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| 1. Brother John [Live] | |||
| 2. We Assume: On the Death of Our Son, Reuben Masai Harper [Live] | |||
| 3. Here Where Coltrane Is [Live] | |||
| 4. Bird Lives: Charles Parker in St. Louis [Live] | |||
| 5. High Modes: Vision as Ritual: Confirmation [Live] | |||
| 6. Elvin's Blues [Live] | |||
| 7. Last Affair: Bessie's Blues Song [Live] | |||
| 8. Audio [Live] | |||
| 9. If You Don't Force It [Live] | |||
| 10. Copenhagen [Live] | |||
| 11. 4-29-99 [Live] | |||
| 12. The Latin American Poem [Live] | |||
| 13. Release: Kind of Blue [Live] | |||
| 14. Interlude | |||
| 15. Brother John [Live] | |||
| 16. We Assume: On the Death of Our Son, Reuben Masai Harper [Live] | |||
| 17. Here Where Coltrane Is [Live] | |||
| 18. Bird Lives: Charles Parker in St. Louis [Live] | |||
| 19. High Modes: Vision as Ritual: Confirmation [Live] | |||
| 20. Elvin's Blues [Live] | |||
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For the past three decades, this poet laureate of Rhode Island hasnt paid any mind to moth-eaten poetics with tired "let me count the ways" blah. Harper grabs the mic back from would-be coffee shop confessors and armchair cultural quarterbacks, shuts it off and shouts.
He speaks in cocaine highs creeping up your groin. He speaks with the mouth of Black Narcissus. He speaks Coltrane jazz with messy fingerings (calling on the howling ghosts of Charlie Parker, Miles Davis, John Coltrane, and Bessie Smith)
His partner in crime is bass-clarinetist/composer Paul Austerlitz, known for his sweet n punchy collaborations with Fred Hos Afro-Asian Music Ensemble, and Caribbean music legends Gonzalo Rubalcaba and percussionist Julito Figueroa.
"Double Take: Poetry/ Jazz Conversations" breaks 180 degrees from bling obsessed rappers with MTV cribs or actors and actresses in Hollycars and goes straight to the root, where words and music can still kill you.
Harper and Austerlitz both teach at Brown University.
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