Product Details

• Actors: William Hartnell, Patrick Troughton, Jon Pertwee, Tom Baker, Peter Davison
• Writers: Sydney Newman
• Format: Color, NTSC
• Rated: NR (Not Rated)
• Number of tapes: 1
• Studio: 20th Century Fox
• VHS Release Date: May 6, 1997
• Run Time: 87 minutes
• Average Customer Review: 3.9 out of 5 stars  See all reviews (27 customer reviews)
• ASIN: 6304432399
• Amazon Best Sellers Rank: #311,515 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Particularly significant in terms of Doctor Who's history, The Leisure Hive marked an end to Who's descent into vaudeville, and heralded the entrance of new hotshot series producer John Nathan-Turner. The opening long, slow pan across a wintry beach, on which an autumnal Doctor sits slumped, immediately declares the show's serious intentions. The narrative itself is an erudite discussion on fascism and racism taking in regeneration, megalomania, cloning, and a series of Agatha Christie-esque murders. It's the style, rather than the story, however, that's most prominent in The Leisure Hive: along with his new sober ambitious approach, Nathan-Turner brought a new theme tune, a new logo, a striking red costume, and a new title sequence--one that, tellingly, moved away from the enclosed time tunnel to show the vastness of space opening up. Productions values are also high: the Quantel effects are impressive even now, and the performances are quite stunning, particularly Baker's as the prematurely aged, infirm Doctor.

By dispensing with the clowning and with what he termed "Douglas Adams's undergrad humor," Nathan-Turner reinvigorated a show that was becoming stale. The diegetic rebirth brought about by the Regeneration Drive at the show's denouement is an apposite motif that was emblematic of the rebirth of the show itself--The Leisure Hive truly represented a new beginning for Who. --Paul Eisinger

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars "The birth of the new Argolis must be recorded by history.", June 3, 2007

By 

Crazy Fox (Chicago, IL USA) - See all my reviews

This review is from: Doctor Who: The Leisure Hive (Story 110) (DVD)

With this storyline, "Doctor Who" embarks upon its tumultuous trek through the 80's with a bang. Starting of course with a new opening sequence complete with a revved-up version of the theme music. I still remember how this surprised me when I was watching the show on PBS in the late 1980's; it seemed excitingly up-to-date, and, well, like most things that are self-consciously up-to-date, it's rather dated now. Pleasantly so, like a hit song by Duran Duran that you haven't heard in ages, but in any case it's rather emblematic of a fairly noticeable shift in the show's long history.

In fact, it's extremely difficult to evaluate "The Leisure Hive" on its own terms instead of as the starting point of John Nathan-Turner's extended tenure as producer. For one, because his fingerprints are all over it. He seems madly intent on redesigning and reinvisioning everything from the Doctor's scarf (toned down to burgundy) to his pet (K9 is written out in what seems like a rather malicious joke). Sometimes he seems almost prophetic; his emphasis on prominent instrumental music with a greater variety of texture and his insistence that the special effects be as top-notch as possible is very much something taken for granted in television today and can readily be seen to great effect in the new "Doctor Who" series now running. But then again, sometimes he seems to be working at cross purposes, toning down the wonderful "undergraduate humor" that Tom Baker brought to the role and which tends to appeal to adults while attempting to make the show more sophisticated by incorporating undergraduate astrophysics (tachyons in "Leisure Hive"). Anyway, at least Romana's still around, so we are given some modicum of continuity.

Now, as for "Leisure Hive" itself, it's lots of hits with a few misses. Again, as with the new opening, the first thing that catches your eye is that it's eye-catching. This is a visually rich storyline with intriguing sets full of exotic colors, and the make-up for the Argolins who run the Hive is aesthetically pleasing and convincingly alien. A clear "Cold War" ambiance informs the tale's historical background: a very brief but extremely devastating war leaving a planet (Argolis in this case) infertile and its people sterile. Similarly to "The Armageddon Factor," it's really fascinating to see how the anxieties of the nuclear arms race translated into a science fiction idiom so that the dire absurdities and fearsome consequences of the situation could be explored without hitting too close to home. The story itself intriguingly deals with serious issues of xenophobia and fascism as well as cultural heritage and corporate exploitation--unfortunately, where these two story elements converge the plot tends to blur somewhat incoherently, as if one more round of editing was needed to tighten up the script just so. However, the directing is creative and expertly evokes depth and tension while the acting is quite excellent, especially Tom Baker's perfect rendition of the Doctor prematurely aged 500 years older.

It must be said too that the extras on this DVD are unusually interesting, especially since they're on the very same disc as the episodes (so as not inflating the wallet damage). In lots of DVD extras out there today, the cast and crew all describe each other as geniuses and go on about how they were all like one big happy family. Which is both unbelievable and boring. Not here, though. the interviewees are delightfully frank, straightforward, opinionated, and critical (in the true sense of the word), and listening to them discuss the significant shift in "Doctor Who" marked by "The Leisure Hive" and their involvement in it is a real eye-opening experience. Their candor is appreciated. So kick back and enjoy this reasonably fine "Doctor Who" moment at your leisure.

5 of 5 people found the following review helpful:

3.0 out of 5 stars A new beginning, January 17, 2000

By 

John S. Drew "drewshi" (Brewster, NY United States) - See all my reviews
(REAL NAME)   

This review is from: Doctor Who - The Leisure Hive [VHS] (VHS Tape)

John Nathan Turner took over the reins of the series as producer and he showed viewers what was in store for the future of Doctor Who; better special effects, a great opening and stronger performances by future Doctors. The problem with this story is one that is featured in many future stories, plot. Nathan-Turner was more concerned with the flash of the series and not the substance. He went for the hype, the gimmick and left many a story that could have been great flailing to the side. The Leisure Hive is a strong example of this. A great idea of a planet used for pleasure being faced with extinction, but there are so many gaps in the story, you're left scratching your head and saying, "HUH?" The three stars are for the good points and for the intentions of the author.

10 of 12 people found the following review helpful:

5.0 out of 5 stars The Dawn of the New Argolis! And the 18th season., October 28, 2003

By 

Daniel J. Hamlow (Narita, Japan) - See all my reviews
(HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Doctor Who - The Leisure Hive [VHS] (VHS Tape)

Romana on Argolis: "It's the first of the leisure planets. In relative Earth Date 2250, there's a hideous war against some reptile people called the Foamasi. Most of the planet gets wiped out by two thousand interplanetary missiles, but the survivors build a recreation center called a Leisure Hive. And there's something called an experiential grid. Cells of different environments designed to produce physical, psychic, and intellectual regeneration."

After not only missing the opening of the Brighton Pavilion but also getting the century and season wrong, the Doctor and Romana go to Argolis in 2290, forty years after that terrible war, and become involved in the intrigues of the native Argolins. Bookings to their hive are disastrous, as other leisure planets have anti-gravity swimming pools and speed learning. Brock, the initially pessimistic Earth agent who advises the Argolins to do something about their cash flow, accepts the position on the Board, but recommends they sell the planet and hive to the Foamasi, their ancient enemies, of which the Argolin survivors still have bitter memories. After all, selling them their own planet would be the ultimate defeat. Things have a chance when Hardin, an Earth scientist and lover of Argolin Chairwoman Mena, claims to have found a better use of tachyonics--to manipulate time.

The main attraction of the hive is the Tachyonic Recreational Grid, run by the youthful Pangol. The science of tachyonics, the manipulation of faster-than-light particles, involves temporary duplication of any physical object, and the manipulation of the duplicate object without harming the original, demonstrated by Pangol going into the TRG and his tachyon duplicate's arms and head coming detached while it's talking. Soon, the TRG becomes the site of sabotage, accidents, and later murder, as Hardin's assistant Stimson is found strangled by the Doctor's scarf. And guess who's suspected?

There's wonderful exchange when the Doctor, Romana, and Mena are gazing at the glowing red sands of Argolis. "Radon 222 decays rapidly." says the Doctor. Mena says, "But not the heavy metal dust. It won't be habitable for three centuries. ... Now you understand the purpose of the Hive. ... to promote understanding between life forms of all cultures and genetic type. There must be no more such wars. Each race learns to understand what it is like to be a foreigner." And the Argolins have the helmet of Theron, a golden hooded helmet resembling a curved KKK hood as a reminder of what happened to them.

Adrienne Corri (Mena) is best known in Clockwork Orange as the ill-fated Ms. Alexander, the author's wife. David Haig does a good job as Pangol, being charming presenter, scientist, and Argolin patriot at the same time.

The first story of John Nathan-Turner's turn at producer heralded some changes that had some great consequences. He toned down the silliness of his predecessor, Graham Williams, and tried to rein in Tom Baker, whose hat, long coat and scarf are red instead of the familiar brown. In trying to get a Star Wars-style image to Dr. Who, he had the new digital Quantel special effects used, as well as an electronic revamping of the theme music. And he even recruited Barry Letts, who had produced Who in the Jon Pertwee era, as Executive Producer for Season 18.

The opening titles are changed, where instead of the bluish time tunnel, there was a galaxy of stars coming towards the viewer, with some in the center gradually forming the Doctor's face. The diamond logo was changed as well.

A story on the horrors of nuclear war and the necessity for cultural understanding between races, with stylish designs (the Argolins' beehive hairdo, flowing yellow robes, goatees for men, and plastic statues) and concepts, how Argolins turn from green to human colour when they grow older. A pity that this and the final season story, Logopolis, are the two best stories in Tom Baker's last season as the Doctor.