Customer Reviews

Document

5 star:		(3)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

This album introduced the world to REM. It also showed a huge growth in songwriting and musicianship from their earlier albums (Murmur, Reckoning, etc). This album is known for the huge hits "The One I Love" and "End of the World As We Know It" but top to bottom all the songs here are strong and veryd diverse. Finest Worksong begins the album with intelligent neo-metal, then you get some trademark REM jangle rock. The next curveball is the horn-driven semi-swing of Exhuming McCarthy. The stylistic experiments all work, and you still know it's REM the whole time. This album may not be REMs best (that will be debated between Out Of Time, Automatic for the people and Murmur) but it's just a notch below and a must for any fan of REM and/or rock n roll. ENJOY!!!

I actually owned every R.E.M. album but Document until I finally broke down. I had thought the two strongest songs would be "The One I Love" and "It's The End of The World...." Since neither of those songs are rated highly by me, I figured I would be disappointed by this album. Was I ever wrong! There are some great songs here. "Exhuming McCarthy" and "King of Birds" are personal favorites. It's definitely not up to par with what came before it, and some of what came after it, but it's definitely a worthy part of their catalogue.

This album deftly blends REM's firmly established mysticism with its burgeoning pop sensibilities.
Some of the band's best writing is here on such gems as "Heron House," "Exhuming McCarthy," "End of the World as We Know It" and "Oddfellows." The production is just right.I really like Peter Buck's cow-punkish fret work on this record, and you could sense Michael Stipe coming into his own as a singer. Definitely in the upper register of the REM canon.

Following on from the difficult though rewarding Fables Of The Reconstruction and Life's Rich Pageant, R.E.M.'s final independent release, "Document", stands as the best thing they ever did.

Though R.E.M. have been criticised by some as the offspring of early 1980s pop music, this criticism could never be levelled at what they do on "Document". More than anything else, the music on "Document" is proof of the eccentricity R.E.M. were developing during their years at now-defunct independent label IRS.

Often seen as R.E.M.'s effort at "power pop", "Document" really was and is much, much more than that. The amazingly thing about this album is that the band manages to be incredibly funny on the standout "Exhuming McCarthy" and at the same time develop their musicianship into waters they were never to chart after moving to Warners. The dark "Fireplace" and "Lighning Hopkins" were equally brilliant: ominous, yet amazingly powerful for that.

The more familiar, famously sly "The One I Love" might not quite compare with these three tracks, but still it marks out the direction of their best-selling Automatic For The People album five years before the fact. "Finest Worksong", especially in its remixed version found as a bonus track, was a superb tribute to the past folk heroes in America. One can also see just how ironic Stipe wanted to be - and WAS - on "It's The End Of The World As We Know It" - in which he describes so well the realities facing us today.

A record that, though acclaimed in its time, is now often forgotten. Nonetheless, if you can only buy one R.E.M. record, it should be this one.

Something about REM's albums is mere and perfect beauty. Tracks such as Finest Worksong, whose sound flows and ebbs at perfect timing, is a shining example of the band's imagination. Definetly a good buy.

I can understand why this album became their first big hit album. That doesn't mean to say I really like it though. In fact I think it's their second worst album. Their worst being 'Out of Time'.

Even with an average REM album you get some cracking songs. The fans favourite 'It's the end of the world' always brings back happy memories. Other highlights include 'Finest Worksong' (which I do not like personally, but can see its quality), 'Exhuming McCarthy' and one of my favourite, if not my favourite, REM songs, the stunning, 'Welcome to the occupation'.

I really admire REM's political and social stance that they took with this album, it's just not that consistent musically. Some tracks are brilliant, while others are very, very ordinary.