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Djibouti: A Novel Hardcover – October 12, 2010
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Amazon Exclusive: Joe Hill Reviews Djibouti
The author of the critically acclaimed novels Heart-Shaped Box and Horns, Joe Hill is a two-time winner of the Bram Stoker Award and a past recipient of the Ray Bradbury Fellowship. His stories have appeared in a variety of journals and Year's Best collections. Read his guest review of Djibouti:
In the spirit of Elmore Leonard’s 10 Rules for Writing, here are ten reasons why Elmore Leonard rules–a fact that has never been more obvious than in Djibouti, his 48th novel.10. The babes. The heroine of Djibouti would be one Dara Barr, who has touched down in Africa to make a documentary about the booming piracy business and maybe win herself another Oscar. Dara is as laconic and unflappable as any of Leonard’s finest heroes (see: Hombre, Swag, The Hot Kid), with a creative and curious streak that marks her as special. Throw in an underwear model named Helene looking to make a married man out of a billionaire who likes to play C.I.A. agent, and you’ve got a book in which the gents are waaaaaay overmatched. 9. The bad boys. Creative writing teachers who want to show their students how to draft an unforgettable antagonist ought to tear out chapter 18 and pass it around. That’s where Leonard tells us the story of James Russell, a clever Miami lowlife, who reinvents himself as Jamal Raisuli, al-Queda bomb-thrower… all in 7 pages of breezy, economical characterization. 8. The talk. Plenty has been written about Elmore Leonard’s mastery of dialogue, and I don’t need to rehash it. Why bother, when I could just quote some of it? An elderly terrorist, jailed in The States, gets talking with James Russell:
“What is it you hope to become in your life?”
“Famous,” James said. “I been looking at ways.”
“Become a prophet?
“I don’t tell what will happen. I do it.”
7. The walk. Everyone hustles in an Elmore Leonard novel; you can’t stand still and hope to score. From the slums, where life is the only thing cheaper than khat, to the clubs, where it’s easier to find a pirate than out on the open ocean, everyone is on their way up or on their way down… in a hurry.
6. The sound. Leonard famously said that if his sentences sound like writing, he rewrites them, but don’t be fooled. These sentences jump to their own dirty, hothouse jazz rhythm. There isn’t a better stylist anywhere in American letters. 5. The seduction. Dara isn’t just curious about piracy; she spends thirty days on a boat with 73-year-old Xavier LeBo, long enough to fall a little in love with her best friend, and wonder if the old dude can still get it up. Xavier bets her ten-thousand dollars he can. It’s the book’s biggest gamble; trust me, it earns out big. 4. More boom for your buck. A lot of the suspense in Djibouti revolves around a tanker filled with enough liquefied natural gas “to set off an explosion a hundred times bigger than the Hindenburg disaster.” It’s an atom bomb with a rudder and all it needs is a target. 3. The place. Leonard doesn’t beat anyone over the head with his research, but from Djibouti to Eyl to New Orleans (the three backdrops for this story), the details are crisp, unforgettable, and right. You don’t read Djibouti. You live there. 2. The pay-off. Everyone in an Elmore Leonard story wants one, but only the reader is guaranteed to get one, and boy do they, in a final chapter that seems inevitable, yet comes as completely unexpected. 1. The know-how. Let’s get to it. In the fifty-plus years he’s been turning out lean, loose, laid-back thrillers, Elmore Leonard has cast his indelible stamp on American crime fiction, inspired his peers, and spawned a thousand imitators. He’s the kind of guy critics describe as old school, but that’s missing it. Elmore Leonard isn’t old school. He built the school. (Photo of Joe Hill by Shane Leonard)
From Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to the Audio CD edition.
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Top Customer Reviews
For some odd reason, Leonard chooses to tell the story primarily through the two main characters reviewing documentary footage that they've shot of the main events of the novel. So that takes a lot of the suspense out, and it's confusing and kind of annoying. I could see it working in a movie (which is maybe where this is headed) but in a novel it adds nothing and makes the story harder to follow.
And the dialogue, which is usually the highlight of any Leonard novel, is pretty bland in this one, as well. Very disappointing.
Unfortunately, Djibouti is not a good example of what he can do when he puts his mind to it. While he is usually known for his terse prose and snappy dialogue the writing in Djibouti is choppy and disjointed to the point of incoherence. The plot also tends to be sloppy and unsatisfying. It comes off as if he couldn't decide whether he wanted to tell a story about Somali pirates or al Qaeda terrorists and ended up doing justice to neither. Major characters in the first half of the story fade to insignificance in later chapters and others pop up from nowhere and take over the story. An al Qaeda villain is indistinguishable in character from the two-bit crooks from one of Leonard's other books.
As I said previously, Leonard's stories do lend themselves to video adaptation and it's possible that this would make a fairly entertaining movie. As a book, though, I would give it a pass. There are so many good Elmore Leonard books out there that there is really no reason to settle for this marginal effort.
"Djibouti," Mr. Leonard's latest offering, reads as if it has been written by two separate authors. The first 130 pages of the novel are some of the dullest I have read this year, bar none; the last 150 comprise one of the most interesting thrillers I have come across in 2010.
The premise of the book is a good one. Award-winning documentary maker Dara Barr has come to Djibouti with her trusted cameraman to film Somalian pirates in the act of hijacking western ships and holding them for ransom. Xavier, her 72-year-old cameraman, secures a boat and the two set out on the open sea in search of a few pirates they can call their own. Dara believes, rightly, as it turns out, that even Somalian pirates want to be in the movies, and she is confident that she and Xavier can talk their way out of any trouble they might find themselves in.
But here comes the problem. Rather than show all of this lead-in action in real time, Leonard chooses to have Dara and Xavier discuss it as they think about how they will edit all the raw film footage they have accumulated. The resulting pages make for some excruciatingly dull reading - surprisingly, even to the dialogue between the two main characters. I say "surprisingly" because, as he reminds the reader in the second half of the book, well written dialogue is consistently one of the best things about an Elmore Leonard novel.
When the pair of filmmakers stumbles onto an al-Qaeda plot to blow up a huge liquid natural gas tanker at an LNG terminal in the U.S., and Leonard finally shifts to a real-time narrative, the book takes off and becomes the thriller I expected it would be.Read more ›
Most Recent Customer Reviews
Just don't. 3/4 of the book to get to the point and the endind is horrible.Published 16 days ago by Amazon Customer
It is hard to believe Elmore Leonard wrote this extraordinarily bad novel. Absurd plot that it is hard to follow. Characters equally inane. Read morePublished 6 months ago by theos
Obviously not written by Elmore Leonard, or he put a very poor effort into this. From a disjointed plot, to bland and shallow characters, it's hard to believe Mr. Read morePublished 10 months ago by Wisdom Lover
Leonard seems out of his element and way out out of Miami and Detroit in this rather dark crime novel with no characters--good or bad--to fall for.Published 10 months ago by John Mariani
my favorite author. just didn't seem like his mode of writing. fun reading anywayPublished 11 months ago by will rogers