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Most Helpful Customer Reviews
7 of 8 people found the following review helpful:
4.0 out of 5 stars
Thrilling Suspense,
By
This review is from: Don't Say a Word (Hardcover)
Don't Say a Word is an in-your-face novel that practically reads by itself. Although the dialogue is often laughable and the characters are paper-thin, the hundreds of twists and turns are enough to keep you entertained well past your bedtime.A psychologist's daughter is kidnapped by men who pretend to be able to see everything the shrink and his wife do. They want to get a number from a psychotic patient of the good doctor, a number which, of course, will bring them to a loot worth millions. The doctor has only a few hours to get the number and find his daughter. The race against time plot is always entertaining. The action is non-stop and the finale is beyoung belief. This is a book you just can't put down. The plot lets you forget that the author has no real style of his own and that the dialogue is often horrendous. This is one novel that satisfies its reader from beginning to end.
11 of 14 people found the following review helpful:
2.0 out of 5 stars
Seamy book about psychotic and sadistic criminals.,
By
This review is from: Don't Say a Word (Paperback)
"Don't Say a Word," by Andrew Klavan, is an unpleasant book about a trio of perverted criminals who kidnap a little girl for strange reasons of their own.Dr. Nathan Conrad, a successful psychiatrist, lives in a luxurious Manhattan apartment building with his beautiful wife, Agatha, and his five-year-old daughter, Jessie. He has a new patient, an angelic-looking young woman named Elizabeth, who is accused of murder. Suddenly, Nathan's life is turned upside down. His child is taken from her bed in the middle of the night. What are the kidnappers after? Do they want money or do they want something else? There is no mystery as to who the perpetrators are. Klavan spends a great deal of time familiarizing the reader with the revolting individuals who revel in torturing both adults and children. That is one of the main problems with this book. The scenes in which these characters are depicted masturbating, cursing, and torturing others are absolutely disgusting. I have read many thrillers featuring sadistic criminals, but few authors dwell at length on the perversions of these individuals. "Don't Say a Word" fails as a suspense novel. The reader can see where the story is heading long before the end of the novel. The plot is incredibly melodramatic and completely unrealistic; the ending is way over the top. "Don't Say a Word" doesn't work as a thriller and the repulsive scenes featuring the twisted minds of the criminals make it a book well worth avoiding.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
I was hooked from the opening line,
By
This review is from: Don't Say a Word (Paperback)
This is a highly entertaining page-turner that had me hooked from the opening line. The plot isn't overly original - a prominent psychologist's daughter is kidnapped by a trio of degenerate thugs who threaten to kill the girl if the psychologist doesn't do what they want. What they want is a piece of information, a number, from one of the doctor's patients, and they are convinced he's the only one who can get it from her.
This is a well-plotted novel that is hard to put down. The pacing is relentless. I also liked that the author created a protagonist who is a little flawed (for example, he has inappropriate sexual fantasies about his young patient) and killers who are not exactly criminal masterminds. (Stupid criminals are almost always more entertaining than smart ones). Overall the writing is solid, in some instances reminiscent of Steven King (notably the extensive use of 'italicized internal dialogue'). One unconventional aspect to this novel is that there are times when scenes happen `off the page'. One of the bad guys for example is taken into custody and the reader only learns of this `after the fact'. This narrative technique is used multiple times in the novel and in most cases works quite effectively. It reinforces the element of the `ticking time-clock' and isolation that drive the story. So many things are happening simultaneously in the novel and, in a world before cell phones, the characters are often functioning in isolation, unaware of what is occurring `off the page'. As entertaining as I found this novel, I have to admit that some of the plot points are pretty implausible and there are elements of the novel that are painfully melodramatic. A strong warning is also necessary to advise `sensitive readers' that parts of this novel are disturbing. The killer/kidnappers in Don't Say a Word are especially perverse and sadistic and some of their behaviour is so repugnant that some readers may find they can't enjoy the novel. This is the second novel I've read by Klavan and I've enjoyed them both. The other novel, True Crime, is a great read (even better than this one). Don't Say a Word was made into a movie with Michael Douglas (which I haven't seen). Interestingly, the famous tag line for the film ads ("I'll Never Tell") isn't in the book.
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