From Publishers Weekly
Gardiner's subtly powerful writing deserves a wider audience, but his latest book fails to live up to his earlier achievements. While In the Heart of the Whole World and the well-received Somewhere in France were crisply written explorations of characters haunted by their obsessions, his fifth novel, about mixed-race twins growing up in an orphanage in the 1920s and '30s, has fewer flashes of grace. At age 10, Rebecca and Linda arrive at the Drayton Orphanage outside Philadelphia. With their odd beauty (faintly olive skin, hair "blond as a corn tassel") and troubling bond ("Sometimes I can't remember which one of us is me," one says), they quickly cast a spell over orphanage director Eula Keiland. The twins also attract the attention of Otto Rank (real-life psychoanalyst, a disciple and later critic of Freud), one of the novel's several historical figures. Otto believes that everyone has an internalized double, but in the twins' case, "nature has provided the double" and there is "no need for the subconscious to produce another." He's also certain that the twins will destroy each other, as the mythical Greek twins Lezzor and Tripto did. The twins' race plays a crucial role, and all of these elements promise something spellbinding. But while sometimes effective, the novel disappoints. The twins endure two separate, harrowing journeys (one to California, the other to China), but Gardiner relates these events flatly, and the idea of the "double" is tirelessly debated-by Eula, Otto and their associates-giving the metaphor-heavy novel a static, leaden feel.
Copyright 2003 Reed Business Information, Inc.
It's 1926 and Eula Kieland, director of the well-funded Drayton Orphanage just outside Philadelphia, prides herself on her progressive values. Her newest charges are 10-year-old identical twins, Linda and Rebecca, who are strikingly beautiful, secretive, and inseparable. Their possibly unhealthy intimacy is a challenge for Eula and her staff, but the fact that they're part African American is potentially catastrophic. Eula does her best to protect them, but once they come of age, their biracial heritage becomes the catalyst for violent conflicts and life-threatening adventures. Gardiner, author most recently of
Somewhere in France (1999), writes intellectually intricate historical novels, basing his latest on an actual institution and such real-life figures as psychologist Otto Rank and his notorious acolyte, Anais Nin. Gardiner's riffs on doubling, the parameters of the self, and the emancipation of women are intriguing, and the settings he conjures, from a San Francisco brothel to prerevolutionary China, are compelling. But his style is often passive, and the sexy twins' dire predicaments verge on the melodramatic. Nonetheless, this is an unusual and provocative saga.
Donna SeamanCopyright © American Library Association. All rights reserved