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Divine Misdemeanors: A Novel (Meredith Gentry, Book 8) Hardcover – Deckle Edge, December 8, 2009


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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Product Details

  • Hardcover: 352 pages
  • Publisher: Ballantine Books; 1st edition (December 8, 2009)
  • Language: English
  • ISBN-10: 0345495969
  • ISBN-13: 978-0345495969
  • Product Dimensions: 1.1 x 6.9 x 10.1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (244 customer reviews)
  • Amazon Best Sellers Rank: #276,180 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Laurell K. Hamilton on Divine Misdemeanors

Meredith Gentry was created as a character so that my muse and I could have a break from writing the Anita Blake series. I’d written five Anita books in a row and was starting to have job anxiety dreams about her life instead of mine. I needed something different for my muse and me to play with. Merry was created to give me a different voice, a different world to visit. I guess she’s like a second child that you have so the first one won’t be an only. Then, like a parent that just didn’t understand that a second child doesn’t double your workload, but quadruples it, I was suddenly trying to do two different series at two different publishers. It went well since they’re both New York Times bestsellers. The audience for both crosses nicely and continues to grow with every book in a time when very few authors can say that. So it’s all good, but just like trying to juggle two kids instead of one, juggling two book series instead of just one presents its challenges.

At the beginning keeping Anita’s voice out of the Merry books was the biggest challenge. I was used to her, and her voice and attitude were closer to my own, so Anita wrote faster, clearer in my head. Merry was that second baby that is nothing like your first baby, so most of what you learned about taking care of character A doesn’t help a damn bit with character B. Who knew? But there comes a point when you make peace with the second child being so different from the first and so different from yourself. You find the unique joys in that second person, as I’ve found the joys in the Merry series that are different from Anita.

Anita fights me on paper and always has. She’s very much my rebel. Merry never fought on paper until the last book, Swallowing Darkness, and then she found things worth fighting for. She finally stood up and told me what she wanted and she was willing to do whatever it took to get there. I understood that. I let Merry’s desires, loves, and choices change where I had planned to end the first cycle of the series. Anita has thrown out entire last thirds of books by her choices, and even scrapped entire novel ideas because she’d simply grown in a different direction. If I did that for my oldest creation, how could I not do the same for my youngest creation?

In fact, Merry found her voice so pure and clear that on the last two Anita Blake novels I’ve had to chase her out of my head so Anita could be loud. Now the biggest challenge is balancing the writing schedule between two bestselling series, two different publishers, and that thing called a real life. Doing justice to my two imaginary worlds, and still managing to have a life in the real world... that’s the true challenge.--Laurell K. Hamilton


From Publishers Weekly

Hamilton hits the ground running in her latest Meredith Gentry novel, this one set in Los Angeles, where a pregnant Meredith has been safely united with her fellow exiles from the faerie courts. The faerie princess/private eye's happiness is short-lived, however, when she catches wind of a serial killer who gets his kicks crafting hideous tableaux of butchered demi-fey. While Meredith hunts for the killer, her stable of guards struggle to protect her from herself. Just as full of steamy sex and wild magic as the previous seven volumes, this episode finds Meredith's powers, as well as her collection of gorgeous guards, expanding, with crowd-pleasing results. The friction among Meredith's men makes for good drama, and Hamilton doesn't shy away from difficult real-world issues like post-traumatic stress disorder and sexual abuse. Though newcomers will be lost, and mystery fans may feel the sex scenes crowd out the plot, veterans of the series will no doubt enjoy their return to Hamilton's meticulously constructed world.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

More About the Author

Laurell K. Hamilton is the #1 New York Times bestselling author of two series that mix mystery, fantasy, magic, horror and romance. Her Anita Blake: Vampire Hunter novels from Berkley Books began with GUILTY PLEASURES (now a hugely successful graphic novel from Marvel - the first sexy paranormal comic ever!) and continues with the SKIN TRADE, number seventeen in the series, in which Anita's complex personal and professional relationships with a master vampire and an alpha werewolf continue to evolve. There are now more than 6 million copies of Anita in print worldwide, in 16 languages. Hamilton's Ballantine series features Fey princess and private investigator, Merry Gentry and there are now six novels exceeding one million copies in print. Divine Misdemeanors, the eighth in the series will debut Octobe 29, 2009. She lives in St. Louis County Missouri with her husband Jonathon Green, daughter, one pug dog and one boxer/pug dog.

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Most Helpful Customer Reviews

345 of 385 people found the following review helpful By John Green VINE VOICE on December 8, 2009
Format: Hardcover Verified Purchase
I pre-ordered the book off this site and it arrived today, so I settled in to see if the series would return to form or continue to slide. Six hours later, I think I'm about done with this series. LKH's writing is starting to remind me of Robert Newcomb's...

Like with the last few novels, we get that big, bold, easy-to-read, double-spaced type to help pad the page count and charge more for it. Combined with the lack of actual story progress, this would barely make a `how I spent my summer vacation' essay. Which is kinda how it reads.

The dialogue often feels stilted and wooden, like they're reading off cue cards. There's also way too much info-dumping; we're constantly treated to recaps of previous events- Andais' attempt to drown her, the appearance of the Nameless, Taranis' attack on her, etc. This is the eighth book of the series- if you don't know all this stuff by now, why are you reading this?

*SPOILER ALERTS*
The so-called plot is tepid. A series of ritualistic murders amongst the fey in Los Angeles- and who could kill these hardy immortals?- brings the attention of the Grey Detective Agency, and Merry's crew in particular. The investigation leads them to a lone witness, whose story is interrupted by... Glinda, the Fairy Godmother of L.A. (rim shot!) Complete with glitter and magic wand. Seriously. Not kidding.

Glinda has a grudge against Merry for stealing the allegiance of L.A.'s magic folk from her, so much so that she impedes the investigation in a scene that plays out all too predictably. The good part of being back in L.A. is that we get to see characters that haven't been heard from in a while- like Uther the Jack-in-Irons and Jeremy Grey.
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221 of 246 people found the following review helpful By Amazon Customer on December 15, 2009
Format: Hardcover
Let me start by saying that I've read each book of each series multiple times. I've overlooked the inconsistencies from all over, the arrogance of an author writing down to her readers, the bad (quality) sex, and the horrible reviews of others who actually have opinions that I value. I gave up my time, sleep, even money that could have been spent buying from other authors that I love. I allowed myself to truly care about the characters and what was happening in their worlds. And I was rewarded with this? *sigh*

There are several wonderful ideas throughout both of LKH's worlds. There are paths that would be fascinating to see and follow. She even walks a few steps down a couple of them. But then it dissolves into a pit of nothingness. My heart has been broken in both series.

Divine Misdemeanors like others before it had the potential to be something good. It could have been fun, adventurous, and redeeming. What it turned out to be is choppy, incomplete (and often spacey) scenes which are never cohesive. It is not the ending of a story nor the beginning of another. It's just badly disguised fluff. It is my opinion that each book in any series should further the story along. If an author comes to a time when that doesn't happen, perhaps it is time to give up the series or at the very least honor the characters you have given birth to enough to set them aside until such time as you can do them justice.

Anything further I could say would slip into the way of personal critisim of the author (because I truly am heartbroken she had destroyed characters I've come to adore) so I will conclude by saying to those who haven't read this, don't bother, especially if you are looking for the magic that once caught you.
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205 of 228 people found the following review helpful By K. on December 28, 2009
Format: Kindle Edition Verified Purchase
I started out interested in this series, and eagerly awaited each release. I stuck with it all the way through eight books, even though they really started to slip and make little sense long ago. I was first a little worried when the main problem introduced in one installment, on top of the other long-running issues, was not even solved during the book! It felt like a great waste of time, and I came out with more questions than enjoyment.

It seems that the author thinks nothing of our memory. Detailed character description fills half of each book, even repeating descriptions of the same characters several times. I couldn't count during this latest one how many times I felt the need to skip a paragraph because I already understood the qualities of Barinthus' hair. Come on, we're in book 8 now... I know all about what Frost and Doyle, her main boyfriends, look like. And on top of having to reread these descriptions over and over, they really start to flow together. If I read the books simply to imagine six-foot-plus elven dudes with flowing hair down to their ankles, I'd be in heaven, but I suppose I expect a little more story in my novels.

Conversation is awkward, and full of statements of the obvious. Magic is cool and all, but also repetitive, and solutions to conflicts just seem ridiculous. We waded through how many books to find out which guy would get her pregnant, just to see the three fathers for each twin baby solution? So much story about becoming the next queen, and having to rule with one of her many suitors, just to have the entire plotline of the previous seven books thrown away when she decides not to become queen after all?
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