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Editorial Reviews
Homeless on the streets of Kuala Lumpur, Hsiao Kang is robbed, beaten and left for dead; he is found and nursed by Rawang, an immigrant worker, who lives in the shell of a modernist building abandoned during construction. Rawang's feelings for his patient may or may not be sexual, but there's definitely something like lust in the eyes of Chyi, a waitress in a run-down old coffee shop, when they light upon the recovering Hsiao Kang. And so a triangle forms as a blanket of noxious fog settles on the city and everyone has trouble breathing. Simultaneously erotic and comical, the film underpins director Tsai's deadpan allegory with hints of social realism.
I DON T WANT TO SLEEP ALONE was one of seven films commissioned for the Weiner Mozart New Crowned Hope Festival, Vienna 2006.
I DON T WANT TO SLEEP ALONE was one of seven films commissioned for the Weiner Mozart New Crowned Hope Festival, Vienna 2006.
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3 of 3 people found the following review helpful
Format:DVD
This Chinese Taiwanese film is depicting the life of young people in Kuala Lumpur in Malaysia. It is showing one of these tigers of Asia in their development at a crucial moment when things seem to be halted and yet they go on maybe just at a slower pace. But people remain what they are, people with human values. They will help a man who had fainted on the sidewalk. They will wash him, feed him, take care of him just as if he was one of the family, though he is unknown. They will take care of a man who is absolutely reduced to a vegetable state, unresponsive, and yet there, alive even if totally blank. And then the impulses of the women or of the men are the same as everywhere in the world, and yet what these young people really want is not that instantaneous and futureless of not futile moment of bliss. They want to be close to someone else, feeling his or her heart and blood pressure and emotions and sentiments and heat, share that feeling and just sleep into it, dream into it. Let's go beyond this world of imperfection and never satisfied failure or success, it does not matter. Let's get into the deep mellowness of empathy, sympathy, compassion, sharing and gathering our minds and all our senses into some kind of communion that is one step closer to the path to enlightenment. That's what at least the Buddha in the café tells me, though we see him from the back and Buddhism is only second to Islam in Malaysia, but the two religions have that thing in common that the mind and the heart are only one same thing and they are the only guides that can take us to a higher more humane level of humanity. And that is all contained in that big mattress they find on the sidewalk and they transport together from one place to another with only one intention, to share it, to use it together. A mattress as a symbol of the Buddhist Dukkha, that never ending cycle from birth to rebirth and every time some people abandon the mattress, it dies, but then some other people come and give it a new life through a rebirth of love.
Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines
Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines
2 of 4 people found the following review helpful
By Sergio
Format:DVD
They spend so much time of the film moving a mattress to one place to the other, it is a slow and dull film, dont bother, rent it if You really want to see it. only recomended for those who want to experiment asian films.
0 of 2 people found the following review helpful
By Ben
Format:DVD|Amazon Verified Purchase
I love how this film portrays Kuala Lumpur. I enjoy the quietness and the subtle air that linger over this film. It is very arty farty, but if you have patience(or if like me, you're in mood to watch some so-called art films), this would somehow suits you, i would think. A gem.
