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Domestic Violence: Poems
 
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Domestic Violence: Poems [Hardcover]

Eavan Boland (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 17, 2007

“A poet at the peak of her power . . . one of Ireland’s greatest, and among the best writing in English anywhere.”—Booklist

These are poems about the charged spaces in which people live, about the interiors where seductions, quarrels, memories, and griefs occur. A marriage is a window for outward violence; a painted cup becomes a theater for a long love; in an ordinary room a mythic violation takes place.


Editorial Reviews

From Publishers Weekly

Vivid and passionate, if at times repetitive, Boland's 10th book of verse returns to familiar subjects: Irish landscapes, seascapes and townscapes, erotic passion and persistent anger between men and women, households that carry the weight of an unjust history, and Boland's own hopes to make that history clear. Boland (Against Love Poetry) pursues, in fierce, accessible free verse her sense that the personal is political. She also depicts a pathos in nature, using attractive lyrical symbols: "the red-billed bird/ with swept-back wings always trying to/ arrive safely on the inch or so of cotton it/ might have occupied." Elsewhere she describes the uneasiness of love: "nothing is ever entirely/ right in the lives of those who love each other." Though all her books invoke her Irish roots, this one is more self-consciously Irish than most: several poems address, or describe, Irish art, such as James Melton's 1765 engraving of a Dublin mansion. Boland links herself to a national past, even as she interrogates it on feminist and other grounds, and even as she turns to familial subjects: to her own memory, to advancing age, to questions any mother might ask, such as how to know "what I have to leave behind, to give my daughters." (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Ireland's greatest woman writer is in top form as she dissects the connection between interpersonal and international violence, and the passive and frightened silences that permit them to continue. The stunning title poem begs to be anthologized for the next century, weaving as it does a tight connection between an ordinary neighborhood's refusal to acknowledge the battery of a wife and the nation's inability to come to terms with sectarian violence: "Nothing we said / not then, not later, / fathomed what it is / is wrong in the lives of those who hate each other." Still, Boland doesn't deny the comfort that such deliberate ignorance provides, "We lived our lives, were happy, stayed as one." One of her strengths is this unflinchingness, an unwillingness to move toward simple polemic while continuing to make political, social, and especially gender problems central. Ireland remains Boland's landscape of the heart, but like the Ireland of Joyce, it becomes transformed into a mythic place of loves and intimate horrors, an Atlantis sunk in memory and dreams. Patricia Monaghan
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 80 pages
  • Publisher: W. W. Norton & Company (March 17, 2007)
  • Language: English
  • ISBN-10: 0393062414
  • ISBN-13: 978-0393062410
  • Product Dimensions: 8.5 x 5.8 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,833,968 in Books (See Top 100 in Books)

More About the Author

Eavan Boland was born in Dublin, Ireland. At the age of six, she and her family relocated to London. She later returned to Dublin for school, and she received her B.A. from Trinity College in 1966. She was also educated in London and New York.

Her books of poetry include New Collected Poems (W.W. Norton & Co., 2008), Domestic Violence, (2007), Against Love Poetry (2001), The Lost Land (1998), An Origin Like Water: Collected Poems 1967-1987 (1996), In a Time of Violence (1994), Outside History: Selected Poems 1980-1990 (1990), The Journey and Other Poems (1986), Night Feed (1982), and In Her Own Image (1980).

In addition to her books of poetry, Boland is also the author of Object Lessons: The Life of the Woman and the Poet in Our Time (W. W. Norton, 1995), a volume of prose, After Every War (Princeton, 2004), an anthology of German women poets, and she co-edited The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000) and The Making of a Sonnet (with Edward Hirsch; W. W.Norton 2007. She also edited Irish Writers on Irish Writing (Trinity Press: 2007) and Charlotte Mew: Selected Poems (Carcanet Press 2008). A book of essays on women and poetry, called "A Journey with Two Maps" is forthcoming.

Her awards include a Lannan Foundation Award in Poetry, an American Ireland Fund Literary Award.She has taught at Trinity College, University College, Bowdoin College, and she was a member of the International Writing Program at the University of Iowa. she is currently a professor of English at Stanford University where she directs the creative writing program.She divides her time between Dublin and California. Boland and her husband, author Kevin Casey, have two daughters.

 

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5 of 6 people found the following review helpful:
5.0 out of 5 stars Domestic Violence, March 21, 2007
This review is from: Domestic Violence: Poems (Hardcover)
Eavan Boland's Domestic Violence is a work of stunning political insight and imaginative range. Her new collection of poetry extends her reputation as an Irish writer of extraordinary lyric power whose subjects encompass family and nation, nurturance and starvation. Highly recommended.
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