Chess with the Doomsday Machine (Bibliotheca Iranica; Persian Fiction in Translation) [Paperback]

Habib Ahmadzadeh (Author), Paul Sprachman (Translator)

Product Details

• Paperback: 268 pages
• Publisher: Mazda Pub (November 30, 2007)
• Language: English
• ISBN-10: 1568592159
• ISBN-13: 978-1568592152
• Product Dimensions: 8.8 x 5.9 x 0.7 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #146,379 in Books (See Top 100 in Books)

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5.0 out of 5 stars Very thought provoking, February 22, 2008

By 

Kam Korder - See all my reviews

This review is from: Chess with the Doomsday Machine (Bibliotheca Iranica; Persian Fiction in Translation) (Paperback)

Chess with the Doomsday Machine (Shatranj ba Mashin-e Qiamat) is a novel by Habib Ahmadzadeh (b. 1964) about the Iran-Iraq War (1980-88). It is set in Ahmadzadeh's native Abadan, a city located on an island near the Persian Gulf. Because of its importance to the Iranian petroleum industry, Abadan was the target of heavy bombardments during the early stages of the conflict. Using an advanced radar system developed in Europe, Iraqi forces were able to hone in on Iranian artillery emplacements almost as soon as they fired. It is the task of the narrator, a young Basiji (volunteer paramilitary) spotter, to locate the radar so it can be destroyed. The novel paints a striking tableau of a city under siege, not only inhabited--as one would expect--by a variety of soldiers, but also by two Armenian priests, a retired oil refinery engineer, and a prostitute and her young daughter. Chess with the Doomsday Machine avoids the kind formulaic patriotism and hagiography found in much of "Holy Defense" (defa'-e moqaddas: an official Iranian term for the conflict) fiction in two ways. First, it indulges a type of black humor used in such war satires as Joseph Heller's Catch 22 and, second--and more profoundly--it examines how wartime conditions throw the ephemeral nature of human existence into high relief. As the novel progresses, the narrator's journey evolves from a simple search-and-destroy mission into a quest for meaning among the surreal sights of the besieged city: an improvised "shark aquarium"; a ravaged farmer's market; rows of bombed-out homes; an ice cream freezer that doubles as a morgue; and an incomplete seven-story building that miraculously survives the Iraqi shelling to become the stage for the novel's chief theme.