Aleister Crowley was a blustery coward, an arrogant, misogynistic racist with fascist leanings, and a callous user, as often threatened by his sexuality as he claimed to be liberated by it. But he was also a groundbreaking poet and an iconoclastic visionary whose literary and cultural legacies extend far beyond the limits of his reputation. This controversial individual, a frightening mixture of egomania and self-loathing, has inspired passionate--but seldom fair--assesments by historians. Sutin, by treating Crowley as a cultural phenomenon, and not simply a sorcerer or a charlatan, convinces skeptic readers that the self-styled "Beast" remains a fascinating study in eccentricity.
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Amazon.com Review
The legendary Aleister Crowley (1875-1947) is a tantalizing and bizarre subject. As an occult leader, heroin addict, sexual adventurer, misogynist, and visionary, he is the inspiration for many vile Gothic protagonists. Author W. Somerset Maugham even devoted a novel, The Magician, to this chilling figure of indulgence and religious mockery. Like any good biographer, Lawrence Sutin set out to discover the man behind the myth. After considerable research, Sutin admits that Crowley was "a shameless scoffer at Christian virtue" and "a spoiled scion of a wealthy Victorian family," but he also sees him as a 20th century figure as "protean, brilliant, courageous, and flabbergasting as ever you could imagine."
Consider these facts about the man who named himself "The Great Beast": He was one of the first Westerners to seriously study Buddhism and Yoga. He radically redesigned the traditional Tarot deck (thus the "Crowley deck"). Contrary to common belief, he was never known to participate in satanic ritual--to do so would acknowledge the Christian church, which he was loathe to do (although he nicknamed his son "The Christ Child"). These are but a few of the surprising morsels one can glean from this excellent biography. Don't expect to find Crowley a likable figure. Do, however, expect to meet a flamboyant man who challenged all forms of religious, sexual, and social oppression and hence became a revered visionary and a reviled demon. --Tara West --This text refers to an out of print or unavailable edition of this title.
From Library Journal
The name Aleister Crowley has generally been associated with hedonistic, self-absorbed, occult-infatuated Victorian English intellectuals. Sutin (creative writing, Hamlin Coll.; A Postcard Memoir) does much to expand upon this simplistic perception, showing that while Crowley was indeed all these things, he was also much more. Crowley was an arrogant misogynist, yet he was also a very gifted poet and visionary who painfully drove himself to seek deeper visions through drug-induced vision quests and rampant sexual experimentation. He was prominent in the movement to bring Eastern philosophies into Christian England and America and sought enlightenment in the rawness of nature. Sutin wonderfully details the eccentricities of this puzzling man while being careful not to overburden his narrative with academic psychological theories or personal observations and conclusions. The result is a fascinating, easily readable narrative about one of the most interesting cultural phenomena of the late Victorian period. Recommended for all libraries.DGlenn Masuchika, Chaminade Univ., Honolulu, HI
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
56 of 60 people found the following review helpful
Format:Hardcover
This is an Enthralling Perspective of the life of Aleister Crowley.... "the rest of the story."
"Do What Thou Wilt" fills-in numerous gaps in Crowley's own writings and maintains an open perspective until the last few chapters. This is good balancing material to add to a Crowley research library.
Throughout most of the book, the author seems to have an (almost) non-judgmental perspective--giving us a "here's the facts" biography. I thoroughly enjoyed this book and could not put it down. It was very nice to read-about all the things Crowley sort-of Glossed-over in his own works. Also, I found it interesting that the author began the book with a list of Crowley's accomplishments that would have been well-recognized, if not for his "Beastly" reputation and eccentric (self-destructive / self-defeating) behavior. The author had access to a wealth of information, including access to individuals in the O.T.O.
I felt that the author maintained his mostly non-judgmental view until the last few chapters--when it becomes evident that the author had pretty-much written Crowley off as a "Dirty Old Man"--a sad case of Self-deception and a delusory drug addict.
However, unlike most of the biographical material I have read about Crowley, this book tries very hard to show the positive achievements of "The Beast" as well as the more scandalous aspects of the man. Yet, it is very difficult to perceive Crowley in a positive light, when the Misogynistic (wife-beating) scenarios are brought to light--which, if true, obviously makes Crowley a criminal worthy of little respect.
Over-all, the book is quite impressive and it seems to give a more-or-less positive outlook on Crowley's life, although it does tend to dispel illusions of Crowley's grandeur and "Prophet" status. However, this book also leaves one with the impression that Crowley did, in fact, follow the "Do What Thou Wilt" philosophy to the utmost.... The man never had to work an honest day's labor, yet always had enough money or duped enough people into taking care of him, and he *Always* had plenty of sex, women, men, etc. to keep himself "happy" in that department.
I was a bit disappointed that this author doesn't really cover the Occult aspects of Crowley's life very well....he mostly seems to concentrate on Crowley's disreputable behavior, abusive relationships, and the more Tabloid aspects of his life....and seems to gloss-over the details of the writing of "The Equinox" (a 5 year project, skimmed-over in this biography) --I would have enjoyed a detailed break-down of the formation of that work and the people involved. The author sort-of skips-over Crowley's connections with Blavatsky, with minor references.
Although this is an amazing, and well-written, biography of Crowley, one is left with the impression: "So....when did he do Occult stuff ?" (the Occult workings almost seem mere footnotes). This book details his "Book of The Law" workings and the related occult workings, but one gets the impression that the O.T.O. was just something Crowley wrote letters about as an afterthought, occasionally, when he needed money from the members (yet, wouldn't touch L500 of OTO $ under his bed, while lying on the same bed in extremely poor health).
As a member of various organizations, I know that it takes a tremendous amount of work to keep any kind of Masonic or Occult group operational....so, it seems a bit odd that this aspect of Crowley's life seems almost like a background story, or basic framework for Crowley's Love Life.
A more appropriate title for this book would be: "Do What Thou Wilt: The Life and Loves of Aleister Crowley."
Don't get me wrong--I loved this book and learned a lot--but, I feel a large aspect of Crowley's life was given the back shelf to his enormous sex drive. Yet, considering the fact that Crowley and others have covered the "Occult" territory numerous times, this book makes a fine addition to a Crowley collection and fills-in many gaps that Crowley's admirers or apologists would not care to reveal--one would be hard-pressed to portray Crowley as a "Spiritual Leader" if one included the extremely Misogynistic / Abusive behavior (depicted in this book) of Crowley in a biography extolling his virtues as "Prophet of The New Aeon."
27 of 30 people found the following review helpful
By Justin Case
Format:Paperback
This book is certainly not for those who are merely curious or casually interested in Crowley. Let's be frank, Sutin's biography is not light reading by any means. He gives us nearly 500 pages of details; no fluff, no sensationalism, and very little speculation beyond that which is evident by actual facts. Because of this, Do What Thou Wilt will surely disappoint those who prefer to think that Crowley was a Satan-worshipping black magician, those who place him on a pedestal as a perfected spiritual master and those who are looking for juicy tales of sex, drugs, and blasphemy. But anyone who has read Crowley's autobiographical Confessions of Aleister Crowley should read Do What Thou Wilt to balance out Crowley's own one-sided version of his life. Also, those who are already familiar with Crowley's contributions to the study and practice of the occult and who are hungry for a thorough, detail-oriented study of his life would appreciate this book. At any rate, I would not recommend this as a Crowley bio for beginners.
Sutin gives us a carefully researched book. He makes no claims without verifiable sources. Unlike any other bio (or auto-bio) I have encountered concerning Crowley, Sutin seems to have no agenda beyond telling us the story of his subjects life as well as can be gathered from the source material available (which he seems to have studied well). He also does a fine job of carefully and fairly pointing out inconsistencies and differing accounts from different sources (or sometimes from different works by Crowley himself). This is refreshing, as most writers on Crowley seem to want to condemn, apologize or praise Crowley.
Sutin displays considerable insight when he makes his case for the subconscious motives behind Crowley's strong need to promulgate his new creed and religion, Thelema, how he sought all his life to transcend his deeply ingrained puritan sense of sin and guilt with regards to sex, and a few other aspects of his life. But Sutin does this with a cool, detached, non-judgmental and elegantly minimalist fashion. He tastefully points out a few connections between what must have been strong psychological imprints in Crowley's childhood and strong tendencies in his adult life and then lets readers think these out for themselves.
Sutin makes it exhaustively clear that Crowley could often be petty, cruel, dishonest, egotistical to the point of megalomania, bigoted, sexist, boastful, obscene, conniving, and - in the latter half of his life - hopelessly addicted to cocaine and heroin and dependent on the generosity or gullibility others for money. Since Crowley himself downplayed these traits and because his auto-bio Confessions was written about halfway through his life, I again strongly suggest that one does not read Confessions without reading Do What Thou Wilt. Having reiterated that, I also suggest that one does not read Do What Thou Wilt without reading Crowley's Confessions, Isreal Regardies's Eye in the Triangle, or some other book that explains Crowley's magical practice, philosophy and Thelema because - and this is the main fault of Do What Thou Wilt - Sutin gives us almost no understanding of this.
Because his magical philosophy and Thelema was central to his life, Sutin's book tells us only about half of what one needs to know in order to get a good understanding of Crowley. It is somewhat like telling the story of Einstein without telling us about the physics that occupied his genius or his revolutionary discoveries. Beyond a sentence here and there, the only passage in which Sutin does Crowley's life work justice is short enough to quote here. While mentioning that the famous occultist Dion Fortune acknowledged Crowley's great work, Sutin says that, "Fortune is correct in her judgment of Crowley's `contribution to occult literature.' Magick is a watershed in the history of that literature - the first work to strip the subject of its gothic trappings and bring it fully into the modern world. Its arguments are ruthlessly practical - assuming, of courses, that the reader will allow that there is such a thing as the `Great Work' that is attainable by human consciousness. There is, indeed, a religious belief at the heart of the book: a conviction that the life of fulfillment of the inmost spirit - the Will - is the highest form of life. Scoff at this and you not only scoff at Magick but at religion itself. Grant it as a nondenominational goal and Magick may have something to teach you. After all, the definition of `Magick' offered in the Introduction is catholic enough: `MAGICK is the Science and Art of Causing Change to occur in conformity with Will.' "
Oddly, this passage displays one of the few places where Sutin directly gives us his own opinion when he could have discussed this more objectively in terms of the impact that this work had on students of the occult. Still, Sutin barely gives us an understanding of Crowley's work and how he is almost undeniably the single most important writer on occultism. Let's face it, if Crowley was merely a promising Cambridge chess champion, a minor poet and a man who came close to being the first to reach the peak of the world's third highest mountain (which would have made him placed him in the position of being the climber to have reached the highest peak ever before climbed) he would likely have been merely a footnote in the history of mountaineering and Sutin would almost surely not have written a book about him.
But, to be fair, Sutin has given me what I was seeking when I bought this book; a more objective view of Crowley's life and (more importantly for me) details on his experimentation with drugs. Although, Sutin gives us very little understanding of what Crowley experienced with these substances (as he does with Crowley's experiences with magical and mystical practices) he does tell us what substances he experimented with, when, and in combination with what magical and mystical practices.
Sutin gives us no real sense of Crowley's role as a pioneer in the re-emergence of psychedelics Western civilization. The short passage by Suster quoted above gives us a greater sense of Crowley's place in this re-emergence than Sutin does in his entire book. But then again, Suster does not tell us the details that Sutin does. Also, Sutin adequately shows us (through evidence, not opinion) Crowley's struggle over whether the use of consciousness-altering substances are legitimate or counterfeit aids in the exploration of the mind and spirit. He also shows us how in one account of a given event Crowley frankly admits the use of a particular drug in addition to a particular magical operation to gain entry into a particular "plane" or state of mind whereas in another account of the same event Crowley omits the fact that he used a drug without which the result would likely not have occurred at all.
Sutin also gives us what little there is to know regarding the legend that Crowley turned Aldous Huxley on to mescaline, resulting in Huxley's monumentally influential Doors of Perception. Sutin shows us how although it is possible that this could be so, there really is no evidence that this is the case. Crowley was experienced with peyote years before Huxley, the two men met once through a mutual acquaintance and that is about all we know for sure beyond the fact that if Crowley had turned Huxley on to peyote, both men would very likely have written about it at length. As Sutin shows in his book, Crowley merely noted in his diary that, "Huxley improves on acquaintance."
Over the course of the book, we see that Crowley devolved from a young man with seemingly boundless enthusiasm to find truth and to gain new ground in consciousness, to build a sound body of knowledge Crowley called Scientific Illuminism ("The method of science, the aim of religion") with determination and perseverance (mirrored in his considerable achievements in the field of mountaineering and rugged hiking across thousands of miles in various parts of the world) to a derailed and self-deluded older man who spent the later half of his life preoccupied with sex and self-promotion and hampered by hard drug addiction and by poverty all the while attempting and failing to establish his new religion and to gain a large body of disciples. But then again, many of Crowley's best works were written during this period - perhaps this was a time when he was able to reflect upon and write about what he discovered earlier in life - and Sutin barely gives us any sense of this.
In summary, Sutin's book is valuable in that it provides a good detailed and well researched biography of Crowley's mundane life but it tells us far too little about Crowley's spiritual, creative and intellectual pursuits. I would only recommend this book to those who are already well acquainted with Crowley's work and who are ready to tackle a long, dry, detailed biography on his all-too-human side.
Sutin gives us a carefully researched book. He makes no claims without verifiable sources. Unlike any other bio (or auto-bio) I have encountered concerning Crowley, Sutin seems to have no agenda beyond telling us the story of his subjects life as well as can be gathered from the source material available (which he seems to have studied well). He also does a fine job of carefully and fairly pointing out inconsistencies and differing accounts from different sources (or sometimes from different works by Crowley himself). This is refreshing, as most writers on Crowley seem to want to condemn, apologize or praise Crowley.
Sutin displays considerable insight when he makes his case for the subconscious motives behind Crowley's strong need to promulgate his new creed and religion, Thelema, how he sought all his life to transcend his deeply ingrained puritan sense of sin and guilt with regards to sex, and a few other aspects of his life. But Sutin does this with a cool, detached, non-judgmental and elegantly minimalist fashion. He tastefully points out a few connections between what must have been strong psychological imprints in Crowley's childhood and strong tendencies in his adult life and then lets readers think these out for themselves.
Sutin makes it exhaustively clear that Crowley could often be petty, cruel, dishonest, egotistical to the point of megalomania, bigoted, sexist, boastful, obscene, conniving, and - in the latter half of his life - hopelessly addicted to cocaine and heroin and dependent on the generosity or gullibility others for money. Since Crowley himself downplayed these traits and because his auto-bio Confessions was written about halfway through his life, I again strongly suggest that one does not read Confessions without reading Do What Thou Wilt. Having reiterated that, I also suggest that one does not read Do What Thou Wilt without reading Crowley's Confessions, Isreal Regardies's Eye in the Triangle, or some other book that explains Crowley's magical practice, philosophy and Thelema because - and this is the main fault of Do What Thou Wilt - Sutin gives us almost no understanding of this.
Because his magical philosophy and Thelema was central to his life, Sutin's book tells us only about half of what one needs to know in order to get a good understanding of Crowley. It is somewhat like telling the story of Einstein without telling us about the physics that occupied his genius or his revolutionary discoveries. Beyond a sentence here and there, the only passage in which Sutin does Crowley's life work justice is short enough to quote here. While mentioning that the famous occultist Dion Fortune acknowledged Crowley's great work, Sutin says that, "Fortune is correct in her judgment of Crowley's `contribution to occult literature.' Magick is a watershed in the history of that literature - the first work to strip the subject of its gothic trappings and bring it fully into the modern world. Its arguments are ruthlessly practical - assuming, of courses, that the reader will allow that there is such a thing as the `Great Work' that is attainable by human consciousness. There is, indeed, a religious belief at the heart of the book: a conviction that the life of fulfillment of the inmost spirit - the Will - is the highest form of life. Scoff at this and you not only scoff at Magick but at religion itself. Grant it as a nondenominational goal and Magick may have something to teach you. After all, the definition of `Magick' offered in the Introduction is catholic enough: `MAGICK is the Science and Art of Causing Change to occur in conformity with Will.' "
Oddly, this passage displays one of the few places where Sutin directly gives us his own opinion when he could have discussed this more objectively in terms of the impact that this work had on students of the occult. Still, Sutin barely gives us an understanding of Crowley's work and how he is almost undeniably the single most important writer on occultism. Let's face it, if Crowley was merely a promising Cambridge chess champion, a minor poet and a man who came close to being the first to reach the peak of the world's third highest mountain (which would have made him placed him in the position of being the climber to have reached the highest peak ever before climbed) he would likely have been merely a footnote in the history of mountaineering and Sutin would almost surely not have written a book about him.
But, to be fair, Sutin has given me what I was seeking when I bought this book; a more objective view of Crowley's life and (more importantly for me) details on his experimentation with drugs. Although, Sutin gives us very little understanding of what Crowley experienced with these substances (as he does with Crowley's experiences with magical and mystical practices) he does tell us what substances he experimented with, when, and in combination with what magical and mystical practices.
Sutin gives us no real sense of Crowley's role as a pioneer in the re-emergence of psychedelics Western civilization. The short passage by Suster quoted above gives us a greater sense of Crowley's place in this re-emergence than Sutin does in his entire book. But then again, Suster does not tell us the details that Sutin does. Also, Sutin adequately shows us (through evidence, not opinion) Crowley's struggle over whether the use of consciousness-altering substances are legitimate or counterfeit aids in the exploration of the mind and spirit. He also shows us how in one account of a given event Crowley frankly admits the use of a particular drug in addition to a particular magical operation to gain entry into a particular "plane" or state of mind whereas in another account of the same event Crowley omits the fact that he used a drug without which the result would likely not have occurred at all.
Sutin also gives us what little there is to know regarding the legend that Crowley turned Aldous Huxley on to mescaline, resulting in Huxley's monumentally influential Doors of Perception. Sutin shows us how although it is possible that this could be so, there really is no evidence that this is the case. Crowley was experienced with peyote years before Huxley, the two men met once through a mutual acquaintance and that is about all we know for sure beyond the fact that if Crowley had turned Huxley on to peyote, both men would very likely have written about it at length. As Sutin shows in his book, Crowley merely noted in his diary that, "Huxley improves on acquaintance."
Over the course of the book, we see that Crowley devolved from a young man with seemingly boundless enthusiasm to find truth and to gain new ground in consciousness, to build a sound body of knowledge Crowley called Scientific Illuminism ("The method of science, the aim of religion") with determination and perseverance (mirrored in his considerable achievements in the field of mountaineering and rugged hiking across thousands of miles in various parts of the world) to a derailed and self-deluded older man who spent the later half of his life preoccupied with sex and self-promotion and hampered by hard drug addiction and by poverty all the while attempting and failing to establish his new religion and to gain a large body of disciples. But then again, many of Crowley's best works were written during this period - perhaps this was a time when he was able to reflect upon and write about what he discovered earlier in life - and Sutin barely gives us any sense of this.
In summary, Sutin's book is valuable in that it provides a good detailed and well researched biography of Crowley's mundane life but it tells us far too little about Crowley's spiritual, creative and intellectual pursuits. I would only recommend this book to those who are already well acquainted with Crowley's work and who are ready to tackle a long, dry, detailed biography on his all-too-human side.
24 of 28 people found the following review helpful
Format:Hardcover
If you are looking for a book to reinforce your beliefs about Crowley as a Beast or as a Saint, don't read this book. This is the first apparently unbiased biography of Crowley. Yet the author has done extensive and exhaustive research, examining Crowley as a man who had an enormous impact on modern culture, like it or not. It shows the heroic and superhuman side of Crowley as well as the depraved and self-hating side, even-handedly, without exaggeration or sensationalism. The book is beautifully written in general.
This is a mainstream biography, and I feel it will open the gate to further discovery and analysis by mainstream culture. It is remarkable that such a man as Crowley until now had no biography which was ever filed in the biography section.
Most Recent Customer Reviews
3.0 out of 5 stars
The Would Be Prophet
Aleistser Crowley (1875-1947), the prophet of Thelema, has feet of clay.
Crowely (rhymes with "holy") was what we would call today a "trust fund baby. Read more
Crowely (rhymes with "holy") was what we would call today a "trust fund baby. Read more
Published 6 months ago by John Snethen
3.0 out of 5 stars
Something is missing...
i have not read any other books about or by Crowley so this is based solely on this book. Sutin seems to have done his research and in a very organized manner tells the story of... Read more
Published 20 months ago by loren
1.0 out of 5 stars
what a despicable man
I admit, my over arching dislike of this despicable man makes it almost impossible to do a balanced review of the book. Read more
Published on August 26, 2010 by informednow
1.0 out of 5 stars
Bored me to tears
Considering the colorful and strange life of a man who lived during the Victorian era - I see Crowley not just as a sexual deviant and drug addict, but also an icon of the sexual... Read more
Published on May 25, 2010 by Lizard
1.0 out of 5 stars
A Whitewashing of Crowley
Sutin's book is the "official" Crowley biography endorsed by his cult. There's a red flag right there. Imagine a biography of L. Read more
Published on May 16, 2010 by Caustic Agnostic
5.0 out of 5 stars
Madness
Sadly,too much power in his hands drove him completely insane. what a loss for Exoterism.
Published on August 10, 2009 by Wilson F. Moreira Jr.
5.0 out of 5 stars
Def worth the money
Basically, this review is just a parrot of another review on here but I am just trying to concur my feelings on the book. Read more
Published on March 21, 2009 by Aperion
5.0 out of 5 stars
A little sympathy for the devil...
Crowley is one of those characters who endure by reason of what can be a rather cultish following--in other words, those who find him influential tend to idolize him and resist any... Read more
Published on January 19, 2009 by Mark Nadja
4.0 out of 5 stars
Read what thou Wilt...
Lawrence Sutin gives a thorough look into the life of Aleister Crowley, who was dubbed "the wickedest man alive." Mr. Read more
Published on January 27, 2008 by J. Lamberson
3.0 out of 5 stars
lots of facts, but a bit stodgy.
It's fascinating, and detailed as far as his rituals and philosophy. But the "Confessions" are much more fun. Read more
Published on October 14, 2007 by j0e_x
Citations (learn more)
This book cites 83
books:
See all 83 books this book cites
- Book of the Law by Aleister Crowley on 11 pages
- The Magical Dilemma of Victor Neuburg - Revised by Jean Overton Fuller on 4 pages
- Magick in Theory and Practice by Aleister Crowley on page 231, page 339, and Back Matter
- The Holy Books of Thelema by Aleister Crowley in Back Matter (1), Back Matter (2), and Back Matter (3)
- The Star in the West: A Critical Essay upon the Works of Aleister Crowley by J. F. C. Fuller on page 178, Back Matter, and Index
See all 83 books this book cites
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