Divine Intervention [Original recording reissued, Import, Explicit Lyrics]

Slayer | Format: Audio CD

Product Details

• Audio CD (March 12, 2002)
• Original Release Date: 1994
• Number of Discs: 1
• Format: Original recording reissued, Import, Explicit Lyrics
• Label: Polygram Int'l
• ASIN: B000062Y91
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (99 customer reviews)
• Amazon Best Sellers Rank: #241,001 in Music (See Top 100 in Music)

Track Listings

1. Killing Fields

2. Sex. Murder. Art.

3. Fictional Reality

4. Dittohead

5. Divine Intervention

6. Circle Of Beliefs

7. SS-3

8. Serenity In Murder

9. 213

10. Mind Control

Editorial Reviews

Amazon.com

After pretty much inventing and pioneering death metal in the early '80s, Slayer spent years playing as fast and with as much intensity as they could muster. But after 1986's pinnacle of death, Reign in Blood, the band decided to explore the slower side of intense volume, so it tempered the tempos and indulged in a darker, more atmospheric sound. But with 1994's Divine Intervention, the band proved it could still race to the finish line. Somewhat messier than much of their earlier output, the record makes up in brutality whatever it lacks in precision. If "Killing Fields," "Circle of Belief," and "Sex, Murder, Art" quicken the pulse, the hardcore velocity-fest "Dittohead" will cause the heart to explode in showers of Divine gore. Not for the timid. --Jon Wiederhorn

Product Description

Out-of-print in the US. Import version of their 1994 album. Warner.

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars Everything that's done today will be tomorrow's curse, August 5, 2006

By 

John "Ira" (New Jersey) - See all my reviews

This review is from: Divine Intervention (Audio CD)

Even though Dave was gone with this release, Slayer stayed strong. While it isn't as good as their first 5 albums, it is still worthy of 5 starts and amazing. This was the last Slayer album I bought, simply because I listened too everybody else too much. I figured if it was like Reign in Blood part 2, I wanted nothing to do with it. Simply because If I wanna listen to Reign in Bl0od then well, i'll listen to Reign in Blood. However, I don't really see it, this album stands as a strong but sadly over looked Slayer classic. Jeff and King seem like they may slow it down a little bit here, which at first was annoying, i'd be sitting listening to this album, grinding my teeth waiting for it to speed up (i.e. ss-3) Once I got over that though, it seems that the speed might have done more wrong than right for this album. Don't get me wrong, it is still quite fast. Vocal wise, this is up there with South of Heaven as one of Tom's best vocal performances. While dave is missed (welcome back!!!) Paul does a steady job of filling in, as he would for years. All in all, don't let the few nay sayers stop you from purchasing this album. It's Slayer, never dissapointed. Never anything less.

Killing Fields - 5/5 Talk about starting an album off with an anthem. This is one where I could only imagine how crazy the crowd is at a live show while this one is being played. The first 25 seconds can't even begin to prepare you for what happens next. To think, this is only the first song.

Sex. Murder. Art. - 5/5 A fast one and definetly a good one. A good opening riff leads into killer lyrics/vocals. I feel the drums slow it down a little too much in the start of things but after about 20 seconds, that is not a problem. Definetly a personal favorite of mine. Also a wonderful song name. Tom flows quite well with his vocals here. Should please any thrash maniac.

Fictional Reality - 5/5 Reminds me of a faster version of "Killing Fields" the main riff here, is one of the most memorable from this album. Probably Pauls best work is here. He really helps the flow of the song click well.

Dittohead - 4/5 The intro riff tells you one thing. "This song is going to be short and fast" which is pretty much what it is. One of the fastest here. Part of me thinks they tried to make it too slow and sped it up a bit too much and maybe should have added another 45 seconds or so to this one.

Divine Intervention - 5/5 A song that lets you take a small break. A bit long for the normal Slayer song, over 5 + minutes. Really sets the mood for the second half of the album. Not one to be missed. I love the dark almost depressing feel of the outro for this song.

Circle of Beliefs - 4.5/5 Right away, Tom starts belting it out with his vocals, I wish this song had more of an intro to it. Other than that I can't think of anything else wrong with this. It has one of the best solos on the album. It almost has a "distant" feel which gives it more atmosphere when a solo isn't being played.

SS-3 - 6/5 A song that took me some getting used to. When I did though, it became one of my favorites if not my favorite. The riffs here are the darkest you will find on this album. a song that w ill beat you jsut as hard as any other Slayer track but jsut doing it a bit slower. Enoguh to agonize.

Serenity in Murder - 4.5/5 The song name says it all, I don't think I need to say anything more. This is the type of asylum patient violence we've come to love from Slayer. only here, Tom does some really good singing, which could be called "Spooky" definetly adds something to the song. The guitars hold back here, that doesn't kill the song though.

213 - Definetly the song with the most atmosphere here. The string intro is just great. One of the best songs here. Not one to be passed over. The chorus is a bit choppy but other than that it is great.

Mind Control - 4.5/5 One of the fastest songs here. Can't go wrong with that. A good way to go out. Tom seems to put a little more venom into his vocals here. Great guitar solos as well.

So once again, you can never go wrong with Slayer. Enjoy.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Edgy and Haunting, March 26, 2006

By 

GT - See all my reviews

This review is from: Divine Intervention (Audio CD)

Where to begin? Even the cover art chosen for this album is perfect, the medieval feel of the swords and dungeon-esque stone circle recall Slayer's early 80s image, such as the cover of Show No Mercy, but the laughing skull whose nose forms the spine of a human skeleton against a backdrop of the infinity of the universe infuses a feel of vast loneliness, finality and horror. This album is really something special- the themes in the cover art seem to find their way into the songs on the album, almost like the band was using the art as inspiration (or vice-versa). Take the song `Divine Intervention', where the twisting arrangement climbs to an eerie, `final' -sounding plateau, while Tom Araya's voice (coming from several directions at once) speaks suitably angst-ridden lyrics over the echoing, hollow guitars with a conviction rarely heard on other albums. This is key - the conviction on this album, this is the sound of a band after a 10 year dominance of the genre; playing at the edge of their ability and unafraid to take risks. From the commanding opener, `Killing Fields', through the vicious `Sex Murder Art', and on through the haunting `213', every element in the music seems to fit perfectly, leaving the listener on the edge of their seat.

Once you're through listening to it, the album feels `epic': so many dark places have been visited, no songs sounding even similar to each other - every song has its own vibe and manic, distressed guitar work. The guitars on this album are mesmerizing. Others may disagree, but the 'different' tone has a lot to do with it (I read somewhere that Kerry and Jeff switched from Marshall JCM800s to modified JCM900s for this album). What ever they did - it drives the mood of the album perfectly, having a sort of 'over the edge' and 'gushy' sound to it - very sinister. It's also cool that Jeff's guitar sounds different than Kerry's - think when the first guitar comes in on `Killing Fields', then a louder, more-midreangey one crash-lands into the mix playing the same riff, taking up the intensity a hundredfold with its looser, over-the-top sound. The songs on this album consistently employ this sort of `edgy' guitar work, full of odd timing and sprawling, decrepit solos. I was frankly devastated upon hearing the standard-metal riffs resorted to on their next release, Diabolous in Musica, but we won't go there.

My review falls far short of conveying the unique darkness on this album. I'm often surprised to hear what other heavy metal fans seem to value in music. It seems many people are really only seeking something -fast-, aggressive, lots of yelling etc. If you are someone like that, on a surface level this album will not disappoint. However, if you crave music for its atmosphere, its ability to convey our darkest and most suffocating doubts about our existence, and true unapologetic, unrestrained art, then this album is essential listening. A high water mark for Slayer.

5 of 5 people found the following review helpful:

5.0 out of 5 stars hmm, March 24, 2000

By 

eirik (oslo, norway) - See all my reviews

This review is from: Divine Intervention (Audio CD)

this is the only slayer album that kerry king write most of the songs, and therefore it is their best recording ever! Killing fields, 213, and Divine Intervention is the greatest songs ever to be recorded! If you haven't been into trash/metal before, you should start by listening to this. this is awesome!