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58 of 61 people found the following review helpful:
5.0 out of 5 stars
Moving and Memorable..., December 16, 2002
This review is from: One Door Away from Heaven (Mass Market Paperback)
I must admit that I am not usually a fan of Mr. Koontz and his published works. Not that he isn't talented, far from it, it is just that sometimes it takes effort to read his books and follow his line of oft-twisted logic. This book, however, pulled me in from the first page and managed to keep me hooked until the very end. I found myself laughing out loud at times as well. Dean Koontz has crafted a marvelous piece of fiction, and for that he has my praises. The characters that populate this book are the most memorable that I have come across in any genre. Leilani is hilarious and tragic in her own right- as are Curtis, Old Yeller and Michelina. These people (and animal) seem to jump off the page and become solid representations of the fictional world. I suppose that is what makes this book so great...the characters are beleivable and real. At its heart, I believe that this novel is a philisophical one, a journey that Koontz wants to take us on so that he can show us some of the truly frightening things that are out there in our world today. While he is not dealing with the fear of fangs and fur, talons and teeth, Dean is showing us that the truth is stranger that fiction. Koonts takes us on a journey that causes us to question right and wrong and seriously evaluate our morals and beliefs. This is a good thing. Through the eyes of his characters, we gain insight into the lifes of those that are disable, addicted, lost, forgotten and worn out. We also see plenty of compassion, heart and sincerity. This book will make you think. It will make you want to read it over and over again, making sure that you did not miss anything important. I highly suggest this book to readers of any genre, it is one that bridges all gaps. Told with uncanny wit and humor, it will have you hooked from the first page. I wont reveal any plot details, you can get those from the editorial review put up by AMAZON.COM, but I will say this: If this is the new direction that Dean Koontz will be taking- sign me up on the waiting list for his future novels, perhaps he will become a major mainstay on my bookshelf from now on. Read this book. Think about it, read it again. It is THAT good.
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22 of 22 people found the following review helpful:
5.0 out of 5 stars
What a Great Surprise!, January 7, 2002
For some reason, even though I like Peter Straub and Stepehn King, I have never been able to get into Dean Koontz. Well, this book is so sharp, original, and compelling that I have not been able to put it down! I am happily surprised to find myself becoming a Dean Koontz fan! The characters of the book aren't your usual dime-novel fare; they are very unusual, funny, and intelligent. Yet they are also believable. The plot has many elements of bizzareness and realism mixed together to create a sharp-edged collage. From the first chapter, where we meet two characters that you can't help but care about right away, to the actual unfolding of the plot, there isn't a dull moment. I'm reminded somewhat of "The Talisman" by some parts of this novel, and that's a good thing. Read it -- you'll like it!!!
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22 of 26 people found the following review helpful:
3.0 out of 5 stars
One Star Away From Mediocrity, January 31, 2002
Disclaimer: I am a long-standing fan of Koontz's work. Ever since "Strangers" debuted back in 1986, I've been enthralled with the author's unique skill at juggling suspense, technology, and horror atop his overarching theme of individual redemption. In fact, I still have my signed letter from Dean, which he sent to me after I wrote him following "Strangers" (I've never written another author). Right up through "Intensity," Koontz stitched up his plots tighter than any in modern fiction, doling out dread and hope in equally mesmerizing doses. But then the stitching began to unravel. Following "Intensity," Koontz has slowly degraded into what I can only refer to as "Evangelical Canine Suspense Comedy." Yes, it's certainly a new genre, and as yet untapped, but then "Santanic Feline Sci-fi Parody" would also be a new genre--just not one of interest to me. Whether you like Koontz's latest, "One Door Away From Heaven," will largely depend on whether you've liked the Christopher Snow novels and his last novel, "From the Corner of His Eye." The same will likely go for whether you will buy the revelation that comes at the end of "One Door," Koontz's idea of the "gift" that will literally save the world. I laughed, and I don't think that was the intended response. No offense to anyone (Dean included) but dogs and feel-good spirituality rarely make for great suspense fiction, and that proves to be the case here. However, even if you're fond of suspense novels filled with dogs and supreme beings, there is still a major problem with Koontz's writing of late: it's simply too long. Koontz used to rip through his tales, in classics like "Watchers" or "The Bad Place," in under four hundred pages. Of late, he has problems bringing anything in under six hundred pages, and these latter stories are actually leaner than those of old. Even his best novel of the past five years, "False Memory," should have been half its delivered length. The plot of "One Door" is so bloated and rambling that at times I found myself skipping ahead in frustration. A good editor would have ripped away entire chapters of meandering description. Not only that, but the skeletal plot beneath the fat has huge flaws: one heroine doesn't really live up to the moniker; one major character does essentially nothing related to the main story until the end, and then it's too late; a major death is presented almost as an aside, tossed off with little to no drama. Yes, the suspense and mood are often intriguing and pull you forward, wondering what is really happening, and the characterizations are often deft. Central to the tale is Leilani Klonk, a nine-year-old born with physical birth defects balanced by a superior mind and great wit. Leilani steals the show, with her dialogue being some of Koontz's best. A pleasure, as well, is Aunt Geneva, an elderly woman who, shot in the head long ago, now confuses her life with that of movies she's seen. Both are nice creations, but neither is substantive enough to boost Dean's latest into the realm of his greatest. By the end, "One Door" buckles under its own heft and loses severity from its silly, almost child-like philosophy.
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