Most Helpful Customer Reviews
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Fascinating look at the "down and out" of the early 20th c., June 30, 2004
This book reads much more like a memoir than the novel it is, and indeed it is a largely autobiographical work. Orwell begins with an anonymous narrator describing daily life in the poorer parts of Paris during the early 1900s. He describes the din, the dirt, the bugs, and all else in vivid detail. The narrator, an Englishman by birth, is living in Paris and running low on funds. We follow him through various attempts to earn money, including work as a lowly dishwasher or "plongeur" in the city's hotels, and also in one dubious restaurant. We learn all the dirty behind-the-scenes secrets of these operations, and it's quite enough to make one's skin crawl and cause one to avoid hotels and restaurants forever.The second half of the book follows the narrator back to his native England, where he must find a way to get by in London while awaiting a permanent job. Here we are introduced to the tramp's way of life - vagrancy, begging, and sleeping in the cheapest (and filthiest) accomodations available. But we also get to know some of the narrator's fellow tramps, and to feel for them. They are not all the worthless, lazy scum that the higher classes of the time would paint them as. Orwell concludes the book with a brief treatise on the vagrant's plight and ways in which it can be eased, as well as making the tramp a usefull part of society. Obviously Orwell's closing call-to-action is not entirely relevant anymore, as the workings of society have changed somewhat over the last century, but the book is nevertheless fascinating. A reader may at first be a little thrown off by the lack of a central plot, but once past this it is easy to get sucked into the world Orwell has illustrated here. His imagery is so striking that you actually feel as if you are sharing the narrator's experiences. You can feel the intense heat of the hotel kitchens, feel the weakness and weariness that comes with malnutrition, smell the grease and the sweat and the dirt. And yet, as bleak as all this sounds, the book is not depressing. The narrator never lapses into dejection or self-pity, and the reader is left with a sense of hope throughout the novel. Being poor is not presented as a dead end - there are always ways to get by, some of them quite ingenious. And the narrator is even able to find humor in some of the truly absurd situations he finds himself in. Any fan of Orwell's works will not be disappointed with this book. Or even if you've read nothing by Orwell (in which case you absolutely must pick up "1984" at some point), and merely want a glimpse into the life of the poor and jobless at this point in history, this is the book for you. And the fact that the narrator is anonymous (although the story is largely based on Orwell's life, the narrator is not, as some reviewers have claimed, Orwell himself) helps us imagine that he could be anyone, and that even we could be living this life. It's fairly short and easy to read, but opens up a whole world - one that is rarely contemplated in much detail - with it's rich descriptions. Definitely a recommended read.
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20 of 21 people found the following review helpful:
4.0 out of 5 stars
Poverty Taken To Task, October 24, 2000
Ostensibly a novel, this book is Orwell's thinly fictional account of a time he spent "slumming it" in Paris and London. Orwell had read and greatly admired Jack London's book, "People of the Abyss" (1902), which chronicled his time spent among the wretched poor of London at the turn of the century. In the prewar '30s Orwell followed London's journalistic example, and voluntarily entered the ranks of the barely surviving in Paris. His account is rich in it's evocation of sights, sounds, and characters of this day-to-day existence. When he isn't unemployed and pawning his clothes, he works 12-18 hour days as a "plongeur" (dishwasher/gopher) at various hotels and restaurants. It's a pretty awful never-ending cycle of poverty to be caught in, as Orwell's books amply demonstrates. He ends his Paris section by speaking directly to the reader about the reasons for such poverty. Rather than claim any kind of nobility in poverty, he points out that the terrible jobs he and his friends perform are largely useless work and can be easily made obsolete. Later he moves over to London and joins the ranks of the homeless tramps. This section is less vivid and strong, and is better as a simple sociological study of homelessness in Edwardian England. He somewhat awkwardly inserts a lot of info about slang which is interesting, but somewhat tangential. The extreme policies he decries here have been replaced by the modern welfare state economy. Altogether, it's an interesting journalistic/sociological exercise with some strong statements.
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29 of 33 people found the following review helpful:
5.0 out of 5 stars
The Real Kitchen and Hitchin� Confidential, May 27, 2002
Like most of us, I read Orwell in high school ("Animal Farm" and "1984") and remained largely unaware that hed written anything that didnt involve either talking Trotskyite animals or a terrifyingly functional dystopia. A friend of mine gave me Down and Out in Paris and London a month ago, and I was unable to put it down until I was done. In what is basically the chronicle of a couple of months of self-induced misery, Orwell explodes a lot of myths surrounding poverty and the spirit-breaking labor that is, for many, the only exit from it.We know the gist of the book: Orwell sets up shop amongst the common people, first washing dishes in various Paris restaurants and then tramping around London and environs. Proceeding via introductions and anecdotes--some hilariously funny, others downright heart-rending--Down and Out in Paris and London offers a detailed tour of a side of life that most of us will only ever read about. From the painstaking descriptions of exactly what kind of muck is to be found on the floor of a restaurants kitchen in 1920s and 1930s Paris (you dont want to know, but he tells you) to elaborations on how to skirt begging laws in London and the dangers associated with such living, Orwell makes his points, one after the other. To his credit, though, there is little dogmatic moralizing; when, at the end of the book, he tells you what hes learned, he doesnt seem to feel the need to shove down the readers throat what is clearly stuck in his own. The feeling is strong, though, that youd have to be blind, crazy or both, not to reach the same conclusions. The greatest strength of Down and Out, though, is the manner in which Orwell never attempts to pass himself off as one of the people he is pretending to be. The English band Pulp has a song about rich kids slumming with the common people, but the song points out that, if the going ever really got tough, the rich kids can always call Daddy and have him bail them out. Orwell has to realize that he is in that same privileged situation; his tramping in London, for example, is simply to kill time until he can take up a legitimate position, and, along the way, he is able to borrow money several times from a friend in order to make ends meet. This distance that he subtly maintains between himself and those who have little choice in their fate only adds punch to the lessons he learns, and Orwells probably privileged reader (at least privileged enough to spend money on books) is permitted to learn alongside him. There are picky complaints that could be lodged here--the untranslated French passages, for example, which will leave at a loss those without high school French--but, overall, Down and Out in Paris and London is a great read, one of those few books that manages to be both entertaining and properly disturbing. It has all the wit and scoop of later efforts like Bourdains recent best-seller, Kitchen Confidential, or Ehrenreichs Nickel and Dimed, but Down and Out, after bigger game than Bourdain and less unforgivably preachy than Ehrenreich, manages to dig deeper under your skin and stay there longer. And that, as Orwell concludes, is a beginning.
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