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Doctor Zhivago Paperback – March 18, 1997


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Product Details

  • Paperback: 592 pages
  • Publisher: Pantheon; 1ST edition (March 18, 1997)
  • Language: English
  • ISBN-10: 0679774386
  • ISBN-13: 978-0679774389
  • Product Dimensions: 8 x 5.1 x 1.1 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (148 customer reviews)
  • Amazon Best Sellers Rank: #85,394 in Books (See Top 100 in Books)

Editorial Reviews

Review

“The best way to understand Pasternak’s achievement in Doctor Zhivago is to see it in terms of this great Russian literary tradition, as a fairy tale, not so much of good and evil as of opposing forces and needs in human destiny and history that can never be reconciled . . . [Zhivago is] a figure who embodies the principle of life itself, the principle that contradicts every abstraction of revolutionary politics.”—from the Introduction by John Bayley

Language Notes

Text: English (translation)
Original Language: Russian --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

This time around, it was the complex and often frustrating last half of the book that really moved me.
frumiousb
Instead the author, Russian poet Boris Pasternak, writes the love story between Yury Zhivago and Lara Antipova, two characters who were already married to others.
Thorpe
Characters are crafted from all sections of society, making this novel a representation of whole society at that time.
Vivek Sharma

Most Helpful Customer Reviews

89 of 90 people found the following review helpful By Vivek Sharma VINE VOICE on April 1, 2006
Format: Paperback
Doctor Zhivago by Boris Pasternak is quite remarkably a poet's novel: the writer was a poet, and hence each page is full of beautiful imagery, metaphors and word play. The protagonist is a poet, the novel revolves around his love and life in the first half of twentieth century Russia. The reader, by association, has to be a poet to really relish the saga.

It is one of those novels from last century that everyone must read. The ghosts of socialism and Marxism, the excesses that occured in name of revolution, the transformation of the largest country of the world from ceturies old system into a failed ideal: the novel has enough historical significance. Last century was guided, molded, scarred, decorated and defined by the events and ideas that crop up as part of Doctor Zhivago's life. The literary underpinnings are gigantic: a love story with the Russian Revolution as background score: a Nobel was the least he could have got.

Besides the historical perspective, the story itself is a delightful one. The homely Tonya, Dr Zhivago's wife and first love and mother of his children, the sensuous Lara who weaves into and out of Yuri (Dr Zhivago's) life, her husband Pasha Antipov, who at every junction of his life must fight against ghosts and demons of his wife's past and present and in attempt outclass himself, the Uncle Koyla, the intellectual: the list is unending. Characters are crafted from all sections of society, making this novel a representation of whole society at that time.
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70 of 74 people found the following review helpful By frumiousb VINE VOICE on January 5, 2007
Format: Paperback Verified Purchase
I read Zhivago for the first time in high school. I loved it, but didn't pick it up again for 20 years. I was surprised to find it rough going at the beginning. When I had first read the book, it had been precisely the first 100 or so pages that had enchanted me and pulled me into the novel. This time around, it was the complex and often frustrating last half of the book that really moved me. I guess this is a measure of how the book grows with the reader.

Doctor Zhivago is a complicated book that seems to me largely about how people get involved with circumstances (politics, love affairs) that do not interest them, simply because life leaves them vulnerable. That makes for a strange reading experience, because it is not a message that wraps itself up neatly. The texture of the novel is in part about ends-- loose ends, dead ends, character cul-de-sacs. A more experienced author wouldn't have tried to work this theme out in prose using the same methods that Pasternak employed. The book rolls from melodrama to nearly documentary realism. He uses diary form, letters, even poetry to complete the work. I guess it was his lack of experience that allowed him to (very nearly) achieve the impossible. The feeling of the book is an awful lot like life.

There are certainly more polished and perfect novels and novelists out there. Doctor Zhivago would not have profited from their example. As the title of this review says, Zhivago is great precisely because it isn't perfect. It is a great sprawling messy wonderful world of a book.

Recommended for readers of all ages.
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41 of 44 people found the following review helpful By Kelsey F. on February 23, 2003
Format: Paperback
The events of the novel revolve around a doctor and poet by the name of Yurii Andreievich Zhivago whom we first meet at a crucial point in his life. From the day of his mother's funeral to the day of his own, we follow Zhivago on his travels throughout Russia. He travels to the warfront, flees to Siberia, and is drafted into the Red Army before making his way back to Moscow. Over the course of these two decades, Zhivago repeatedly encounters a beautiful woman who essence fills his thoughts and heart. He is loyal to his wife Tonia and his little son Sasha, but he cannot help falling in love with the lovely Larisa Feodorovna Antipov, who is also already married to a famous war general. It is these chance encounters that allow the plot to progress and lead to their eventual love affair.
Even with such a complex plot, "Doctor Zhivago" remains a primarily character-based novel, as can be seen from the vast number of names and people we become familiar with throughout the story. Even the minor characters become dear to us, once we have figured out who they actually are and how they are connected to the main story. It is a challenging process to sort through the long list of characters, who may have any number of pseudonyms or nicknames along with their original Russian forenames. It is rewarding to recognize that Pavel Pavlovich, Pasha, Antipov, and Strelnikov are, in fact, the same person. We are also given several glimpses into the views and opinions of minor characters. Each person we meet along the way has a detailed history and a certain point of view to establish. Even if a character is only remotely connected to the main plot, Pasternak educates us on his family history and his role in the revolution.
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