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Ariel Pink's Haunted GraffitiAudio CD
4.1 out of 5 stars  See all reviews (13 customer reviews)

Price: $14.20 & FREE Shipping on orders over $35. Details
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 : Includes FREE MP3 version of this album.
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MP3 Music, 15 Songs, 2008 $9.49  
Audio CD, 2004 $14.20  

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. Good Kids Make Bad Grown Ups 4:39$0.99  Buy MP3 
listen  2. Strange Fires 4:06$0.99  Buy MP3 
listen  3. Among Dreams 4:19$0.99  Buy MP3 
listen  4. For Kate I Wait 4:19$0.99  Buy MP3 
listen  5. Haunted Graffiti 3:50$0.99  Buy MP3 
listen  6. Gray Sunset 3:38$0.99  Buy MP3 
listen  7. The Doldrums 4:02$0.99  Buy MP3 
listen  8. Envelopes Another Day 5:08$0.99  Buy MP3 
listen  9. The Ballad of Bobby Pyn10:58Album Only
listen10. Don't Think Twice (Love) 2:05$0.99  Buy MP3 
listen11. Until The Night Dies 3:44$0.99  Buy MP3 
listen12. Crying 2:17$0.99  Buy MP3 
listen13. Theme From Unreleased 2:52$0.99  Buy MP3 
listen14. Let's Build a Campfire There 4:09$0.99  Buy MP3 
listen15. Young Pilot Astray 2:32$0.99  Buy MP3 

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Ariel Pink's Haunted Graffiti - 'Only In My Dreams'


West Coast natives Ariel Pink’s Haunted Graffiti present Mature Themes, the follow-up to 2010’s hugely successful album, Before Today.

Before Today was the band’s 4AD debut, offering the first sign that the intriguingly scatalogical music Ariel had been making for over a decade was finally ossifying into a coherent form.

Indeed, the lead song from Before Today - ... Read more in Amazon's Ariel Pink's Haunted Graffiti Store

Visit Amazon's Ariel Pink's Haunted Graffiti Store
for 7 albums, 4 photos, videos, and 1 full streaming song.

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Doldrums + Before Today + House Arrest
Price for all three: $40.82

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Product Details

  • Audio CD (October 12, 2004)
  • Number of Discs: 1
  • Label: Paw Tracks
  • ASIN: B0002VETC2
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #149,201 in Music (See Top 100 in Music)

Editorial Reviews

About the Artist

Ariel Pink (b. Ariel Rosenberg, June 1978) is an L.A.-based home taper who for years "fell out of bed onto [his] eight-track analog cassette Yamaha MT8X." He eventually wore down the unit, which succumbed, and Yamaha no longer makes it. "I now use whatever I can get my hands on," he laments, meaning cheap, scrounged-up equipment. "I can't spend money on gear, because I don't have any." He was influenced by the DIY ethic of R. Stevie Moore, with whom he subsequently became long-distance pals. Ariel has a great pop sensibility, and plays the "standard rock line-up of guitars, keys, bass, and vocals." Noticeably absent from that roll call are drums. In fact, Ariel makes all recorded drum and percussion sounds with his mouth! "It's a funny neurotic tic, which I honed since childhood," he explains. The punchy rhythms are achieved by close-miking. "Making sounds with my mouth is more acoustically akin to what i hear in my head than miking up real drums, which people spend hours on to get the right sonic effect.

Ariel has been in bands, but records by himself. (Personal estimate: 200-300 master tapes since 1995, comprising of over 500 songs.) He occasionally gigs out, but he's never felt that club dates reflect what his music is about, because his vision is intensely personal. Unlike some artistic cave-dwellers, Ariel gets along with people; he just doesn't often make music with them "It's what always ends up happening," he says. "Sometimes I get musicians offering their services but when it comes down to it, people just don't commit to joining my crusade. I have no idea why I'm alone! But writing is easier alone."

- IRWIN CHUSID ____________________________________ © 2004 Irwin Chusid. Reprinted by permission. Originally appeared in the track notes for the Sonic Arts Network release INTERESTING RESULTS, which included the Ariel Pink track "Alisa.

Product Description

Customer Reviews

4.1 out of 5 stars
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful
4.0 out of 5 stars The Doldrums April 16, 2008
By qwff
Format:Audio CD
When I first heard tracks from this album on Stuart Maconie's "Freak Zone" show on BBC, I knew I had to have it. It sounded different from everything that I had been listening in the past. A fan of hardcore diy, Ariel Pink creates an unique sound based on lo-fi and classic pop. Another reviewer says that it sounds "as if a pillow was pressed against the stereo", but I think that is an essential part of Ariel's style. You see sudden bursts of beauty but you can't take it or control it. It is like if the music came, distorted, from a neighbor party to which you are not invited.
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11 of 13 people found the following review helpful
5.0 out of 5 stars goodbye horses March 17, 2005
Format:Audio CD
While everyone's mining the 70s and 80s for nostalgic purposes or in this self-conscious, tongue-in-cheek kind of way, it's refreshing to hear kids who grew up then just sort of expressing how that was. At the Whitney this year there was a room full of Super Mario clouds advancing across the walls with this 8-bit soundtrack over, and it made you remember how weird it felt to spend an entire afternoon just in that small square world. Ariel Pink reminds me of how MTV felt. I didn't have cable, and so I got it in glimpses from friends' older sisters, and it is in my head this jumble of synths and halated light and cheap drum loops and effete young men with lined eyes. It's like Ariel and I had the same wallpaper.
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5.0 out of 5 stars Unique, gorgeous and ethereal sound. July 26, 2014
Format:MP3 Music|Verified Purchase
Amazing lo-fi glad to have come across this album again! I love the strange combinations of layered sound and varying levels of lyrical clarity. It's like listening in on someone's thoughts with fascination rather than voyeuristic intent - you can't quite make out all the words or the emotional content as "noise" fizzes over; scrambling some of the personal meaning. At other times the station comes fully in range again and the listener can more easily pick up what is meant to be projected. The overall effect creates a sense of guarded intimacy.
"Among Dreams" is my favorite track on the album, and it's an accessible example of the acquired weirdness that is Ariel Pink.
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2 of 3 people found the following review helpful
4.0 out of 5 stars Hauntingly Beautiful April 26, 2005
Format:Audio CD|Verified Purchase
I got this record because a recent SPIN review gave it an A. This record is the kind of music you'd listen to while painting or writing poetry. This is not happy dance music, but it is so unique and different. The low-fi effect can get a little annoying, but hey, just take it as it is and get your creative juices flowing.
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4.0 out of 5 stars MY Doldrums July 10, 2013
Format:MP3 Music|Verified Purchase
I've copied my Ariel Pink's Haunted Graffiti MP3's to a flash drive which I wear on a lanyard. It has great talismanic significance for me.
Creativity has always fascinated me. "Why did he start writing songs?", "What keeps him going?" and most important in this case "Why is Ariel Pink's Haunted Graffiti so different?". There's a fluidity in the writing that's unsurpassed - at least in the Indi-DIY arena. The vocal & lyrical stile compliment each other well and while the recording is primitive there is an undeniable pop sensibility that I find quite pleasing.
It's a weird little snack. Not for everyone. It'll be a long time before I'm done studying it though and it pleases me to have The Doldrums hanging from my neck.
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Format:Audio CD|Verified Purchase
Ariel Pink's Haunted Graffiti's second album "The Doldrums" may sound like a bummer, but the elbow swinging honey-suckle beats drifting through your neighbor's window from another era tell a different story. Sure there might be some things bothering you- isn't there always something- and this album feels a bit like dozing off on a tweed couch to dream candy coated rollerrinks and early 70s car rides. Pink's is an era where dreaming and everyday imagination are more commonplace. "The Doldrums" (2004) is considered by many to be Ariel Pink's breakthrough album, one that would affect an entire generation of artists that came afterward. Ariel consistently uses poppy, treble-fed beats that sound bright and colorful, but he mixes them with reverb, distortion and miscellaneous recorded sounds that make it sound far away. I am wary to oversimplify Pink's vocals, but he seems to have two main tones, a dull, detached mid-toned male voice and a screeching high-pitched wail. The other members of the band also pitch-in vocals frequently, often as back-up singers or to reinforce certain words or phrases.

"Among Dreams we're best friends" begins the third track of the album, a sentiment that Ariel Pink relays deeply. In a Spin article [...] I read from August 2012, Ariel tells of his intent to take music back before the gaudy hair shows of the 80s and the depressed and departed grunge of the 90s. "Amoung Dreams" wistfully imagines this harmonious world and we tread there upon a cool, beach guitar rhythm. "For Kate I Wait" is next, portrayed almost entirely against a humming electronic sunset tone. Kate must be one rad chick. The play doesn't slow as "Haunted Graffiti" comes next, and the gritty streets come through before a male and female voice sing simultanously over a hissing reverb.
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4.0 out of 5 stars Doldrums Song List May 27, 2011
Format:Audio CD
Songs Include : Good Kids Make Bad Grown Ups / Strange Fires / Among Dreams / For Kate I Wait / Haunted Graffiti / Gray Sunset / The Doldrums / Envelopes Another Day / The Ballad Of Bobby Pyn / Don't Think Twice Love / Until The Night Dies / Crying / Theme From Unreleased Claris Gardens / Let's Build A Camp Fire There / Young Pilot Astray
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