*Starred Review* Klosterman, who has made a name for himself as an idiosyncratic pop-cultural commentator on rock music and sports, proves just as entertaining in his first novel. In or on the edge of nondescript Owl, North Dakota, live laid-back high-school football player Mitch Hrlicka, who stands out from his peers by being exceedingly normal; teacher Julia Rabia, who has fallen in love with buffalo farmer and Rolling Stones–exclusivist Vance Druid; and old Horace Jones, who mourns his wife and has a few painful secrets. Klosterman doesn’t follow them in a conventional narrative manner. Gifted with a superb ear for dialogue, a kind of perfect pitch for the way ordinary people talk, Klosterman is also capable of fine word-portraits of the three principals and the folks orbiting them in a town whose residents have nicknames like Vanna White, Bull Calf, Grendel, and Little Stevie Horse ’n’ Phone, and time exists on its own odd terms rather than those of the novel’s setting, the 1980s. Despite their eccentricities, or maybe because of them, one believes in these people and their often improbable yet always credible stories. Think of this as a literary relative of the movies Fargo and American Graffiti, sans the latter’s cruising Main Street and warm weather, with a poignant and tragic edge to it, conferred by a paralyzing and deadly blizzard in February 1984. --June Sawyers
--This text refers to an out of print or unavailable edition of this title.
"An astonishingly moving book, a minor masterpiece in the genre we might call small-town quirkiana." -- The Boston Globe
"It's tempting to compare this novel with Sherwood Anderson's classic portrait of small-town American life, Winesburg, Ohio. But no one in Winesburg listened to Ozzy Osbourne. And Klosterman is much funnier than Anderson." -- The Washington Post