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On the sun-blasted island of Sicily, Baron Ferdinand "Fefè" Cefalù (Mastroianni) breaks out of his heat- and boredom-induced stupor long enough to be smitten with mad passion for his 16-year-old cousin Angela (Stefania Sandrelli). But he's married--to Rosalia (Daniela Rocca), she of the unfortunate mustache--and the Italian Penal Code gives him no way out... except, of course, for catching his wife in adultery and availing himself of the patriarchal license to commit a "crime of honor." So Fefè searches for a way to fling Rosalia into the arms of another man.
Mastroianni's Fefè is an indelible masterpiece, visually and behaviorally: a portrait in painterly chiaroscuro, with brilliantined hair, eternally drooping eyelids, a cigarette holder angled in perpetual salute, and a manic, conspiratorial slouch, like Groucho Marx on painkillers. Germi's direction hustles the film along with bold, mobile camerawork, stream-of-consciousness lurches into fantasy and flashback, Fefè's feverish voiceover commentary, and a wonderfully propulsive music score by the late Carlo Rustichelli. --Richard T. Jameson
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Most Helpful Customer Reviews
30 of 32 people found the following review helpful:
4.0 out of 5 stars
That's it, I want a divorce!,
Amazon Verified Purchase(What's this?)
This review is from: Divorce Italian Style (The Criterion Collection) (DVD)
Just so you know, divorce is now permitted in Italy. But in 1962, the only way you could get a divorce was by... well, "Divorce Italian Style," a ka bumping off your adulterous spouse. This delightfully warped black comedy focuses on that very idea -- a disgruntled husband who goes to absurd lengths to get a "divorce."
Ferdinando Cefalú (Marcello Mastroianni) is a middle-aged Sicialian noble who is displeased with his life, and his adoring wife Rosalia (Daniela Rocca). In true midlife-crisis fashion, he falls for his angelic-looking cousin Angela (Stefania Sandrelli), but he can't get a divorce. Divorce isn't allowed in Italy at this time, so Ferdinando is left stewing over his problems, fantasizing about murdering Rosalia. But then he hears about an odd law: if an adulterous spouse is caught in flagrante, then the wronged spouse can kill the adulterer and get off with a light prison sentence. So Ferdinando starts desperately searching for a potential lover for Rosalia, but she remains faithful. Then he locates an ex-boyfriend of hers, hoping to rekindle the old flame. But nothing goes quite according to plan... Yes, it's a bit sick. But in such a funny way that it really doesn't offend. At a certain point it becomes less about Ferdinando trying to murder his wife, as it is an increasingly overwrought attempt to get her to commit adultery. Not to mention a spoof on traditional views on "family honor," where it is more shocking to NOT kill your adulterous spouse than it is to do so. Ferdinando carefully straddles the line between being slime and being a funny character -- his surreal murder fantasies are hilarious, such as when he shoves Rosalia into a vat of soap. And in keeping with the spoof atmosphere, the romance is overemotional, the fighting is overwrought, and the contrived adultery/murder scheme is absurd. The final scene is the final tragicomic flourish, hinting at future disaster that Ferdinando deserves. Pietro Germi at first seems to be making an offensive movie, but viewing it with a sense of humor shows that he's poking fun, and making wry social observations. He was also not above plugging Mastroianni's other movies -- one scene has a priest denouncing "La Dolce Vita," followed by crowds rushing to see it. Ferdinando's future brother-in-law ogles the beautiful Anita Eckberg, then hastily tells his fiancee that Eckberg is pretty, but "she has no soul." The immortal Mastroianni injects just enough humanity into Ferdinando to keep us from loathing him -- in the middle of a midlife crisis, he seems increasingly confused as the movie goes on. Daniela Rocca sits on the fence between being devoted and annoying, while Sandrelli plays a girl who acts like an angel, but definitely isn't. Thankfully Italian spouses no longer have to bump each other off to get a "divorce," but "Divorce Italian Style" remains a classic black comedy/social satire.
19 of 21 people found the following review helpful:
5.0 out of 5 stars
"Rosalia, are you sick or something?",
This review is from: Divorce Italian Style (The Criterion Collection) (DVD)
I've never even heard of this movie before, I only rented it cause I'm on a noble quest (just like a knight!) to see every Criterion DVD. And I'm glad I did cause this movie is hilarious! I loved it. I'd even buy a copy if I wasn't flat broke.
Aristocrat Fefe cannot stand his wife. Loud, annoying, crazy facial hair she grates on his nerves all day then wants to cuddle, etc all night. Yuck! Lucky for him though there is a 16-year-old hottie next door that is in love with him. Yes! Now all he has to do is get rid of his wife, but since divorce is illegal he's just gonna have to kill her, but that means prison unless! Unless he catches her in the arms of another man then he'll get less than 3 years! But who would ever want to be with his wife? Flawlessly directed with an almost psychotic intensity I think I grinned like an idiot the entire movie. And the performance! Everybody was great, but Marcello Mastroianni was absolutely brilliant. I'd laugh even when he was just standing around thinking. Double feature this with THE SEVEN YEAR ITCH. D: Pietro Germi (MY FRIENDS, SEDUCED AND ABANDONED) W: Ennio De Concini (SALON KITTY, BLACK SUNDAY) Ferdinando Cefalu - Marcello Mastroianni (LA DOLCE VITA, 8 1/2) Rosalina Cefalu - Daniela Rocca (THE SUCKER, BEHOLD A PALE HORSE) Angela - Stefania Sandrelli (1900, THE CONFORMIST)
32 of 38 people found the following review helpful:
2.0 out of 5 stars
DVD is NG.,
By "darkguido" (Portland, OR USA) - See all my reviews
This review is from: Divorce Italian Style (Dvd) (DVD)
What a waste. This is a hilarious movie, but the DVD transfer reminds me of a bad print at a second-run theater. This is the second DVD I have purchased from Hen's Tooth Video (the other being Peckinpah's Cross of Iron) and it will be the last. The transfer has not been augmented in any way for DVD. The scratches on the print are very distracting and there are no special features to make up for it. I look forward to the day when another company issues this worthy title in a manner that takes advantage of the DVD format and is appreciative of its customers.
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