Customer Reviews

The Doorbell Rang (Nero Wolfe Mysteries)

5 star:		(13)
4 star:		(7)
3 star:		(3)
2 star:		(0)
1 star:		(0)

 

 

This may not be the best Wolfe story to start with, because it is one of the later and greater of Stout's novels. However, if you do read this and like it, you won't be disappointed with any others in the series.

Interestingly, Stout was 48 when his first Wolfe novel was published and he continued writing them until he was almost 90.

This book has it all, from the usual cast of characters, Wolfe and Archie in the old brownstone, Saul, Orrie, and Fred, the freelancers hired to help on the case, Inspector Cramer, and the plot features an interesting twist on Wolfe's orchid hobby...well hobby doesn't describe 10,000 orchids in his rooftop greenhouse. You know there's a lot of commerce involved in keeping that collection going, but I'd better not say anymore about that.

Wolfe is visited by a potential client with a problem that could be too hot to handle. You see, she has sent out copies of a book, "The FBI Nobody Knows" to influential people, newspaper editors, etc. Now she thinks the G-men are following her, tapping her phone and maybe worse. Most PI's wouldn't handle this case, even if the client was Cleopatra or Helen of Troy.

But, a check for $100,000 has a...powerful appeal to Wolfe(it was a lot of money in the 60's when the book was written). Has Nero Wolfe finally bitten off more than he can chew when the FBI comes calling?

Read this book. I consider it a classic, of both humor and of subtle political commentary. I give this book five of the biggest, brightest stars in the heavens.

Rex Stout has always been one of the best mystery writers. The Doorbell Rang is one of his best. It sprints along and gets you caught up in the story. Nero Wolfe takes a case to stop the FBI themselves from harrassing a rich woman. On the way, he encounters a murderer, lying women, lying men, and a pair of FBI agents who he uses in one of the most creative ways I have ever read.
What makes this book so great is that it's different from most Nero Wolfe books. In this one, the main case is not a murder. The enemy is a huge and powefrul organization. Throughout the book, special precautions are taken by Wolfe and Archie, his wisecracking assistant, because they both know that the FBI isn't above bugging. The way they fulfill their clients wishes is wonderful, but of course I won't tell you how they do it. And the very end made me laugh out loud in the middle of a crowded bus. Just wait for it and you'll see what I mean. Stout is also a great writer and the Doorbell Rang is full of snappy writing and Wolfe in all his eloquence. It is a great book and it is really fun to read.

This is one of Rex Stout's best Nero Wofe novels. In my opinion, Stout improved with age, and this is one of the last titles in the series. The dynamics of the relationship between Nero Wolfe and his assistant, Archie Goodwin, are as usual, priceless. But what makes this book for me are the unexpected and highly enjoyable goodwill overtures between Wolfe, Goodwin, and police homicide Inspector Cramer. Even though Cramer's suspicions return in force at the end of the book, it's still fun to see him on Wolfe's side for once. And I think our "favorite fatty" detective's ability in this book to put one over on the FBI is a feel-good read for anyone who has had difficulty with people in positions of authority-especially when that authority is autocratic and mismanaged.

There are mystery books where the mystery is the thing and there are mystery books where the character(s) is/are the thing.

With Stout, the characters are the thing. One does not read Stout to immerse oneself in an intricate mystery that one tries to solve. On reads Stout because you know you are in for a treatnot only do you get the ongoing give and take with the usual suspectsWolfe, Archie Goodwin, he of the intrepid heart and very dry wit, Fritz and Cramer, house chef and NYPD Homicide Captain, but each book also introduces an interesting and well developed cast of secondary characters as well. And, given that Wolfe is as much a psychologist in his detecting as a detective, convincing and in depth characterization is critical to the success of any given story.

Its just after the New Year and the indolent Wolfe needs a client. A doozy shows upa rich widow being harassed by the FBI. She offers Wolfe a $100,000 retainer to devise a means of getting them off her back. Wolfe, with no real idea how to proceed, draws down on his credit balance with a local journalist and gets the inside poop on several FBI operations in the NYC area. Wolfe focuses on a murder where three FBI men are involved. He begins investigating the crime with an eye to setting up a situation where he can use the crime as a lever against the FBI.

What makes this novel particularly interesting is the role the murder plays in the plot. Usually, the murder IS the plot. Here it is a sideshow to the main eventNero Wolfe v. the FBI.

The manner in which Wolfe succeeds in setting up and trapping the local FBI officers is brilliant and extremely entertaining. Moreover, this book features the full blown cast of Wolfe characters, a rarity for a Wolfe novel.

Stouts Nero Wolfe is one of the classic 20th century detective seriesand this is classic Wolfe from beginning to end.

Mr. Dekle, in his review of June 8, 2001, completely misunderstands the rationale behind Wolfe's method of investigation in *this* particular book. The basic plot of the book is *not* Wolfe's determination to expose the murderer -- it is to pry the FBI away from his client and to keep them from harassing her. And to earn the outlandish fee she has promised him.

In order to accomplish his goal, he determines that he must find a means of *forcing* the FBI to leave her alone. A murder case in which some local FBI agents in NYC are apparently involved then comes to Wolfe's attention. He, being a genius, decides that it will be in the best interest of his client (and himself) to determine that the FBI did *not* commit this murder. But, he also says to Archie, he is prepared to deal with the eventuality that the FBI *did* commit the murder and to turn it to his advantage. In either case, Wolfe doesn't give a fig as to who actually committed this particular murder -- he only wants to earn his fee.

I love this series, especially because of the relationship between NW and AG. These two men could not be more different in terms of work ethic, personal style, taste, etc. Yet they are held together by mutual respect and -- as illustrated by this colorful installment -- a very healthy disrepect for authority. Here we find Wolfe confronted by an institution he would enjoy tweaking even more than the NYPD, and that's the Federal Bureau of Investigation. The murder itself really is not that important to the story. The real story is Wolfe's elaborate (and boy, is it ever elaborate!) plan to sting the Feds. If you're looking for a complex whodunit, look elsewhere. But if you enjoy the series and the main characters of Goodwin, Wolfe and Cramer, curl up with this one and prepare to smile often.

Rex Stout is clearly the best writer in this genre. He manages to combine exciting and original plots with a light, entertaining and witty style of writing. How can someone not laugh about the acid sarcasm that runs between Archie and Nero? How can someone not be amused by the Wolfe's small idiosyncrasies? In The Doorbell Rang Stout is once again at his best. This time Wolfe lured by an incredibly wealthy client takes on Hoover and the FBI. This adds some not very realistic element to the story and that is why I gave this book only four stars. Besides from that excellent read, very enjoyable. Gotta love Stout!

Nero Wolfe and his right hand (and pretty much all other physical appendages apart from brain) man Archie Goodwin go up against J. Edgar Hoover's FBI...anyone want to guess who comes out on top?

It takes a little help from pretty much everyone that the pair has at their disposal, as well as some people they usually don't, but they must do whatever they can to get what their client, a rich and powerful--and unashamedly opinionated--widow, wants.

As always, Archie's unique voice and way of thinking about things delighted me, and Wolfe's sharpness of understanding and ingenuity of planning astounded me. The ending was wonderful.

When this book came out in 1965, the rampant fear of the FBI was such that many were surprised at Stout's brashness in showing up J. Edgar Hoover. That's a huge thing this book accomplished.

It's a pretty good story, and the plot devices are fully up to par. And the A&E depiction is one of their best, showing Wolfe's insistence on living exactly as he pleases, and asserting the rights of an American citizen as we all should emulate. He is not a fearful man when it comes to people in positions of power.

It's a good plot, well written and good characters. My favorite character was J. Edgar Hoover...

This is one of the very best Wolfes, set in the early 60s, with the changing times providing Stout with fresh backcloths for the familiar characters. However, you'll probably enjoy it more if you've already experienced some Wolfe stories which follow the standard whodunnit formula, like Gambit or Champagne for One. The Doorbell Rang must have been fairly brave in poking fun at Hoover and g-men in general (did Stout get bugged himself in consequence?).