Dogville 2003 R CC

Amazon Instant Video

(496) IMDb 8/10
Available in HDAvailable on Prime

Grace (Nicole Kidman), a woman with a secret, arrives in the isolated town of DOGVILLE, on the run from gangsters.

Starring:
Nicole Kidman, Harriet Andersson
Runtime:
3 hours 5 minutes

Available in HD on supported devices.

Dogville

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Product Details

Genres Drama, International
Director Lars von Trier
Starring Nicole Kidman, Harriet Andersson
Supporting actors Lauren Bacall, Jean-Marc Barr, Paul Bettany, Blair Brown, James Caan, Patricia Clarkson, Jeremy Davies, Ben Gazzara, Philip Baker Hall, Thom Hoffman, Siobhan Fallon, John Hurt, Zeljko Ivanek, John Randolph Jones, Udo Kier, Cleo King, Miles Purinton, Bill Raymond
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

I watched the first 5 minutes and turned it off.
Amazon Customer
Oh, man, I hated this film -- and I'm someone who can find something to like in almost any movie, any genre.
Angela Mitchell
On the artistic level this film works fairly well.
oilforfood

Most Helpful Customer Reviews

178 of 205 people found the following review helpful By Shashank Tripathi on April 3, 2004
Von Trier has never been to America and has been known to have said that he is afraid to visit the U.S. With this in mind, it seems a little audacious if not viciously self-indulgent to make a film about the ugliness of human nature set in an American village.
Critics have pounced on this feature of the movie, accusing von Trier of anti-Americanism. I feel such paranoid jibes completely miss the point: although Dogville is set in a fictional village in the Rockies during the Depression-era, it really could be any place, any time. It is anti-human-ugliness. The tagline reads "A quiet little town not far from here", and the sparse stage set reinforces that point. The viewer's imagination is meant to fill in the gaps, making Dogville their home town for nearly three hours.
The theme veers around Grace (Nicole Kidman) arrives, seeking shelter from pursuing gangsters, the natives are reluctant to help. With the assistance of a local 'philosopher' (played by Paul Bettany), she eventually persuades the inhabitants to relent, and they grant her a two week trial period. During the fortnight, she manages to win the villagers over by performing good deeds, but gradually they begin to take advantage of her kindness and the rot sets in.
This is an extremely long film, but it is definitely worth the effort. It is an allegory of staggering proportions, it deals with virtually every aspect of humanity and some of the most fundamental questions people can face, whilst maintaining a lightness of touch that makes the mental workout more than bearable. Did it have to be 3 hours? No. But nor did the Matrix or LOTR or the Titanic.
So empty the tank, order a pizza and coke, and settle down for 180 minutes of cinematic genius.
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34 of 39 people found the following review helpful By Grady Harp HALL OF FAMETOP 50 REVIEWERVINE VOICE on August 26, 2004
Format: DVD
DOGVILLE is unlike almost any film you will see. Writer Director Lars von Trier once again has dared to pry open the truths concealed by conventional facades to examine the human condition, the plight of human survival in a world populated by intimidated individuals who only define their public identity by affiliating/identifying with the Norm. In so many ways this story with a Prologue and Nine Chapters is a morality play ad as such it is piercingly poignant and superbly constructed. This film is a minimalist film: the 'sets' are diagrammed lines on the floor, the props are spare, the action all taking lace on a sound stage that appears like a Joseph Cornell box.

The Depression Years in America, a time of gangsters, poverty and minimal communication of world events to the tiny towns on the Midwest. Dogville is a rural small town in the Midwest peopled by what appear to be good folk. Into this scene enters a beautiful girl on the run Grace (a luminous Nicole Kidman) who seems to be in flight from gangsters. The town's philosopher Tom (Paul Bettany in an extraordinary performance) finds Grace, hides her in the town's mineshaft (over the door is the inscription 'Speak the Truth'...), and convinces the townsfolk to harbor her. In exchange for this kindness Grace must do some work for each of them everyday as a gesture of good will. When the police come looking for Grace later, the townsfolk still protect her but the price is doubling the amount of work she must do in reparation. Slowly this town of kind appearing folk become wary of Grace, start lies about her, abuse her sexually and physically, and eventually fetter her as their prisoner.
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51 of 60 people found the following review helpful By Rebecca Papin on December 1, 2005
Format: DVD
I've gone back and forth between thinking that this film is incredibly sick and incredibly brilliant. I still can't make up my mind, so all I can say is that is the most unique film I have ever seen: a very sick and amazing film, showing the darkness of the human heart when there are no rules to protect its victim. It starts out very slow, but gets good after 30 minutes (it is nearly 3 hours long). The violence of this film surpasses Pulp Fiction, but in a much more subtle way (if I was to say any more I would give the whole film away). The symbolism is worthy of analysis...a film student could write for days about what they see in this film...and afterwards, your mind will be racing and trying to make sense of it all. This is, in my opinion, the best work Nicole Kidman has ever done.
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23 of 28 people found the following review helpful By P. Lavelle on July 12, 2006
Format: DVD
I'm uncertain what to make of 'Dogville'. It is a movie that seems to consider secondary the accepted devices of conventional filmmaking - such as a varying pace, acceptable length, or even a fully realised set - in favour of inviting the audience solely to accept its ideas and characters. It dispenses entirely with the accepted visual and aural elements of cinema - after all, there is no background music and everything occurs in a single black space, using sparse props and only chalk outlines for buildings. This means that 'enjoying' the movie conventionally is a difficult if not impossible experience because we must endure these directorial choices and focus instead upon what the narrative suggests. In short, if you're unwilling to invest some thought into 'Dogville' then there's little reason to watch it, because this movie rests completely upon its performances and assumptions of human nature.

However, it's interesting to note how quickly we can become accustomed to the terms the movie sets out for us. In spite of the invariably slow pace that the movie insists upon to draw out its narrative, what initially might have seemed jarring in the absence of background music and the use of a single set is quickly accepted and, by the end of the movie, these conventions are barely missed. This is primarily because of the strength of the performances throughout, and it is the credibility of the moral decay of the town's inhabitants that ensures the audience's interest. However, it is perhaps also unfortunately true that very few of the characters seem to exist for their own sake.
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