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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Unforgettable live Lucia in nice sound,
This review is from: Donizetti: Lucia di Lammermoor (Audio CD)
On this page you can download two nice tracks to see if the sound-quality is good enough for you, I suggest to listen to those first. ;-) In any case this Lucia from 1952 marks the rebirth of Lucia as redeemed from chirpers like Pons and Robin who had turned it into a "Listen to my hiiiiiiiiiiiiiigh notes" fest. Lucia being a DARK and dramatic character despite her innocence and her really over the top naiveté it's a character that fits Callas like a glove. Her "Regnava nel silenzio" tears off all facades of Lucia's character, here her weak mental health is clearly shown and how Callas sings it and the cabaletta afterwards! Incredible colours in the cantabile, amazing fireworks and acuti in the cabaletta. The dialogue with Enrico is spine-chilling, the madscene unsurpassable in its vocal magnitude, virtuosic bel canto and colours. To see how BEAUTIFUL young Callas could sound listen to her singing "Verranno a te..." with di Stefano as Edgardo. This Lucia is the best ever made available. Do not miss it at all costs!!!!
12 of 14 people found the following review helpful:
5.0 out of 5 stars
This is just incredible!,
By
This review is from: Donizetti: Lucia di Lammermoor (Audio CD)
How underrated this performance is!!!!!! The greatest Lucia ever recorded! I'm very happy with this performance and you'll be too! Just AMAZING!
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Vocally the greatest Lucia,
By Emma de Soleil "I moved to the UK for another... (On a holiday In Ibiza, then back to the UK for studies) - See all my reviews
This review is from: Donizetti: Lucia di Lammermoor (Audio CD)
In this performance from 1952 Callas sang her first Lucia. Reminding one of the days where Melba sang Lucia she guides this opera back into the tradition of a dramatic soprano d'agilita. (Before chirpers had had belittled and nearly tweeted this dramatic heroine to death) She made it possible for Sutherland, another dramatic soprano d'agilita, to sing Lucia because SHE reclaimed the part for the right voice-category. To describe her singing shortly: FLAWLESS, BEAUTIFUL AND NEVER EQUALLED. No wobbles, rock-solid high notes, mind-boggling coloratura, GORGEOUS timbre (How BEAUTIFUL young Maria sounded) and that touch of melancholy you'll hear from NO other Lucia. She SOUNDS mad in the madscene where others merely show off with their technique. (Sills being the exception) She is the only soprano who manges to combine BEAUTY with MADNESS. (Something not even she was able to repeat to 100% in the performances that followed) Di Stefano sounds incredible as Edgardo (IMHO Much better and more dramatic than for example Pavarotti)!! The sound is ok, the conducting not as great as Serafin's or von Karajan's but better than most others. A MILESTONE OF A LUCIA. A MUST FOR EVERY OPERALOVER!
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