From Publishers Weekly
Readers with a taste for the eerie should ignore the advice proffered in this book's title. Most of these 11 entries boast suspenseful, usually unpredictable plots and believable characterizations despite the sometimes otherworldly scenarios depicted; taken from 11 different countries, the stories also feature smooth translations. Among the standouts is the title entry, by Italian Robert Piumini, in which the reader, warned repeatedly by the story itself ("Do not read me. Reading me brings bad luck"), is held accountable for three disasters. In Mahy's "Fingers on the Back of the Neck" (from Australia), a boy kills his great-grandmother, who had an annoying habit of stroking his neck, but her arthritic, "knobbly" fingers return to continue that practice forevermore. Bjarne Reuters (Denmark) and Uri Orlev (Israel) also contribute memorable pieces. Illustrated with black-and-white drawings. Ages 10-up.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 6 Up-An uneven collection of short shiveries from around the world. One of the bright spots is Susan Cooper's "Ghost Story," about the ghost of a teen tennis star trying to even the odds with the father he dislikes. The use of a computer as a ghostly communicating device is a nice touch, as is the teen narrator's sudden awareness that he does not have to follow in the ghost's footsteps. Another is Margaret Mahy's "Fingers on the Back of the Neck," in which a boy wants so badly to go to a posh private school that he murders his great grandmother for her money. What makes this story so chilling is not the way the woman's ghost entraps Ivor in the end, but the way his obsession with money and prestige at the age of 12 turns him into a cold-blooded killer. Kit Pearson's "The Eyes," about a doll who witnessed a horrible death many years ago, also perks up the drab tone of the anthology. The tension ebbs and flows nicely, giving readers a chance to recover before the final horror. Most of these stories would fit well on an episode of The Twilight Zone. They have the same dry, detached tone, and like the television program, they rely more on the normal becoming abnormal for creepiness rather than hokey masks and gore. While some of the stories are slow or stilted in translation, hard-core fans of the genre should find this collection interesting.
Patricia A. Dollisch, DeKalb County Public Library, Decatur, GA Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.