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Most Helpful Customer Reviews
26 of 27 people found the following review helpful:
5.0 out of 5 stars
Down to Earth And Outta Sight!,
By A Customer
This review is from: Down to Earth (Audio CD)
By the time Rainbow began in the mid-seventies, many of heavy metal's prime architects began to ape the habits of their progressive-rock brethren by becoming an institution of traveling, revolving-door musicians, all of whom have played on albums by other top-tier bands. As such, Rainbow could be considered the ultimate supergroup because it became a pit stop or even a launching pad for the careers of many of the most lauded names in heavy metal history. By the time Richie Blackmore and Company released "Down to Earth," Rainbow was at the pinnacle of its revolving-door policy and in a period of relative transition.Exit Ronnie James Dio, the diminutive frontman who gave operatic voice to Blackmore's magically gothic and netherworld vision. Enter Graham Bonnett, former pop singer and neo-metal James Dean with flat top and shades to match. Fans expecting another Dio must have been quite surprised by the almost pop and r&b leanings of this street-tough posing with open shirt on the album sleeve. Gone were the stargazers and men on silver mountains. Blackmore, together with former Deep Purple bassist Roger Glover, incorporated some pop and r&b into their philosophies and provided a vehicle for Bonnett to front a leaner, meaner and more concise Rainbow. And it is good. "All Nite Long" is the love song at its most anthemic with the kind of sing-along chorus Blackmore would never have dared before. "No Time To Lose" is a dirty, fast little rocker reminiscent of Deep Purple's "Speed King," while "Makin' Love" sounds like the kind of pop metal that became a chart topper less than a decade later. The surprise here is "Since You Been Gone," pure pop penned by Russ Ballard ("Into the Night" by Ace Frehley and "You Not Me" by Dream Theater among many others) with a Louie Louie-like riff and another sing-along chorus. "Love's No Friend" returns Blackmore to the blues, where Bonnett soars with heartfelt emotion and rage never before heard in a Rainbow song. In between is a Bach-like break that reminds you, yes, this is still Richie Blackmore's music. The other three selections reflect more typical Rainbow fare. "Danger Zone" takes Bonnett's fast-talking fury into the kind of driving rocker that soon became Rainbow's trademark. "Lost in Hollywood," for which Cozy Powell received a co-writing credit, sounds like a pared-down, commercialized "Light in the Black" with its fast rhythms and a Bach-rock break courtesy of keyboardist Don Airey. Airey saved his best for the album's finest cut, "Eyes of the World." Perhaps the only cut that sounds closest to what Blackmore would have written in the old days, "Eyes of the World" takes Airey's eerie "Tarot Woman"-type keyboard introduction into a blistering riff and a Bonnett vocal piercing with intensity and urgency. Bonnett, the bluesy, pop-wailer, shines with power and conviction. Unfortunately, behind all of this activity is a flat production with as much resonance as a shoebox. Roger Glover, skilled bassist and gifted songwriter, has proved time and again that for much of his career he could hardly produce himself out of a paper bag. Listen to the drums for instance. Powell could bash his drums like John Bonham, but Glover took the drums as well as every other element of the band's recording and stuffed it into a padded cell. Second only to Mike Stone (who has desecrated the sounds of Journey, Asia and Whitesnake), Glover for many years has underproduced what should have been many groups' finest efforts, like Judas Priest (Sin After Sin) and Nazareth (Razamanaz). Sadly, the Airey-Blackmore-Bonnett-Glover-Powell lineup would last only one album. Airey left to play for the Michael Schenker Group's first album and Ozzy Osbourne's Blizzard of Ozz. Powell joined MSG for an album and a tour. Bonnett resurfaced with - alas - MSG a little while later. Blackmore - always prolific, always progressive - and Glover revealed a new Rainbow with at-the-time unknowns; however, because of their experience with Rainbow, these relative unknowns became revolving-door superstars in their own right with bands such as Deep Purple, Black Sabbath and Yngwie Malmsteen. Blackmore, though he maintained his classical and baroque stylings, continued to mold the Rainbow style in search of commercial legitimacy. "Difficult to Cure" and "Straight Between the Eyes" offer incredible insights into the mind of Blackmore and the many facets of his vision, but never again has he, nor his bandmates, ever sounded so fresh and so wild as they did on "Down to Earth."
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Another Great Rainbow Album,
By
This review is from: Down to Earth (Audio CD)
DOWN TO EARTH is another great Rainbow Album. Ronnie Dio is gone, but Graham Bonnet is a wonderful replacement. Most of the songs are great, and some of the mystical lyrics have been replaced by more down-to-earth ones. The sound has also been streamlined considerably. The other songs are all great, even though the hit single, "Since You Been Gone", is a Russ Ballard cover. This album got a lot of rough reviews when it came out, quite possibly due to indignation over Ritchie Blackmore's firing of Dio, but it's really a great album that can stand on its own, no matter who's singing lead, and it beats the follow-up, DIFFICULT TO CURE, by miles.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Underrated,
By Ultimate Air Guitarist (Guitar Center) - See all my reviews
This review is from: Down to Earth (Audio CD)
*Down To Earth* is probably the most underrated and overlooked of the Rainbow albums, it's stuck right between the infamous Dio albums and the radio-freindly Turner years.
Graham Bonnett is one of the greatest voices in rock period. I don't know why he isn't more well-known in the realm of rock, as after Rainbow he went on to work with other famous guitarists (i.e. Schenker, Malmsteen). This austrilian ex-pop singer does himself proud on tracks like "All Night Long", "Makin Love" and "Lost in Hollywood". I hope one day they release a "Best Of" CD with all of bands Graham has worked with, that would be ridculous. Unfortunatly, Blackmore only kept him for one album, and this is what we have, *Down To Earth*. The album has Ritchie playing at a much more controlled and refined direction, much more feeling and emotion in the solos and riffs. I know it marks the end with the "Medival" theme the band had earlier, but this is non the less a perfect rock album; lots of memorable riffs, cool vocals, pounding drums and 70's sounding keyboards. You really can't go wrong if you are looking for hard driving blues rock. It certainly beats the junk thats paraded as "rock" these days, polluting radio airwaves. Also, keep in mind that this came out in 79, the dawn of the 1980s was right around the corner, so this was the last hurrah of qaulity 70s hard-rock before the gendre became artifical, sanitized commercial shlock on MTV. Even Rainbow themselves would get a little too much sugary for my taste after this. Rainbow's last really spectacular album IMHO.
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