I wasn't expecting to like this very much. However, I was very pleasantly surprised to find that everyone involved with this film knocked himself out. Oliver Parker, the director, certainly had so much more style and flair in his version than I'd seen in the old black and white version. Ben Barnes as Dorian couldn't be better. He is superb. He has the perfect face too for the walking around Dorian whose vices don't show on his face. Firth is his mentor but he is an armchair decadent compared to Dorian, able to talk the talk but not walk the walk.

If there is anyone on the planet who doesn't know the gist of this Oscar Wilde classic novel, it is this: Dorian Gray is a handsome, wealthy young man whose picture is painted as he is launched into society. He is quickly diverted into an ever escalating cycle of vice and debauchery. However, instead of the ravages of dissolution marring his face and figure, they instead ravage the painting. How far will he take this and is there any way out as the painting gets worse and worse?

The settings, the costumes, the details--all wonderful. I think Wilde himself would have enjoyed being at the premiere of this film!

DORIAN GRAY as adapted form Oscar Wilde's famous novel 'The Picture of Dorian Gray' and directed by Oliver Parker is about as fine a transfer of a period novel to the screen as has been made of late. The settings, costumes, and acting are all outstanding and with Parker's 'enhancing' some of the debauchery in the transformed life of this famous character updated to allow for more sensuality and brutality than prior cinematic versions, the tale really becomes dramatic.

Dorian Gray (Ben Barnes), an orphaned, abused child who happens to inherit a mansion in London upon the death of his only relative, comes to London as a young inordinately handsome yet shy man. He is immediately seizes the attention of Lord Henry Wotton (Colin Firth) who believes that the only goal in life is to respond to your desires, to your sensual needs. Dorian is introduced to a young painter Basil Hallward (Ben Chaplin) who is attracted to Dorian's beauty and as he paints his portrait he becomes enamored with his model. As the portrait is completed Lord Henry suggests that Dorian could always remain as beautiful as his portrait if he 'sold his soul' to remain ever youthful. Dorian takes up the idea and follows Lord Henry's tutelage to drink, smoke, and carouse in brothels, opium dens, and in the boudoirs of all the middle aged ladies of society. He encounters a beautiful young actress Sibyl Vane (Rachel Hurd-Wood), falls in love only to cast her aside (we later discover that her body has been thrown into the river much to the chagrin of her brother James (Johnny Harris). As Dorian's thirst for lusty and scandalous behaviors increases he causes much harm: the mutual attraction between Dorian and Basil eventually results in Dorian butchering Basil and discarding his body into the river grave. Dorian decides to leave London and travel to exotic places to try to fill his lascivious appetite: he returns twenty odd years later and every one has aged except Dorian. Lord Henry's daughter Emily (Rebecca Hall), born when Dorian departed London, is Dorian's intellectual match and the two are mutually attracted but Lord Henry violently objects, knowing what the real Dorian Gray is inside. Dorian's secret - that he remains young eternally while his portrait ages and reveals the vile aspects of his corrupt life - is finally revealed and the ending is a gruesome one.

Ben Barnes, Colin Firth, Ben Chaplin, and Rebecca Hall are all superb in their roles - as are all of the many well-known fine British actors who fill minor roles. The DVD adds comments from many of these actors in a way that focuses on Oscar Wilde's novel, making the commitment of everyone involved seem more acutely aware of the film's purpose. It is a very well photographed, costumes, and lighted piece of cinematography - a truly excellent period piece for this great novel to come alive again. Grady Harp, July 10

I finally was able to see the 2009 version of Dorian Gray, adapted from the novel The Picture of Dorian Gray by Oscar Wilde.

I am writing this review AS an Oscar Wilde fan. I have read The Picture of Dorian Gray twice and I have read The Canterville Ghost twice.

I am going to tell you right now that these negative reviews that claim that this film is an insult to Oscar Wilde are WRONG! It's as if people who know very little about the works of Oscar Wilde are following a trend.

Those that say this would make Oscar Wilde roll over in his grave clearly have never seen the dreadful mid 2000s version of The Picture of Dorian Gray that re-sets it in the 1960s with a female Basil with horrendous acting. And they clearly have never seen the 1940s version of The Canterville Ghost that turned the entire story into World War 2 propaganda about a solider having to prove himself against a Nazi.

I will admit that this not a word for word faithful adaptation of the novel The Picture of Dorian Gray however it is very true to the heart of the novel, the meaning and purpose. The character portrayals are perfect and accurate. All changes are purely superficial. I know Ben Barnes as Dorian does not resemble the character of the novel however he does resemble Oscar Wilde himself and since Oscar Wilde saw himself in Dorian I felt this was a brilliant use of visual symbolism in Wilde's own relationship with Dorian Gray.

I know that some people have complained about the adding of the character Emily Wotton, whom does not exist in the novel. What people fail to remember is that nearly all film versions of The Picture of Dorian Gray have this 'redeemer' character. In the 1940s movie her name was Gladys. In the 1973 version of The Picture of Dorian Gray her name was Beatrice. In most versions she's Basil's niece or daughter but in this version she was Lord Henry's daughter.

What many don't know is that this character does exist in the novel. She's mentioned briefly near the end as a country girl named Hetty. Her part in the novel isn't as big as in the film adaptations but she does still exist and she works to add sympathy to Dorian's character.

You cannot see the inner workings of Dorian's mind in a physical medium like films or plays as you do with the novel so you you need a new way to see his moral struggle. And this is done through the presence of Emily.

Collin Firth was incredible as Lord Henry. That was the best portrayal of Lord Henry since George Sanders. When he says 'People die by common sense.' he fully became Lord Henry for me. Most people treat the role too academically and sound like they're boredly reading from a book. Collin Firth however really got it. He really understood the character. This version of The Picture of Dorian Gray has more of Oscar Wilde's witty epigrams than any other version before it. The only line missing that I wish was in here is Lord Henry gives Dorian a cigarette case. In this one it's just inscribed with Dorian's name. In the novel it reads 'The World has changed because you are made of ivory and gold. The curve of your lips re-write history.'

The only character of the film I did not like was this version of Sibyl Vane. In this version Dorian seduces her into sleeping with him before marriage (as he does in the original film with Angela Lansbury in the role).

When Sibyl starts talking about having a family Dorian argues that it is too soon, much thanks to the ideas planted in his head by Lord Henry. When this Sibyl kills herself it gets revealed that she was with child. This takes away from her sympathy. It's true having a child out of wed lock was frowned upon in the Victorian era but it did happen. And it did not mean the end of the world. Look at the character of Fantine in Les Miserables. It was selfish of this Sibyl to kill herself because she did not just kill herself, she killed herself and the unborn baby that she seemed so eager to have only a few scenes earlier. It looked almost as if the suicide was out of spite.

Sibyl does kill herself in the earlier incarnations but at least she had never done it while carrying a baby and knowing she was carrying the baby, and having wanted to raise the child. It's hard to sympathize with this version of Sibyl, especially since you know her brother Jim would have taken care of both her and the baby if not Dorian.

Basil, however, was very sympathetic. One thing I'm glad they cut was that in most versions Basil didn't just disapprove of Dorian's relationship with Sibyl out of jealousy, he also had told him not to marry beneath his class. Basil doesn't do that in this version. Basil is the most sympathetic of Dorian's Victims in this film.

Dorian himself is played exceptionally well though my favourite character portrayal in this version is Lord Henry. Dorian goes from ruthless and cruel to sympathetic and tragic in a heartbeat. The struggle is perfect. You can see his conscience, and not just with the painting. He is fighting against his own darker instincts which adds to making him sympathetic.

As a true Oscar Wilde fan I feel they captured the spirit of Oscar Wilde's intent. This was the best version of The Picture of Dorian Gray I have ever seen, the black and white version coming in close second for having the better and more innocent version of Sibyl Vane.

I am in America and we never got a theatrical release of this version of Dorian Gray. This film is truly good, truly exceptional, and, if you want to watch any film about a young looking immortal, this is far more intelligent, interesting and just plain better than the Twilight Saga.