It's late summer, 1972, up in California's redwood forests. They seem a "safe and wondrous place," but some of Evergreen's population is growing pot up in the trees and others are bent on stealing it. Then there's the coming folk festival, a jamboree bringing in musicians, fans, war protestors--a ferment of flower power (the local hippies), raw power (the local biker gangs, notably the Cossacks), and the power of the law (local and federal). Skirting the edges are shades of the Manson Family and the Mexican Mafia. Clifford Hickey, scheduled to perform a guitar gig at the festival before trucking off to law school, arrives at his brother Alvaro's peaceful woodland campsite. And within moments Alvaro, combat trained, is faced with six armed men in badges crashing the camp, and runs. Clifford, surprised, is arrested and brutally cuffed, so brutally he fears for his hands. He then learns that a young man, one of the sheriffs' nephews, has just been murdered. Alvaro is the posse's quarry. So here's Clifford, on the brink of adult life, pitched into not just a murder but what develops into a duel between the Hickeys--for his father and mother soon drive up--and the law, between the Hickeys and the Cossacks--who seemingly have their own agenda for Alvaro and, between the Hickeys and the locals, and finally between the Hickeys and their own past. Ken Kuhlken won St. Martin's Best First Private Eye Novel contest for the first Hickey family case, The Loud Adios.
After borrowing time from his youthful passions, such as baseball, golf, romance, and trying to make music, to earn degrees in literature and writing from San Diego State University and the University of Iowa, Ken got serious (more or less).
Since then, his stories have appeared in Esquire and dozens of other magazines, and anthologies, been honorably mentioned in Best American Short Stories, and earned a National Endowment for the Arts Fellowship. He has been a frequent contributor and a columnist for the San Diego Reader.
With Alan Russell, in Road Kill and No Cats, No Chocolate, he has chronicled the madness of book promotion tours.
Ken's novels are Midheaven, chosen as finalist for the Ernest Hemingway Award for best first novel and the Tom Hickey California Century series:
The Loud Adios, San Diego and Tijuana, 1943 (Private Eye Writers of America/St. Martin's Press Best First PI Novel); The Venus Deal, San Diego, Mount Shasta, and Denver, 1942; The Angel Gang, Lake Tahoe and San Diego, 1950; The Do-Re-Mi, rural Northern California, 1972 (a January Magazine best book of 2006 and finalist for the 2006 Shamus Award); The Vagabond Virgins, rural Baja California, 1979; The Biggest Liar in Los Angeles, Los Angeles, 1926.
