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Doctor Who: Logopolis: A Classic Doctor Who Novel
 
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Doctor Who: Logopolis: A Classic Doctor Who Novel [Audiobook, CD] [Audio CD]

Christopher H. Bidmead (Reader)
4.2 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

Doctor Who February 15, 2011
An unabridged reading of the final adventure for the Fourth Doctor, novelized and narrated by Christopher H. Bidmead from his original TV scripts. The meddling presence on Earth of the Doctor's arch enemy, the Master, ensures the disruption of normality. Even he is horrified by the threat of total chaos he unintentionally precipitates—until he finds a way to turn the imminent destruction of the universe to his own advantage. But the cost for the Doctor himself wiill be terrible...


Product Details

  • Audio CD
  • Publisher: AudioGO Ltd. (February 15, 2011)
  • Language: English
  • ISBN-10: 140842696X
  • ISBN-13: 978-1408426968
  • Product Dimensions: 5.6 x 4.7 x 0.9 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #3,676,532 in Books (See Top 100 in Books)

 

Customer Reviews

4 Reviews
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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars The last Fourth Doctor story, January 6, 2001
This review is from: Logopolis (Doctor Who) (Paperback)
The Doctor materialises the TARDIS by one of the last police boxes in England. His intention is to obtain the measurements of the real one to assist in repairing the TARDIS' chameleon circuit. But little do he and Adric realise that someone had arrived earlier, and an elaborate trap is about to be sprung...

'Logopolis' is a very big story, featuring an enormous threat to the entire universe. The Doctor gains two companions (Nyssa, who first appeared in 'The Keeper of Traken', and Tegan), faces an old foe, and gives his life to save the universe.

The story is quite clever, tying in with many events of the seventeenth season, and setting in motion the first story of the next season.

The adaptation is by Christopher Bidmead, the author of the original script, and is quite worthwhile as well. Not everything makes perfect sense, but there is nothing which detracts from the enjoyment which the story should give you.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars When Novelizations Mattered, December 28, 2003
By 
Jason A. Miller (New York, New York USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Logopolis (Doctor Who) (Paperback)
I first read the novelization of "Logopolis" when I was in the sixth grade. At that point, all I knew about "Doctor Who" was from the few 5th Doctor episodes I'd seen on PBS. I borrowed the book from a classmate who was trying to explain how the 5th Doctor came to be. Said classmate is now a life insurance agent in South Dakota and hasn't had any contact with "Doctor Who" in fifteen years. The book he loaned me, however, remains one of my enduring favorites.

The novelizations of the "Doctor Who" TV adventures were an unusual breed: for many fans, they served as (at worst) a replacement for, or (at best) an improvement on the series itself. The condensing of a TV script into 120 pages gave rise to a peculiar richness of language that laid the groundwork for a dozen years (and counting) of original "Doctor Who" novels.

Reading the back cover of the "Logopolis" novelization reveals a host of words you don't find any more in books aimed at 12 year-olds. "Precipitated", for instace. The opening paragraph of the story is unusually literate, presaging the Fourth Doctor's death: "Events cast shadows before them...".

The story's condensation is most keenly felt in author Bidmead's prose: a lot of on-screen dialogue is converted into plain text. This keeps the narrative moving without turning the novelization into a mere transcript, but also preserves the richness of the original script. In some instances, the story improves from the condensation: most of the shots of Tegan and Adric running up and down the TARDIS corridors have been omitted; instead, we're given a scene were Adric reads from "Paradise Lost". The Doctor introduces Adric to the TARDIS's "logic circuits", a visually striking piece of equipment never seen on-screen.

Best of all is the restaging of the death scenes. When the Monitor dies on-screen, it's done through a straight visual effect, and doesn't make all that much sense. In the novelization, Bidmead makes the demise more graphic, in a manner that couldn't have been realized on television.

The Doctor's death, too, is improved. On TV, he climbs along a tilting catwalk on a telescope high above the ground, and is knocked over the edge by an explosion of sparks from a cable he's unplugged. In the book, however, he falls from the catwalk first, and is left clinging to the cable for support. By unplugging the cable he effectively commits suicide; this adds dramatic heft to his final choice and turns the Doctor into, if possible, an even more heroic figure than he was on TV.

Much of the relevance of the "Doctor Who" novelization has faded with time: video and DVD have made the stories more accessible than they were in the 1970s and '80s; the fan base has grown up and no longer needs to read books that are 120 pages long. _Logopolis_, however, in spite of a few instances of purple prose and some clunky similes, retains a poetry distinct from the TV story from which it was adapted, and thus still bears reading today.

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3.0 out of 5 stars Not Free SF Reader, September 3, 2007
This review is from: Logopolis (Doctor Who) (Paperback)
Talk your way to it.

A novel way to keep things going, and keep things together. Not your baic engineering, but a whole lot of chanting and stuff. Oh, and the Doctor has to face off with the Master, with the usual groovy companion, for the fate of that whole ball of wax cosmos sort of thingo.


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