1 of 1 people found the following review helpful:
4.0 out of 5 stars
Two good comic scores; missing material from earlier releases, January 11, 2008
This review is from: Double Feature: The Dirty Dozen (1967 Film) / Dirty Dingus Magee (1970 Film) (Audio CD)
I hadn't seen The Dirty Dozen, but I found DeVol's lighthearted score delightful and perfectly fitting with its companion in more than just title. I have Jeff Alexander's Dirty Dingus Magee on a cassette that became sun-damaged that I wanted to replace with a CD, and I was disappointed that the two tracks featuring the Mike Curb Congregation have been deleted. Many soundtracks omit material that appeared in the film, and I've seen the film and know this one does, but the original album included both the end title that appeared in the film and an album version of the title song that appears briefly in that track. This material is simply deleted and not even replaced with other material. I realize licensing issues come up, but the song is the basis for much of the score, whereas the two pop songs on The Dirty Dozen, which are included, do not seem to be integral to the score. The last track on the album ends with a conclusion that almost insults the listener in its context of denying us the finale (it ends with low brass notes played with a rubber stopper). On the plus side, relocating the main title to the beginning and more or less laying out the score in film order rather than album order are an improvement that at least indicates some care in what was done.
To add insult to injury, the covers to both albums are identical to their cassette releases, but make no note of the deletion (it might be in the liner notes, which I have only glanced at thus far), although that would not matter so much because I have never seen a copy in a physical store.
I don't want to discourage anyone from buying the album, but it is important to know that it is less complete than previous pre-CD releases.
Jeff Alexander may not be the best known of composers, but he was masterful with the comic western, and seems to have been quite an influences on Roger Miller and George Bruns's work on Disney's Robin Hood. The cassette credits did not note it, but he did not write the title song (by Mack David), which may also account for the omission, but what he did with it is comparable to what Michael Kamen did with Brazil, and the scores mean less without including from where they were derived, much the way Aaron Copland's Appalachian Spring would without Simple Gifts.
Since this CD is already discontinued, one can only hope for a better release in the future. At least one other Chapter III soundtrack, Ennio Morricone's Guns for San Sebastian, which I also have on a sun-damaged cassette, has been issued by Film Score Monthly in a complete form, while Chapter III's was only the original album, assuming there were no omissions.
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