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17 of 17 people found the following review helpful:
3.0 out of 5 stars
CAUTION: old fart review, January 14, 2002
when i was about half the age i am now, i would buy nurse with wound albums on vinyl. they were to the 80's pretty much what kid 606 is to the new century: extremely clever sonic experimentation that stretched the boundaries of what folks at the time might consider music. in truth, nww (and others of that ilk) probably broke new ground upon which everyone from kid 606 to autechre to labradford might flourish, regardless of whether or not the aforementioned are immediately aware of their pedigree.so i'd listen my new nurse with wound album and think, well golly, that's just some clever stuff. REALLY clever. yep. don't know that i've ever heard anything quite so clever as that. yep. and then i'd never listen to it again. why? well, as clever as it was, i never really identified an emotional core to any of the material that would speak to me in a way far deeper than the novelty of new sounds and arrangements. in hindsight, it was all brains, no heart; all ideas, no vision; all content but no context. down with the scene kind of strikes me as something like that - nurse with wound on coke in the post-d&b age. it's not that i'm saying kid 606 lacks talent, that this shouldn't have been recorded (or for that matter that you won't even enjoy it for a while, cuz you might - even if it's only to show your posse just how wacky you are). exploration like this can fire the imagination of artists who might use kid 606's wall of beats, samples, and high-tech knob-twiddling as a foundation on which to build something a bit more meaningful (and yeah, probably diluting the aggression in the process for mass consumption - sorry). the kid even might be using this as a starting point for some future work that will make us see ourselves naked for the first time and accelerate human evolution. i dunno. i haven't even heard ps: i love you yet. i'm just trying to encourage the uninitiated to approach with a great deal of caution before they launch their credit card info into space. listen to the samples and then imagine yourself listening to the full tracks, six, maybe seven times. can you? okay. buy it. but ditachi comes to mind as a safer starting point. still very inventive, nearly as effed up as down with the scene, but with a deep sorrowful streak expressed in a disturbing environment.
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