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| Disc: 1 | |||
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| 1. Anna Bolena, opera: Sinfonia | |||
| 2. Anna Bolena, opera: Act 1. Scene 1. Sinfonia | |||
| 3. Anna Bolena, opera: Act 1. Scene 1. Né venne il Re? | |||
| 4. Anna Bolena, opera: Act 1. Scene 1. Elle di me, sollecita | |||
| 5. Anna Bolena, opera: Act 1. Scene 1. Chi pensierosa e tacita | |||
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| Disc: 2 | |||
| 1. Anna Bolena, opera: Act 1. Scene 3. Tace ognuno, è ognun tremante! | |||
| 2. Anna Bolena, opera: Act 1. Scene 3. In quegli sguardi impresso | |||
| 3. Anna Bolena, opera: Act 1. Scene 3. In separato carcere tutti costor sian tratti / Ah! Segnata è la mia sorte | |||
| 4. Anna Bolena, opera: Act 2. Scene 1. Oh! Dove mai ne andarono le turbe adulatrici | |||
| 5. Anna Bolena, opera: Act 2. Scene 1. Dio, che mi vedi in core | |||
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| Disc: 3 | |||
| 1. Anna Bolena, opera: Act 2. Scene 3. Piangete voi? D'onde tal pianto? | |||
| 2. Anna Bolena, opera: Act 2. Scene 3. Al dolce guidami castel natio | |||
| 3. Anna Bolena, opera: Act 2. Scene 3. Qual mesto suon? Che vedo? | |||
| 4. Anna Bolena, opera: Act 2. Scene 3. Cielo, a' miei lunghi spasimi | |||
| 5. Anna Bolena, opera: Act 2. Scene 3. Suon Festivo? Che fia? | |||
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| Disc: 4 | |||
| 1. Anna Bolena, opera: Act 2. Scene 2. Sposa a Percy pria che ad Enrico ell'era! | |||
| 2. Anna Bolena, opera: Act 2. Scene 2. Per questa fiamma indomita | |||
| 3. Anna Bolena, opera: Act 2. Scene 2. Ah! Pensate che rivolti | |||
| 4. Anna Bolena, opera: Act 2. Scene 3. Piangete voi? D'onde tal pianto? | |||
| 5. Anna Bolena, opera: Act 2. Scene 3. Al dolce guidami castel natio | |||
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
4.0 out of 5 stars
a great chance indeed,
This review is from: Donizetti: Anna Bolena (Audio CD)
to compare how the best singers can deliver their best (or not) in this opera I like so much! I'm sorry to say that as far as the title role for me the Callas performances are still without any chance of comparison and stay among the best fitting voice and role far away from other sopranos especially considering the recent ones that faced the role (I'd kill each of them!!!). Instead the greatest role of the opera from vocal point of view, Giovanna Seymour, here offers the unique possibility to listen to the performance of a too much underrated mezzo like Maria Luisa Nave who deliverd always her best in this role starting from the production of 70's with Olivero and Domingo. Unique chance also because of her very few official recordings exist.
3 of 5 people found the following review helpful:
3.0 out of 5 stars
les autres Anna,
Amazon Verified Purchase(What's this?)
This review is from: Donizetti: Anna Bolena (Audio CD)
Ces enregistrements "pirates" prouvent que l'après-Callas se portait bien dans les années 70. Sills, Sutherland, Caballé et Gencer, notamment, trouvèrent chez un Donizetti remis à la mode un terrain propice à leurs diverses ressources techniques et à leurs propres caractérisations du mélodrame romantique. Autant de divas, autant de diversité dans l'approche des personnages, et c'est avec une certaine curiosité que ce coffret nous montre une Suliotis et une Galvany "in directo" entourées de magnifiques partenaires.
On appréciera ce témoignage qui reflète un âge d'or aujourd'hui disparu, malgré quelques tentatives récentes assez bien réussies (chez Dynamic, surtout).
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