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Doo Wop at 50 (1999)

Jerry Butler , Vito Balsamo , George Veras  |  NR |  DVD
4.8 out of 5 stars  See all reviews (32 customer reviews)

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Doo Wop at 50 + Doo Wop at 51 1 & 2 + Doo Wop: Vocal Group Greats Live
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Product Details

  • Actors: Jerry Butler, Vito Balsamo, The Cadillacs, The Capris, Zeke Carey
  • Directors: George Veras
  • Producers: Deborah Acklin, Henry J. DeLuca, T.J. Lubinsky
  • Format: Black & White, Color, Dolby, DVD, NTSC
  • Language: English (Dolby Digital 5.1)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Rhino / Wea
  • DVD Release Date: September 26, 2000
  • Run Time: 170 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (32 customer reviews)
  • ASIN: B00004Z36V
  • Amazon Best Sellers Rank: #50,451 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Doo Wop at 50" visit the Internet Movie Database (IMDb)

Special Features

  • Previously unavailable interviews with Gene Chandler (Dukays), Johnny Maestro, Norman Wright (Del Vikings), and Nick Santo (The Capris)

 

Customer Reviews

32 Reviews
5 star:
 (29)
4 star:
 (1)
3 star:
 (1)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (32 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

74 of 75 people found the following review helpful:
5.0 out of 5 stars Listen With Your Heart, April 21, 2002
By 
Lawrence Curcio (West View, Pennsylvania United States) - See all my reviews
(REAL NAME)   
Some background on this tape, made in Pittsburgh, by a resident: It seems that some time back, the local PBS station had a Doo Wop show for its fund drive. The most return anyone had hoped for was on the order of $10,000, but Doo Wop pulled in 11 times that. The producer of the show, a remarkably young fellow named T. J. Lubinsky, must have received the green light to produce more Doo Wop stuff, and to distribute it nationally to PBS stations wishing to broaden their contributing demographic. Lubinsky did an admirable job. Whereas the first attempt had consisted of some (variably engineered) in-studio stuff, and some borrowed video, subsequent shows were staged in a grand theater (The Benedum Center), which was required to house a good portion of Pittsburgh's ample aging, Doo Wop-loving population.

Some of the voices on the tape have, of course, faded. More remarkable are the ones that have not. On this score, Johnny Maestro stands out. He delivers an impressive - nay amazing performance. Jerry Butler also delivered - but mostly as a master of ceremonies. His singing was on-key, but let's face it, he could never keep the beat very well. The Del Vikings sound just like they always did, even though they are not all there anymore. The Cleftones were wonderfully entertaining, and seemed to be having a good deal of fun. The Moonglows were excellent, even though the televised arrangements both had Harvey Fuqua as lead singer. Harvey is great as a songwriter and as a manager, but he is far from the group's strongest voice. Fuqua came through, though, and the group's signature blow harmony was intact.

There are some special moments, like a gracious speech given by Herbie Cox, the lead singer of the Cleftones, thanking the producers and expressing respect for the groups with which the Cleftones appeared. The reunion of the Chantels with their former lead singer, Arlene Smith, was moving (if perhaps a trifle overdone). This was also one of the very last appearances for the Flamingos before Jake Carey passed on, and even though they only hinted at their former celestial harmonies, the hint was the more precious as a last glimpse.

Speedo of the Cadillacs doing his steps and strut was also memorable - particularly for yours truly. Ya see, I came to Pittsburgh in 1989 to go to graduate school. My choice of cities was made, in part, because of the city's Doo Wop tradition. Years later, I watched this tape, and there, as Speedo strutted through the audience, was my old adviser - who was standing up, grinning from ear to ear, and clapping in time to the music. It's a side of him I never saw before, and now I have it on tape! (He'll never live it down!)

Less memorable were Lee Andrews, and also The Capris. Jimmy Gallagher, who really can still sing, was painfully off-key that particular night. Earl Lewis and the Channels could easily have been a high point, but Lewis was evidently more interested in showing off than he was in contributing to the collective effort. The tape transcends these things, though, and the lower points have the ironic effect of making the good stuff seem even better.

To anyone who remembers the racial tension of the 50's/60's, and the controversy about black music and white covers, it is gratifying to see black and white performers on the same stage and even in the same groups. The Del Vikings, a group out of the Air Force, were always this way. (Johnny Maestro's original group, The Crests, were too.) One of the new reorganized groups consisted of members from Vito and the Salutations, The Impalas, and The Teenagers. The equally mixed audience, now allowed to listen to music simultaneously in the same theater, approved. Everybody is finally on good terms. There! That wasn't so hard, was it?

One last note: A number of reviewers, here and elsewhere, commented on the quality of the unnamed group who backed up Jerry Butler and Gene Chandler. They are fine indeed. Some of their members were also playing in the orchestra, and if they are credited anywhere, I haven't been able to find the place. Even Jerry Butler didn't know their name, and he was on stage with them. They are from a larger local Pittsburgh group named, PURE GOLD, and if you are ever out this way, they will probably be playing somewhere. They put on quite a show. Wish I could name the graying Sax player in the tux. He looked like he should be playing classical music, but his rock 'n roll wailing was... perfect.

Taken for what it is, the tape is also perfect. Mostly it's a bunch of old guys (and some old ladies) trying to sing. If you listen to them with your ears, you will find points to criticize. If you have a heart for this music, though, you will listen with that. It's the very best way to appreciate this tape. I give it all the stars.

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34 of 34 people found the following review helpful:
5.0 out of 5 stars Great Show, October 4, 2000
By 
Todd Clingan (Farmington Hills, Michigan USA) - See all my reviews
This review is from: Doo Wop at 50 (DVD)
For those of you out there who enjoy the sounds of Doo Wop this DVD is for you and is certainly a keepsake for anyone who remembers that period of time or who just enjoys listening to good music. I found this musical presentation to be very good in it's own way and it seemed to have captured some fine musical moments in here worth watching such as Gene Chandler's vocal on "Duke Of Earl" and Jerry Buttler's soulfull rendering on "Your Precious Love" which were the two exciting highlights for me on this disc. This is one video presentation I think worth buying because it gathers together some of the finest performances ever assembled in one place and that it is truly a concert event that may never happen again in our lifetime. Or in any future lifetime. I found the sound quality of this DVD to be very good and the visual quality not to bad eather. So what are you waiting for? Go out and buy this.
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26 of 26 people found the following review helpful:
5.0 out of 5 stars Doo Wop at 50 2pk DVD, December 27, 2000
By 
Clifford A. Hedgepeth (Franklin, Virginia USA) - See all my reviews
This review is from: Doo Wop at 50 (DVD)
As several reviewers have stated, when I saw the PBS program, I had to have the DVD. I grew up with this music. So what if some of the voices have faded. After all they are at least 40 years older than when the recordings were first made.

The camera work was outstanding and all the groups looked as if they were having fun as well as captivating the audience.

Most of my favorite groups were there. The Marcells were great! As were the Cadillacs, Skyliners, and Jive 5. The Platters did a great job. We all know that Herb Reed is the only original, but he does a commendable job of keeping the sound alive.

My 8 year old granddaughter is now a Doo Wop fan.

I will buy the 51 concert when it is on DVD.

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