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Even with such a complex plot, "Doctor Zhivago" remains a primarily character-based novel, as can be seen from the vast number of names and people we become familiar with throughout the story. Even the minor characters become dear to us, once we have figured out who they actually are and how they are connected to the main story. It is a challenging process to sort through the long list of characters, who may have any number of pseudonyms or nicknames along with their original Russian forenames. It is rewarding to recognize that Pavel Pavlovich, Pasha, Antipov, and Strelnikov are, in fact, the same person. We are also given several glimpses into the views and opinions of minor characters. Each person we meet along the way has a detailed history and a certain point of view to establish. Even if a character is only remotely connected to the main plot, Pasternak educates us on his family history and his role in the revolution.
The detail the author includes in the story extends to the scenery and land of Russia itself. With lengthy and occasionally tedious descriptions, Pasternak implores us to imagine the rough and beautiful wilderness of his home land and notes the striking contrast of the destruction caused by the war. He adds to his descriptions by making religious and philosophical allusions. These views alone are interesting but in the context of a greater story that should be told without interruption, they often slow down the more stirring moments in the plot. Some of these images, however, do create a startling picture of the devastation that swept Russia, such as the scenery at the warfront and during the uprising. Others, though educational, disrupt the plot to a greater extent.
With the combination of all these elements, "Doctor Zhivago" tells a compelling story while simultaneously describing the events of the early 1900's that shaped history. But unfortunately, I did not gain as much from reading this novel as many reviewers have expressed. I enjoyed the moments when the plot neatly coincided with Pasternak's poetic descriptions of the countryside or his unnerving depictions of the revolution, but these were too sparse throughout the novel for it to be engaging. The main plot was interrupted too often by philosophic commentary from either the author or one of the characters. It often took a great effort to get through monotonous passages and descriptions that did not contribute effectively to the plot or scenery of the novel. Many have expressed their frustration at the number of long, complex names Pasternak uses to refer to each of his characters, and I would agree that this they are difficult to keep straight. But once I finally understood the names, it was rewarding to get to know the minor characters and learn of their experiences during the revolution. But despite these disappointments in the writing and the excessive commentary on the story, I enjoyed reading the novel's depiction of life during such decisive times in Russia's history. The setting and the characters were equally important in telling the story of Yurii and Lara. Though not a masterpiece in my opinion, it was certainly an interesting novel that was worth the slow read in the end. I must recommend this novel to all those who are interested in a deeply illustrated account of Russian history and an exploration of the themes inherent in that era.