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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Most pleasant memories, February 28, 2001
This review is from: Doll Face [VHS] (VHS Tape)
I remember as a very young man of going to the Fox Theater in downtown Detroit to see this most entertaining movie.WWII was still going on and movies like this were a great escape from the sometimes sad news of the day. What can you say about Pery Como that hasn't been said. He was just wonderful as well as the entire cast of this treasure of Hollywood. Oh come on it didn't win any oscars but it wasn't intended to. It was, like most movies of the time, to just entertain us. And it did so quite well.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
CONCENTRATE UPON THE MUSIC., August 30, 2006
A wartime soufflé from a play by Gypsy Rose Lee (as Louise Hovick), DOLL FACE features a lightweight plot with some snappy dialogue and delivery among the clichés, while director Lewis Seiler's vision is properly focused upon contemporary swing music, highlighting the vocal skill of Vivian Blaine, Perry Como, Carmen Miranda and Martha Stewart (no, not that one). The scenario has as its primary business a rocky romance between Doll Face Carroll (Blaine), a burlesque queen, and her manager, Mike Hannegan (the stalwart Dennis O'Keefe), along with the latter's efforts to boost his proletarian protégé into the realm of operetta. Seiler manages to remain faithful to the story line while seamlessly blending in the many musical numbers which, interestingly enough, prove more of a showcase for the perky Stewart and smooth Como than for the top-billed and certainly very pleasant Blaine; the production number for Miranda is a wild one, indeed.
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6 of 9 people found the following review helpful:
4.0 out of 5 stars
Never trust the face of life., January 19, 2004
In a way an interesting film about the world of drama-entertainment in New York, with the strict division between « noble » musicals and « unmentionable » burlesque, except that burlesque ? being a lot more fragile and a lot less valorized by the « worthy » audience, is a hothouse for all kinds of flexible and at times very creative shows, songs, ideas, artists. When one is hungry and poor one has a natural tendency to move on, to invent, to attract attention, to be what one has never been and what others have never been either. Whats more the film is also about some social issues, particularly women and their position in the confrontation they live every day with men. Men appear as being ruffians, a little bit rough on the edges and definitely tactician sexual climbers taking advantage of any opportunity appearing in their vision. Women are depicted as more faithful, more attached to permanence and deeper feelings. This little film is in many ways one of the roots of the theme developed in « Moulin Rouge » though a lot less dramatically and emotionally. A good entertainment that shows how the burlesque can take its revenge on upperclass showbusiness. Dr Jacques COULARDEAU
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