Donizetti - Zoraida di Granata / David Parry

Gaetano Donizetti (Artist), David Parry (Artist), Majella Cullagh (Artist), Bruce Ford (Artist), Paul Austin Kelly (Artist), Diana Montague (Artist), Academy of Saint Martin in the Fields (Artist) | Format: Audio CD

Product Details

• Audio CD (October 12, 1999)
• Number of Discs: 4
• Label: Opera Rara UK
• ASIN: B000026ADX
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #173,384 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

26 of 26 people found the following review helpful:

5.0 out of 5 stars Treasurable Donizetti Rarity, February 23, 2000

By 

Michael K. Halloran - See all my reviews

This review is from: Donizetti - Zoraida di Granata / David Parry (Audio CD)

The folks at Opera Rara must have done some real digging to present this one to us. Donizetti's fifth opera, and his first success, was presented in mutilated form in 1822, when one of the tenors died before the first performance. His role was given to a mezzo, with much cutting and reshaping of vocal lines. In 1824, the opera was revived, this time with newly composed pieces for a mezzo hero. This unusual performance history is told in detail in the excellent notes that accompany this set.

The performance is excellent as well. Opera Rara's first sets in the late 1970's often featured adequate but not stellar performers. Happily, in the past decade they have been able to feature world-class, if not world-famous, talent. Tops among the performers must be the always excellent Bruce Ford, whose full tone coupled with excellent florid technique makes him one of, if not THE finest tenor working in this repertoire today. Paul Austin Kelly is nearly as fine, with a lighter tone that contrasts well with Ford.

Newcomer Majella Cullagh makes a highly favourable impression as the title character. She has a bright, gem-like soprano which remains full and ample, and is capable of great expressivity. Her coloratura is as fleet and fine as her colleagues'. She is one to watch for in coming years.

In addition to providing the complete 1822 version originally written for two tenors, this set includes the 1824 revisions in an appendix, in which one of the tenor roles is sung by a mezzo. Happily, that assignment is given to Diana Montague, who easily matches the high standard set by the rest of the cast.

As for the quality of the music, it is remarkably assured for a young composer and really quite enjoyable. The influence of Mayr, Donizetti's teacher, is to be found throughout. There are many excellent pieces, not the least of which are the first act quartet, Zoraida's aria "Rose che un di spiegaste" and a duet for Ford and Montague in the revised version.

David Parry conducts well, and the Academy of St. Martin-in-the-Fields plays beautifully. If you enjoy bel canto operas and are looking for something rare and unique, give this recording a try.