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Dog People
 
 
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Dog People [Paperback]

Cris Mazza (Author)
3.6 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

May 1, 1997
Mazza's bizarre 90s characters communicate better with their dogs than their lovers. Rich detail, dramatic conclusion!

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Editorial Reviews

Amazon.com Review

They don't talk, they rarely touch, and they turn to their dogs for solace. The characters in Cris Mazza's seventh novel don't represent broken dreams so much as chronic listlessness. The protagonist, Fanny, a would-be interior designer, "... had only completed one limited-budget job--she'd done over the interior of the little house they rented. She could dimly recall the vigor of that single miraculous day of endless energy." The book's tone--underrated and slightly deprecating--is a harbinger to the novel's action.

Why dog people? Mazza, winner of a PEN/Nelson Algren Award and coeditor of Chick-Lit and Chick-Lit 2, also trains and shows her dog, a basis for exploring the dynamics of her characters: a love-starved caterer, a fascist dog trainer, a lesbian dancer, the passive Fanny, and her husband, Morgan, a hopelessly mediocre dancer. People want the wrong people, and this same awkwardness extends to dogs. When the dog trainer expresses her interest in mating a wolf with Fanny's dog, the hapless, joyless mechanics that ensue illustrate the belief that all potential pleasures can be reduced to graphic mechanics.

From Library Journal

Dialog and characterization are the strong suits in Mazza's emotionally charged novel, in which she demonstrates that the reciprocal capacity for devotion between dogs and humans is at least as powerful as the most self-serving and venal human motives. Fanny's life is a mess: her interior design career has stalled after one client (herself), and she's married to Morgan, a whining professional dancer who is aging rapidly. Morgan is so full of self-pity that his lesbian mentor, Renee, principal dancer of the troupe, is easily able to manipulate him into doing her nefarious bidding. The good news is that Fanny's dog, Lacy, might have gumption enough to straighten things out. Mazza (Your Name Here, Coffee House, 1995) moves the reader to sadness, frustration, and disgust with Fanny's predicament. This provocative work is recommended for larger fiction collections, especially where there is high interest in women's issues.?Margaret A. Smith, Grace A. Dow Memorial Lib., Midland, Mich.
Copyright 1997 Reed Business Information, Inc.

Product Details

  • Paperback: 288 pages
  • Publisher: Coffee House Press (May 1, 1997)
  • Language: English
  • ISBN-10: 1566890551
  • ISBN-13: 978-1566890557
  • Product Dimensions: 8.9 x 5.9 x 0.8 inches
  • Shipping Weight: 14.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #3,180,838 in Books (See Top 100 in Books)

More About the Author

In the first decade of the 21st century, Cris Mazza's work as a novelist expanded as she has continued to consider psychological and emotional complexities of contemporary life, but began to do so with the contributing complication of place: How regions or localities that still have their own unique characteristics of landscape, society, and culture impact the human experiences (sexuality, family, authority, gender) that Mazza explores in fiction. Her 9th book in 2001, Girl Beside Him, inhabits rural Wyoming. Homeland, (2004) involves a woman and her elderly father grappling with a 30-year-old family tragedy while they also find themselves homeless, living in the canyons of suburban Southern California alongside migrant agricultural workers. Indigenous / Growing Up Californian (2003), Mazza's collection of personal essays, deals with place as it anchors memory and the reconstruction of experience. Waterbaby (2007) looks at how local 19th century legends still live and grow in a seacoast town in Maine. 2009's Trickle-Down Timeline married time and place, returning to Southern California in the Reagan era 80s. Mazza's forthcoming novel, Various Men Who Knew Us as Girls continues her unrelenting look at sexual anxiety, now expanding into the nearly unmapped world of outdoor sex slaves in Southern California, as a troubled woman trying to rescue one of them admits her horror has blended with envy.

In 1984 Cris Mazza's first novel (and 3rd book), How to Leave a Country, while still in manuscript won the PEN / Nelson Algren Award for book-length fiction. The judges included Studs Terkel and Grace Paley. Some of her other notable earlier titles include Disability and Is It Sexual Harassment Yet? which was reviewed in the Wall Street Journal.

A native of Southern California, Cris Mazza grew up in San Diego County. Her BA and MA were completed at San Diego State University, then she crossed the country to finish an MFA in writing at Brooklyn College before returning to San Diego where she lived several years training and showing her dogs, completing her first 4 books, and teaching at various local colleges and universities, including UC San Diego, and was Writer in Residence at Austin Peay State University in Clarksville, TN, then at Allegheny College in Meadville, PA. Currently she is professor and director of the Program for Writers at the University of Illinois at Chicago.

 

Customer Reviews

5 Reviews
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Average Customer Review
3.6 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful:
5.0 out of 5 stars Beautiful and Brutal, "Dog People" Triumphs, April 9, 2001
By A Customer
This review is from: Dog People (Paperback)
This complex and brutal novel is among Mazza's best work. With a point of view that moves seamlessly from character to character and visceral, gripping language, "Dog People" offers readers a provocative and compelling window into the human condition. These emotionally stunted characters make paltry offerings of friendship and love and, vis a vis their failure to connect with one another, the very nature of human relationships is subtly interrogated. Human-human bonds of friendship and love are deconstructed, Mazza seems to suggest, by humanity's own failure to live up to the constructs it designs. Love and friendship and marriage do not and can not exist as we might want them to, and our bonds with one another are elusive at best and brutally damaging at worst. In relationships with animals, however, even the most flawed human heart can function with purity. This book stings and shimmers, touches and wounds. It invokes the inevitabilities of both isolation and our desperate, inefficacious struggles against it.

Fans of Mazza's gritty, heart-stopping prose in "Your Name Here" and "Is It Sexual Harrassment Yet?" will revel in "Dog People."

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1 of 1 people found the following review helpful:
2.0 out of 5 stars OK, but not much for real Dog People, July 2, 2009
By 
Bonnie Harris (Post Falls, ID United States) - See all my reviews
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This review is from: Dog People (Paperback)
Writing is good, story is so-so. I certainly hope that no one thinks that these "dog people" know what the hell they are doing, because they don't. Lots of ideas that go nowhere in particular.

Probably wouldn't be so critical if I weren't a REAL Dog Person.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars A Literary Melrose Place, April 10, 2001
By A Customer
This review is from: Dog People (Paperback)
Part soap opera, part social commentary, this book as engrossing as any Aaron Spelling creation, but also engages the brain. Since when are midlist novels page-turners? Since now. This is indulgence without the guilt. This is a gripping plot without any lawyers or murderers -- just six characters treating each other like dogs, treating their dogs like people, mating, dating, relating. The most amazing scene -- when a woman and her husband -- was she forcing herself on him? I'm not sure. It was intense. Dancers and great danes. Lesbians and Labrador retrievers. Put a collar on it and take it home.
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Inside This Book (learn more)
First Sentence:
Before getting into bed, after walking across the hardwood floor in her bare feet, Fanny paused on the mattress on hands and knees, brushing the soles of her feet together to remove dust and dog hair. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
ear cuff, alpha bitch, agility equipment, whelping box
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New York, New Age, Clark Gable, Number One, Salvation Army, The Flame
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