Reading
Dog Days will give many readers a strange sense of déjà vu: characters and lines seem oddly familiar, conjuring up thoughts of a book just read or a TV show watched last week. This is no coincidence. As Evan, a software developer,
Star Trek fanatic, and the protagonist's sidekick, notes, "Nostalgia used to have a twenty-year lag. In the seventies everyone was into the fifties. But then in the eighties everyone was into the seventies. Now, in the nineties, we're into the nineties. What's left? Nothing. Time folds in on itself, like a black hole. It's the millennium, the collapse of culture." While
Dog Days may not embody "the collapse of culture," it certainly employs the technique of folding in on itself, and Daniel Lyons uses this approach to its fullest extent. Combing pop culture, he amalgamates the mobsters of
Elmore Leonard,
Wired jargon, and the Gen-X characters of
Douglas Coupland, all the while throwing in sly references to everything from
Planet of the Apes to
Starsky and Hutch to
Pulp Fiction. The result is a clever romp through the software industry with a wide detour into the workings of the Mafia.
Reilly and his business partner-roommate, Evan, are creating a program to allow shopping on the Web at Ionic, the fifth largest software design firm in the world. At 24, Reilly is the luckiest guy around--he has a beautiful girlfriend, a job he loves, a vintage BMW. But, as he points out, you can't think that you deserve what you have, because the minute you do, everything will vanish. Which, of course, is just what happens. His girlfriend dumps him for a VP in marketing, his project is slated to be canceled, and when he parks in the wrong part of his Boston neighborhood, his car is sabotaged by the local Mafioso. Reilly has had enough. When the opportunity presents itself, he kidnaps the mobster's prized greyhound. The prank, though, escalates into serious crime, and Reilly finds he has taken on way more than he expected.
Reilly and Evan are two of the more engaging characters in pop fiction today. Though they are software geeks, they have enough depth and energy that--despite the full Trekkie costume Evan keeps in his closet--they make the stereotype believable. Lyons is at his best when describing Reilly at work and the politics of the software industry, but it's too bad he didn't mine this more. His writing, though, is compelling, and you can't help but root for the hapless antihero, even as he gets into more and more trouble. --Jenny Brown
--This text refers to the
Hardcover
edition.
Problems plague this debut from Playboy Fiction Award winner Lyons about a self-absorbed yuppie software developer who runs afoul of the Boston mob. The unlikable Reilly narrates his unlikely adventures while recovering from a breakup with beautiful, successful Harvard alumna Jeannie. While Reilly moons, his pet software scheme gets scuttled, leaving him and his roommate and collaborator, Evan, nothing better to do than war with their neighbors in Boston's blue-collar Italian North End, where the two men (inexplicably) rent a shabby apartment. Only beautiful, college-educated Maria?a checkout girl at the local grocery who dreams of a job in the Peace Corps and falls in love with Reilly?mediates between the two factions. When local Mafia don Davio Giaccolone slashes Reilly's tires, Reilly retaliates by kidnapping Davio's beloved greyhound; Davio vows revenge and chases Evan, Reilly and Maria down to Miami, where they hide out with Maria's uncle Santo, a retiree whose secret connections guarantee a saccharine happy ending for everyone involved. By that time, however, any slim enjoyment of the characters' adolescent antics has been ruined by slow pacing and made-for-TV sentimentality.
Copyright 1998 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.