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Dostoevsky: Language, Faith, and Fiction (Making of the Christian Imagination)
 
 
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Dostoevsky: Language, Faith, and Fiction (Making of the Christian Imagination) [Hardcover]

Rowan Williams (Author)
4.2 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

1602581452 978-1602581456 July 14, 2008
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.

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Editorial Reviews

Review

Reading Dostoevsky is like looking from a high peak at several mountain ranges, some brightly lit, others dark with mist, going back farther than the eye can see. In this breathtaking book, Rowan Williams takes us on a journey through literary art, the nature of fiction, psychological depths, historical and cultural setting and allusion, and beyond all else a world of faith and doubt, of philosophy and theology not dry on the page but moist with tears of compassion. We return to Dostoevsky with new insight and wide-ranging understanding and to real life with fresh perspectives on what it means to be human, to be under threat from the demonic, and above all to sense the dark and urgent presence of the living God. --N. T. Wright, Bishop of Durham

Combating the interpretation of Dostoevsky as preoccupied with the tension between belief and nonbelief, he argues the work is first and foremost a direct reflection of Dostoevsky's personal faith.... Recommended. --CHOICE

Rowan Williams here reveals the originality and daring that have made him such a controversial (and inspiring) leader of his church. The readings demonstrate an impressive grasp of current scholarly criticism of Dostoevsky. But this is not just another book about Dostoevsky. The literary interpretations are guided by an intense humanism that shares at points surprising parallels with radical leftist critiques. As author of a previous book of Sergej Bulgakov, Williams is at home in Russian philosophy, particularly the Orthodox emphasis on kenosis, the voluntary emptying out of Christ's divine attributes during his time on earth. This aspect of Russian thought was important for Bakhtin, who serves as a kind of dialogic third partner in Williams conversation with his reader. This is a work of learning and passion, a heteroglot blend of literary, ethical, and subtle theological argument that is full of surprising local triumphs of interpretation--and that most un-academic virtue, wisdom. --Michael Holquist, Professor Emeritus of Comparative and Slavic Literature, Yale University

Rowan Williams, archbishop of Canterbury... has produced what is to date certainly one of the finest books on Dostoevsky's religious vision. Brilliantly, Williams demonstrates the connection between this vision, yes, even faith, and the art that Dostoevsky created. -- Logos: A Journal of Eastern Christian Studies 50 (2009)

Rowan Williams, in this study of Dostoevsky's characters, brings to attention the theological anthropology implicit in and generative of the narratives' dynamics. In his hands, theology becomes not a kind of explanation or completion but both a release, an opening of the narratives to the as yet unsaid, and a clarification of the continuities between the characters and the Orthodox Christianity of the setting. Crucial to this reading of Dostoevsky is an understanding of personal identity not as a possession but as a consequence of an ongoing relational process and an interweaving of freedom with a responsibility for others. As we no longer read Dostoevsky the way we did before reading Mikhail Bakhtin, so also, having read Williams, we no longer will read either Dostoevsky or Bakhtin as we once did. --Wesley A. Kort, Professor of Religion, Duke University

About the Author

Rowan Williams (Ph.D. Wadham College, Oxford) is the Archbishop of Canterbury. Having received his D. Phil. From Oxford, he held a variety of academic posts in Oxford and Cambridge, before leaving the Lady Margaret Professorship of Divinity at Oxford to be successfully Bishop of Monmouth and the Archbishop of Wales. He has published 12 books, including, most recently, Why Study the Past? (2005), Poems (2002), and Writing in the Dust: Reflections on the 11th September and Its Aftermath (2002).

Product Details

  • Hardcover: 285 pages
  • Publisher: Baylor University Press (July 14, 2008)
  • Language: English
  • ISBN-10: 1602581452
  • ISBN-13: 978-1602581456
  • Product Dimensions: 9.2 x 6.4 x 1.1 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #247,238 in Books (See Top 100 in Books)

More About the Author

Rowan Douglas Williams was born in Swansea, south Wales on 14 June 1950, into a Welsh-speaking family, and was educated at Dynevor School in Swansea and Christ's College Cambridge where he studied theology. He studied for his doctorate - in the theology of Vladimir Lossky, a leading figure in Russian twentieth-century religious thought - at Wadham College Oxford, taking his DPhil in 1975. After two years as a lecturer at the College of the Resurrection, near Leeds, he was ordained deacon in Ely Cathedral before returning to Cambridge.

From 1977, he spent nine years in academic and parish work in Cambridge: first at Westcott House, being ordained priest in 1978, and from 1980 as curate at St George's, Chesterton. In 1983 he was appointed as a lecturer in Divinity in the university, and the following year became dean and chaplain of Clare College. 1986 saw a return to Oxford now as Lady Margaret Professor of Divinity and Canon of Christ Church; he was awarded the degree of Doctor of Divinity in 1989, and became a fellow of the British Academy in 1990. He is also an accomplished poet and translator.

In 1991 Professor Williams accepted election and consecration as bishop of Monmouth, a diocese on the Welsh borders, and in 1999 on the retirement of Archbishop Alwyn Rice Jones he was elected Archbishop of Wales, one of the 38 primates of the Anglican Communion. Thus it was that, in July 2002, with eleven years experience as a diocesan bishop and three as a leading primate in the Communion, Archbishop Williams was confirmed on 2 December 2002 as the 104th bishop of the See of Canterbury: the first Welsh successor to St Augustine of Canterbury and the first since the mid-thirteenth century to be appointed from beyond the English Church.

Dr Williams is acknowledged internationally as an outstanding theological writer, scholar and teacher. He has been involved in many theological, ecumenical and educational commissions. He has written extensively across a very wide range of related fields of professional study - philosophy, theology (especially early and patristic Christianity), spirituality and religious aesthetics - as evidenced by his bibliography. He has also written throughout his career on moral, ethical and social topics and, since becoming archbishop, has turned his attention increasingly on contemporary cultural and interfaith issues.

As Archbishop of Canterbury his principal responsibilities are however pastoral - leading the life and witness of the Church of England in general and his own diocese in particular by his teaching and oversight, and promoting and guiding the communion of the world-wide Anglican Church by the globally recognized ministry of unity that attaches to the office of bishop of the see of Canterbury.

His interests include music, fiction and languages.

In 1981 Dr Williams married Jane Paul, a lecturer in theology, whom he met while living and working in Cambridge. They have a daughter and a son.


 

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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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30 of 32 people found the following review helpful:
5.0 out of 5 stars Extremely smart and very profound, November 23, 2008
This review is from: Dostoevsky: Language, Faith, and Fiction (Making of the Christian Imagination) (Hardcover)
This book is clear, intelligent and quite serious. The author writes more like a philosopher than a literary critic, appropriate for Dostoevsky's highly charged, philosophically oriented themes.
Along the way Williams present a profound account of the reality of spiritual life. While he and Dostoyevsky are tied into Christianity, a person with any kind of spiritual concern could learn a great deal from this.
(My own background in these matters includes several books and articles on contemporary religious life and spirituality.)
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19 of 21 people found the following review helpful:
5.0 out of 5 stars Dostoevsky; Language Faith and Fiction, July 16, 2009
This review is from: Dostoevsky: Language, Faith, and Fiction (Making of the Christian Imagination) (Hardcover)
This is an excellent read. It is my second copy to purchase ... for others to read. Rowan Williams excells in providing a wonderful window on Dostoevsky's reasons for writing. The dialogical engagement between characters and reader is intentional and demanding. I cannot recommend this book highly enough. It is a must read for those who wish to engage with Dostoevsky, for those who wish, who need, to be confronted by life and faith.
Thank you Archbishop Rowan Williams and Dostoevsky
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4 of 7 people found the following review helpful:
2.0 out of 5 stars Like swimming...underwater, August 26, 2011
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James Klagge "jck1954" (Blacksburg, Virginia USA) - See all my reviews
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I wanted to like this book, but I did not. I have read virtually all of Dostoevsky and a good deal of secondary literature. To follow this book, you have to not only have read the 4 big novels (BK, C&P, Demons & Idiot), but also remember them well enough to recall scenes on demand. I found the book too dense and diffuse to appreciate. Reading this book feels like swimming underwater. You have little sense of overview or where you are, and the thoughts keep coming with no let-up or chance to take a breath. The chapters felt more like separate papers, not like a developing process. There is a conclusion-chapter, which helped a bit. But it felt more to me like a post hoc and ad hoc attempt to tie things together. At the end, all I can really say about the content is that D. sees the construction of a novel as somewhat analogous to God's creation of the world, with similar issues of freedom within constraint. I would recommend this only to professional scholars of D. Not for enthusiastic amateurs.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
great sinner, minimal religion
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Idiot, Underground Man, Exchanging Crosses, The Last Word, Stepan Trofimovich, Ivan Karamazov, Ivan's Devil, Fyodor Karamazov, Lise Khokhlakova, Semyon Yakovlevich, Marya Timofeevna, Pyotr Verkhovensky, Mme von Lembke, Mysterious Visitor, Nastasya Filippovna, Boyce Gibson, Sistine Madonna, Russian Christianity, Golden Age, Mother of God, Writer's Diary, Gary Saul Morson, Tikhon of Zadonsk, Orthodox Church, Bishop Tikhon
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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