narrative poem bursting with youthful enthusiasm, The Divine Enchantment reveals Neihardt not as an ordinary poet but as a visionary bard. Inspired by his reading of Eastern philosophy, it is a Hindu myth with Christian parallels. The virgin heroine, Devanaguy, fulfills prophecy in bearing Krishna, the incarnation of Vishnu, in spite of imprisonment by a jealous and fearful king. Neihardt’s vision of the union of spirit and matter, of reason and higher consciousness, introduces themes he was to expand on in his later writings.
Poetic Values, a series of lectures published in 1925, speaks of the common need for self-enlightenment. Drawing on sources ranging from the Upanishads to psychology textbooks, Neihardt argues that poetry can provide a balanced philosophy to live by in bridging the gap between Western materialism and Eastern otherworldliness. Poetry links the objective with the subjective, the real with the imaginary, and for the reader of Poetic Values, as for the heroine of The Divine Enchantment, the highest self-enlightenment comes with self-forgetfulness. Blair Whitney writes that, in comparing these two works, “one can see [Neihardt’s] strong, consistent development from a boy who loved words and had big dreams to a mature poet who found ways to realize his ideals and to communicate them to a large audience of readers.”
