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The cinematic team of Merchant Ivory (
Howard's End,
The Remains of the Day) leaves corsets behind for the contemporary world of Americans in Paris. The day Isabel Walker (Kate Hudson,
How to Lose a Guy in Ten Days) comes to visit her pregnant sister Roxy (Naomi Watts,
Mullholland Drive) is the day Roxy's French husband leaves her. The divorce proceedings end up centering around a painting, long owned by the Walkers, that the husband's family would like to claim--but their maneuverings are complicated when Isabel begins an affair with a diplomat (Thierry Lhermitte,
The Closet) who just happens to be Roxy's uncle-in-law. At its best moments,
Le Divorce has the feel of one of Woody Allen's serio-comic films like
Hannah and Her Sisters, and there's a genuinely suspenseful climactic scene on the Eiffel Tower. Also featuring Leslie Caron, Glenn Close, Matthew Modine, Stephen Fry, Sam Waterston, and Stockard Channing.
--Bret Fetzer
A Merchant-Ivory movie set in the present, which makes for a change. This one is the tale of two sisters: Isabel (Kate Hudson), who flies to Paris to visit her sister Roxy (Naomi Watts), who has married a dodgy Frenchman. Cue any number of cross-cultural collisions, as our hopeful young Americans-today's Daisy Millers-become ensnared in the oily grasp of old Europe. Isabel finds herself in bed with Edgar (Thierry Lhermitte), who has the decency to look faintly embarrassed about it. The movie contemplates sex, as well as abortion, suicide, and mental instability, but the director, James Ivory, seems fatally undecided as to whether such matters are worthy of solemn consideration or mere backdrops to a bit of fun. The moral of the piece, finally, appears to be "Don't marry out of your tribe," which is nice to know in these days of international suspicion. Wasted actors include Stockard Channing, Sam Waterston, Bebe Neuwirth, Glenn Close, and Matthew Modine; that's a lot of waste. Leslie Caron offers as pure a definition of grande dame as you are likely to find. -Anthony Lane
Copyright © 2006
The New Yorker