It took just a few choice words against the President of the United States by lead singer Natalie Maines in London to land the Dixie Chicks in a lot of hot water back home in a country gearing up for a war in Iraq that its planners had no clue how it was to be won. But three years later, the times have changed, the tables have turned; and with that same President's popularity ratings in the cellar, the Chicks have since turned all the trouble they went through into a great album--and a great documentary film.
Made by veteran documentarians Barbara Kopple and Cecilia Peck, SHUT UP AND SING details the travails of the Chicks as they deal with the political, economic, and even life-threatening consequences of Natalie's incendiary comments, made only nine days before hostilities commenced in Iraq, and it also shows an America, particularly that part below the Mason-Dixon line, awash in the kind of blind patriotism that led to the mass crushings of Dixie Chicks CDs that had an eerie resemblance to the Beatles getting their records treated the same way after John Lennon's infamous "more popular than Jesus" statements in 1966. But we also get to see the familial side of Natalie and her bandmates Emily Robison and Martie Maguire and their significant others, and how each and every element of their lives during those three years led to the creation of their album TAKING THE LONG WAY.
While probably quite a few cynics, particularly on the far-right of the political spectrum, will demean this film as a Chicks pity party, it is nothing of the sort by any means. Nor is it merely about freedom of speech, though that element is unquestionably in there. SHUT UP AND SING, at its heart, is about the purest form of American patriotism there is--love of family; love of the best of this great nation of ours, and a willingness to realize our faults. It makes no pretenses at depicting the nasty reaction of Red-State America and the callousness of the Bush administration towards the Chicks as anything less than hypocrisy at its highest; both groups come off even worse in many ways here than they did in FAHRENHEIT 9/11, and this without Peck or Kopple ever being known as agent provocateurs like Michael Moore.
The family and musical moments of SHUT UP AND SING are also interspersed with animated conversations between the Chicks, their manager Simon Renshaw, and their album producer Rick Rubin, as well as some incendiary and blackly comic comments made by Natalie about both Bush and Cheney. All of this makes for a ferociously patriotic and all-American film about true American pride where three women from Texas stood up for what they believed in, even when it was wildly unpopular, and came out stronger from the experience. Kudos to the Chicks, Kopple, and Peck for showing us what our country can still be if we fight for what is right!